Paul Shirley

not every body has the time to be on here day after day having said that, non of my friends told me either . also i never mentioned its value in case anyone thinks i did

and me , one of my all time top tunes ......didn't some bloke on soul source not that long ago' say curtis was over rated and hasn't made a good record , i could not believe it

yeah but not everyone gets to know when records like that come up for sale .so seriously on that note if anyone wants to sell me the del larks please contact me im sure ian will vouch for me ps: apologies to andy for using the thread

it did the trick all them years ago in mrm's . folks off their heads packed dance floor along with the atmosphere ,what was acceptable then is now seen as old this that n the other . but would some of todays stuff be acceptable back then .....not a chance ! peoples tastes change along with the music for me it was good at the time and i would never disrespect it , ive heard much worse on the present northern (scene) i meant lol

yeah i agree top tunes from all, but more than owt' i thought del boy cunliffe put a good selection together

thats great news

traditions twinkle little star .a-bet mint- £900 frankie & the damons jcp proper mint only played about 6 times £400 .you wont find one in this condition , judy stokes soul power records vg++ label a little tatty £400 kenny hamber anything you want artic vg+ £200 all subject to offers but close ones

original dance floor before it was changed at the sink club liverpool

how i got over on ocampo records condition mint- £200 + pnp

well it was once a lot rarer than it is now thats for sure . obviously been drip fed for a year or two on ebay

your welcome but i only mentioned it the once ! anyway i didn't keep it in the serious context of CLUB CULTURE did i ?

doncaster warehouse and sub club acid jaxx scotland

you get though some records you do phil best o luck anyway

i'm also very sure the clubbing normal masses of the late 60s will not accept this documentary as being anything like factual. as it didnt include a whole generation that had started a dance club culture that might not have been as accepted and as big as todays or the 80s scene .but very much a pretty similar scene complete with similar drugs . btw i did like and enjoy a lot of the rave scene and house .i visited many of the clubs that were mentiond in the programme ...loved those nights and enjoyed some of the programme as well ,

eh? the dance scene that became northern did in fact start in night clubs and there was defo a club culture since the late 60s as already mentiond in a post further up and it wasnt in any old working mens clubs or dance halls either what do you think went on at the wheel then? there were clubs springing up all over the place open all night unlicensed hence the term underground , what do you think they did there play darts and dominoes or somthing ? how do you think amphetamine became so popular

according to them it all started with disco and the drug that changed the dance scene was mdma er? wrong on both counts i would say

you would need to ask the people who bought the record , im sure there must be many reasons but im just pointing out the fact that lots of people buy records on credit cards and somtimes are willing to give a little more if they have got more time to pay . not sure i understand the answer further up the page lol but never mind

credit cards and longer time to pay ....simple as that

im in complete agreement. i stil use the term in comparison to funk soul r&b and so on when talking about diferent music. but i feel these days the term has been manipulated completely it conjures up this embarrassing image of dressing up as stated above. needless to say i'm wary when using the term and i spend a lot of time trying to explain northern soul the dance scene (not the reminisers scene)

The Twisted Wheel club in Manchester is known as the birth place of Soul in the UK making this a truly Iconic Club, through out the world. the legendary status came about viar northern soul fans later on ( that i would agree with ). but regarding the above statment i cant agree with as blues and soul music was being played at many clubs around the uk before during and after the wheel. each club had its own following and was popular within its own town or city ,

i think every soulie in wigan knew them mate i personally have some cracking stories but cant repeat them on here . i understand kenny was caught out on the stage in the main hall one night im told it involved a young woman and the piano as the curtains unexpectedly opened

kenny and steve back in the day . i think we all agree great times gone by

the soul nights were on monday wednesday and friday's at the old emp i remember mike during the week. also on a roxy n bowie night were he dj'd on thursday nights in mrms of all places for me mrms was kenny spence and steve whittle grate times great laughs, ive never been to a nighter that could match the atmosphere on a saterday night in that little room back in the early days

cause i love you .....pretty tough record to find this , valued around 3 times what im asking in ex condition £100 p+p 2 squid Here is the actual 45 for sale. sold

it never got that far with phil as he already said on his original post , the only promotion after stan and pat in the original building was from me and tony we did the sunday nights again for a few months , before any of that i was a regular at the sunday nights in the sink along with denbo pete everett g farington and many others great sunday nights in liverpool at the sink in fact some of the best nights ive had at any venue . i remember the film being shown on the last night at the sink before stan pulled the plug