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Chalky

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  1. Well I've heard it at various venues over the last 20 years at least, Burnley, Lifeline, Grumpy, Venue in Birmingham. I don't make things up so you'll have to take my word for it.
  2. Heard Dewey Black quite a few times over the years.
  3. Load of bollocks. There are countless local gigs up and down the country all paying original vinyl. Many are thriving maybe not musically, but certainly socially. There are events to cater for all tastes and styles so you have no reason really to go anywhere you are not going to enjoy the night. Bootlegs are illegal, you may as well play from Cds as in many cases a license has been paid. You seem to forget without those seeking out these expensive and rare records there would be nothing to bootleg.
  4. Tough book to find now, well it was never that easy as it had limited distribution. Think I got my copy from the author so he may well be worth a shout.
  5. Sadly, these scumbags probably do more business when there sales are highlighted. Ebay refuse to do anything about them as they make so much money from them, unless confronted by the lawyers of the copyright owner.
  6. Copies on discogs £65 to £75. Has sold on there for just shy of £69.
  7. Most on em are rare or fetch decent money, odd iffy one. Again I don't see the point of this topic, it more and more seems like a dig at the side of the scene that doesn't conform to playing Wigan oldies?
  8. To me the topic is more a dig at the rare or upfront as it is known side of the scene and venues like Stafford rather than someone playing boots? The oldies side is by and large original vinyl, certainly nationally although rogues will still get through. I would have thought the bootleg Djs are more local. Ever since the scene began and Djs had a thirst for the next new discovery rubbish has been played amongst the quality. There is countless examples of records from all eras that didn't stand the test of time, Stafford is no exception, it had a quite an incredible turnover of records for the time it ran and many scene classics came from that era not the few you intimate, not just Stafford either but venues throughout the 80s into the 90s and beyond, Blackburn, Wilton, I could go on.
  9. Chalky posted a post in a topic in Look At Your Box
    You don't sell copies of a rarity like the Delites and let it be known. You'd sell them wisely or most would and maximise profit. Bent as a nine bob note as we say in Yorkshire.
  10. Those who play boots usually play boots of the so called OVO records you refer to.
  11. Can you do me any 300 dpi scan of the up north weekenders? I have no flyers for them. Much appreciated if you can.
  12. Many thanks Paul for the kind words, same for everyone else, really is appreciated.
  13. Chalky posted a post in a topic in Look At Your Box
    Another opportunity to exploit, we all know they aren't test presses and the description shouldn't be allowed to be used.
  14. Chalky posted a post in a topic in Look At Your Box
    Another case of exploiting the current over inflated market place. Too many in it for a fast buck and not interested in being fair. Wants is the worse though, I've replied to wants with a fair price, often less than the going rate and they come back with I was looking to pay two thirds that. No longer bother looking at wants most of the time.
  15. Chalky posted a post in a topic in Look At Your Box
    All the big money records I've looked at use scans from previous sales, Arthur Willis he has listed is the exact same scan of the copy sold last month
  16. I will hopefully cover the Ritz in more detail later but it was after all a Bank Holiday night usually (some great nights too) and I didn't have the space to cover everything so stuck to what was happening on a weekly or more often than not monthly basis.
  17. Chalky posted a post in a topic in Look At Your Box
    The tax avoidance is what I understand it to be. Please find the article, would like to read it
  18. I hope someone can go and see Jackie and help her get a decent price.
  19. Chalky posted a post in a topic in Look At Your Box
    It was done without his knowledge, whether he actially owns the rights not sure?
  20. I had a gold issue when it was or just after it was covered up, didn't see an orange one till much later. Seen more gold over the years than orange. Is the run out details the same for both?
  21. Walker Brothers a bit limp, Walter is excellent but Jimmy's is by far the best IMO.
  22. The out takes are on Youtube as well somewhere. I bought the video when it was released a couple of years ago and was disappointed the out takes (or some of them) were not featured on it.
  23. is it @Dave Ward dancing in the P Funk sweat shirt? If it is I'm sure he has told of the track being danced to on here before?? Hopefully he can help some.
  24. Energy MC2 - If You Break it - New Soul Junction 45 View full article
  25. Press Release: Energy MC2 “If You Break It/Other Side Of The Mirror” SJ536 Release Date: Monday December 12th 2016 ‘Energy MC2 began as an energetic bunch of 10 and 11 year old neighborhood kids, who initially formed a band under the name of ‘Congressional Funk’ while still attending elementary school. The founding members were Vincent Bonham, Opelton Parker (the brother of Ray Parker Jr), brothers Ufuomo and Eric Wallace, with the later addition of Fred Gordon. Within months of their formation they began entering and winning local talent shows, in between performances at local churches and backyard parties. A little over a year later, they initially became the backing band for local recording artists Mad Dog & The Pups going on to feature on their earliest Magic City releases “Hep Squeeze” (MC-007) (which they provided the horn section on) and the follow up release “Funky Monkey” (MC-009). A name change to ‘The Soulful Hounds’ followed which they are credited as on the instrumental flipside of Mad Dog & The Pups vocal version of “Why Did You Leave Me Girl” Magic City (MC-012). The age of band members now ranged from 11 to 13 year old, and featured the four founding members with the addition of Leslie Bass, (Fred Gordon by then having left the group). Between recording sessions they continued playing their own stage shows mainly covering hit songs of the day. During one particular performance, Barrett Strong and Norman Whitfield made an approach to Mad Dog & The Pups and The Soulful Hounds with an invitation to join Motown. Unfortunately, the kids were already under contract to Magic City and label owners Ernest and Barbara Burt was not about to let one of their acts go to a rival label. (See the Magic City concert ticket below although the group are advertised as ‘The Soulful Hounds’). After leaving Magic City, the band went through a several changes in both name and personnel and became one of the biggest bands on the local Detroit music scene. At this point the band hired a bass player Ben "Rat Bass" Adkins, who brought with him the name of his former band, ‘Energy’. Then by borrowing Albert Einstein’s formula for special relativity (E=MC2) which they added to their inherited name ‘Energy’ in doing so they were able distinguish themselves from Adkins former band. Energy MC2 also from time to time featured three female members Marlene Rice, Gwen Laster and Patricia King who played violin, viola, xylophone and bells. These girls would often provide background vocals when required. They were primarily recruited to add a string section to the band and became affectionately known as the MC3 Orchestra. Ben Adkins later left the band, going on to play with Creative Source, Lonnie Smith and The Jackson’s (he, being Jermaine Jackson's replacement). ENERGY MC2 soon after began to seriously record original material which included the previously unissued 70’s dance track “If You Break It”. The group line up on “If You Break It” included Vincent Bonham, Ufuoma Akil-Wallace, Arnell Carmichael, Ernestro Wilson, Opelton Parker, Gordon Carlton, Eric Walace, Leon Lopez, Marvin Carlton and Marlene Rice. While an earlier session had too yielded two further unissued tracks firstly the flipside of the featured 45 single “Other Side Of The Mirror” which featured the same line up of musicians as “If You Break It” but with the addition of a second female vocalist Gwen Laster. While the second song “Juliane” a beautiful mellifluous ballad featured Arnell Carmichael, Vincent Bonham, Ufuomo Akill- Wallace, Eric Wallace and Gordon and Marvin Carlton on it’s recording. (“Juliane” can be found on the recently released “We Got A Sweet Thing Going On” Volume 2 SJCD 5011 compilation album). Following a later move to Atlanta GA, Energy MC2 signed on with The Greer Agency which represented, The Commodores, Brass Construction, Mother's Finest, New Birth, Brick, Little Richard etc. This association led the band to perform it's own brand of Pop, R&B, Funk and Jazz throughout the South states, from Arkansas to the Carolinas. The band later took a road trip to LA to be produced by Ray Parker, Jr. This collaboration would later lead to Vince Bonham and Arnell Carmichael leaving Energy MC2 to join Ray Parker Jr in forming the band ‘Raydio’. With Arnell’s brother Darren London Carmichael too later joining ‘Raydio’. Ray Parker had learn’t his trade as a session guitarist featuring on several of HDH’s Invictus and Hotwax sessions. Later as a part of Barry White’s Love Unlimited Orchestra, before hitting pay dirt as Ray Parker & Raydio and his solo hit “Ghostbusters” the theme song from the movie of the same name. Ufouma Wallace went on to play with artists such as The 4 Tops, The Temptations and Michael Henderson. Eric Wallace and Ernestro Andre' Wilson also played with Michael Henderson's touring band. Eric Wallace played and recorded with Stevie Wonder. Ernestro also played with the Franklin sisters Areatha and Carolyn, as well as Cheryl Lynn and Betty LaVette, amongst others. Members Gordon Carlton, twin brothers Jimmy and Jerome Ali, cousin Kenny Colton and Ernestro Wilson became the band for ‘Parlet’ (part of the P-Funk family) helping George Clinton land the Mothership! SJ536 - Energy MC2 - Promo.mp3 Your browser does not support the audio element. Words by: David Welding & Vincent Bonham. Photograph courtesy of: Ufuoma Akil-Walace Acknowledgements to: Vincent Bonham, Ufuoma Akil-Wallace, Arnell Carmichael, Dwayne “Loc” Lomax and ye olde soul detective Dave Thorley.

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