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Review - Togetherness Modern Side By Dave Dixon

Review - Togetherness Modern Side By Dave Dixon
I went to Togetherness on Saturday and was really looking forward to it, especially considering the aggro I had getting prepared to be able to make the journey. I walked in about 11pm during Soul Sams spot and thoroughly enjoyed it. I didnt know a single record he played but it was fantastic rare modern soul including a Timeless Legend record I hadnt heard before. It seemed pretty quiet at this stage - no record dealers and bar was quiet too. However, Mike Stephens set up a stall later on.
Next up was Richard Searling, an hour earlier than usual becuse Dean wasnt there, starting off with Donny Hathaway/Roberta Flack to get people up. He also played Angie Stone and OJays back to back which went down quite well. I dont think he played anything too dramatic. Andy Davies was also on earlier than usual and said at the beginning of his set that hes going to play some big tunes to get everyone going. His set included Janita, Dennis Taylor, Drizabone (Real Love) and Llorca. He did the job as stated but I couldnt help thinking that he was being under-utilised.
So after a set of stuff we all know, I was looking forward to Mike Stephens but he basically carried on in the same vein - Jon B, Shabazz (Glad Youre In My Life), Jaheim, Rahsaan Patterson. I started to wonder if the DJs had been told to play it safe. Mikes a top man but his set was very unadventerous and he is capable of playing all sorts of obscure promo stuff. I dont think it wouldve been his choice alone to play that set.
So far no soulful garage and next up is Colin Curtis. I prepared myself for an entire set of it, in view of his recent comments and that the previous djs hadny played any. Instead we had Kenny Lattimore, Luther Vandross, Harold Melvin & Bluenotes and some other 70s stuff for the first 30 mins and then it was Joi Caldwell, Lenny Fontana, Jon Cutler and others for the last 30. I must say he had the place rocking during his garage bit.
It would have been so easy for Terry Jones to continue where Colin left off. After all, hes been playing soulful garage in his sets for the last few years anyway so its nothing new to him. But, top marks to the man, he starts of by slowing it down by playing Maxwell and then Maysa Leak, The Dells, Main Ingredient, Donnie (Youre The One - record of the night) and other soul stuff. He finished off by playing crossover stuff like Melvin Moore and Karen ? (Make Love Last Forever). Easily the best set so far.
Gary Dennis then started off with Ollie Nightingale & Chuck Cockerham and played some great older stuff. Unfortunately, I was in danger of nodding off at the end of his set as Id been up since 6.15am on Saturday so as much as I tried to keep myself going I was marched off the premises by my wife so I missed Gavins final set.
Overall verdict - In comparison to the high standards its set itself over the last four years, it was average. I enjoyed myself, had a good dance and it was great to bump into folks again. However, I usually walk away wanting lots of tunes or to dig out some old ones but not this time. I thought too many of the djs were playing it safe. Perhaps its always like this but Im just getting fussy because Im more up to speed these days and have been out a lot more this year. There was also a lot of duplications - Angie Stone, Jo Jo, Marvin Gaye, Maurice J, Dante, Jaheim (Just In Case someone didnt play it earlier on) & Rahsaan Patterson.
Sets of the night were Soul Sam, TJ and Gary. Ive been pretty loyal to Togetherness - Ive been to 10 out of 12 of the allnighters and the recent weekender (which I thoroughly enjoyed) but it may be time to spend my hard earned at different venues next year. Lets face it - theres a lot of good competition these days. There seems to be a policy change from a progressive modern allnighter to a twice a year party night. Then again, maybe its me. Also, the sound quality was not good. The volume caused some significant distortion - a view shared by many people.
Cheers,
Dave
By Daved in Articles ·

Reviews - Lowton - North and South and More On Weekend

Reviews - Lowton - North and South and More On Weekend

Story so far .....
Lowton - North and South - Top Nite - Full ish review on happenings and plays plus can hear last 30 mins of final spot -



Wilton - Reports say great nite as usual with classy music from the residents and guests.

100 Club - Been told Saturdays niter had great atmosphere and as always great sounds

Weekend - As said before there were three top drawer events on this weekend,
100 club niter, Wilton Niter and Lowton mini-niter, which must have made it a
hard call for lovers of quality rare soul , to decide where to go. Myself,
well as Lowton was the closest and as it was a one off featuring 4 of CSC djs
guesting it had to be that one.



Well my view looking back on it all is .............an outstanding nite!

One of the most enjoyable nites have had in a long while, everything seemed to
come together, Djs seemed to be on a mission, lot of only see once in a while
faces made the trip, an appreciative dancefloor, yeah for me all things
combined and made it a great nite.

Format of the nite was North And South, with 4 of Capitol Soul Club DJs
making journey up from the Dome and five from the North playing at home
DJS

Line up went something like

Paul Baldwin & Dave Holt

Ian Cunliffe
Missed these spots as didnt get in to late, anyone fill in details?

Stuart Tyler - Though made determined effort to get there early enough
to catch a full set from Stuart T, as missed his last 2 at dome, failed miserably!
Managed to catch last 20 mins or so, which included

Gladys Tyler - A Little Bitty Girl - Decca

Exits - I Dont Want To Hear It - Gemini

Deadbeats -No Second Chance-strata

Arthur Fenn - First time caught him for years, started off with Black Wings Have
My Angel and continued with a well strong mix of rare 60s and classy 70s

Terry Davis - Havent heard him for a while as last two events went to he
didnt show .

Didnt catch a lot as was record barring and R+B-ing , but did catch Soul Sounds
and Gotta Have Money -Exits

Irish Greg- A Storming set, carried on in same style as at Nantwich niter- top
sounds coming at you from every angle

Heres playlist (not in order)

Mayfield Singers - Dont stop Now - Unissued Vocal Version

Districts - One lover (just wont do) - Nile

TC Lee & The Bricklayers - Up & down the hill - King

Nat Hall - Why - Loop

Virgina Blakley - Let nobody love you - Mojo

OC Tolbert - You got me turned around - Unissued

Gene Toones - What more do you want - Simco

New Wanderers - Let me render my service - Ready

Sonattas - Going on down the road - Hotline

Gerri Hall - Who can I run to - Hotline

Bobby Adams & Betty Lou - Dr Truelove - Tarx

Four Tops - Lonely lover - Unissued

Johnnie Mae Matthews - Dont mess with my man - Big D

Bobby Treetop - Wait till I get to know ya - Tuff

Judy Freeman - Hold On - Unissued lp version

Counts - Our love going to get stronger etc - Yes

Brand New faces - Brand New Faces - Lujuna

Curly Moore - You dont mean - Sansu


Tim Brown - Dug out many rarities and some classy revivals from ones you dont
just hear cause of rarity such as CODs - Shes On Fire to classy revivals such
as Eddie Parker -Love You Baby

David Flynn - What was Mr Flynn up to, was expecting a fairly balanced set,
you know like a few safe plays thrown in......

But werent to be. It was like he was on a mission, spent the whole spot under
a constant attack of top quality one offs, rarities and stormers.


And all worked and went down well

Full playlist below

Kenny Bernard & The Chapter Five - One in a million - CBS unissued

Del Chaisonettes -Dont let him hurt you - shrine

September Jones - Give me all of your loving - pied piped unissued

Benny Spellman - This ones for you - Alon


Sidney Barnes -Safety Zone- Jobette Acetate

Rodd Keith and Raindrops - Like the lord Said-Preview

Del Larks - Out of the "In-crowd" - Jet

Helen Troy - Bring Me That Man-Cover up

Fran Oliver- Searching for my man- cover up

September Jones - Im with you- pied piped unissued

Donna Loren - Blowing out the candle - Capitol

Oxford Nights-Im Such A lonely One- Delphi

Soul Inc- My Proposal- Coconut Groove

Tyrone Ashley -I want my baby back -Phil LA of Soul alt.take

Precious Three - I need a man - Ref-O-Ree

Jay Bee - Praying for an answer - Thunderbolt

Bernard Harper - Im not gonna lose it - Action

Ozz and the Sperlings - Can You Qualify - Goldenway

Doris Smith - No Good Guy - Limelight

Harvey and Jokers- Soul sound - Sko-Field

Toni Basil - Breakaway - A&M

Peter Hamilton - Hey Girl (instru)- Jamie

Johnny Maestro and Crests - Im Stepping out of the picture - Specter

Bobby Reed - The Time is Right For Love


Alan H- Had last spot and kept it going, always get a strong R+B taste when
hes on but also get mixed in quality stormers, touch of 70s and down tempo
soulful stuff

Threw at us loads of highlites, the headturning old wigan spin Isonics-
Sugar, that sounded awesome, CSC anthem almost - Im In With The Downtown Crowd,Chick, Chick never sick of hearing that 30 sec chick chick break, and
finishing with great ender for the nite - let me down easy,

Save me typing as sick of it - check out link for chance to hear last 35 mins
of his set, more from nite in pipeline



R&B room - Paid it a fair few visits (hence blanks above) and caught
Alan H, Pete Coulson, Mark Morgan, Barry J and others in action in the room.
with loads of current popular R+B floor fillers being dished out, along with
some good quality first hears, dont think ever seen so many excello 45s ,



Modern room- A few visits and seemed to be doing the business with some bang
up to date examples of quality soul, DJs included Colin Curtis & Bary
Maleedy etc


Spotted a set of bongos up next to decks, didnt see them getting used,
though guy was behind them, so still wondering what that

was all about? Anyone?



Crowd - Crowd wise - was told about 350 in, bit lower than normal but as other
quality events

such as Wilton and 100 on at weekend must had an effect, plus noticed a bit of
a difference in crowd make up compared to last time I went.



Dancefloor - Never saw it rampacked but was used through out, and
during the early hours when normally a big drop off in numbers there was still

plenty of action on a par with last time




Overall - Well have said what I thought, all of lot was with, agreed in
it being a great nite. Dont get chance much to hear a lot of the Domes spins
elsewhere but all sounded just as strong.




Future - Well after tonite and also recent Nantwich niter, well seems like
things are looking good, have heard so many soul fans recently moan about
tired old oldies, lazy "top" djs, well will just say the answer is
out there!



Hit here to listen to last 35 mins of Alan h who did the finishing hour


Hit here to stream
or go to soul sounds/live sessions to download

Hopefully 3 x more sessions from this nite soon!
By Mike in Articles ·

Places To Be At The Weekend!

Weekend - As said before there were three top drawer events on this weekend, 100 club niter, Wilton Niter and Lowton mini-niter, which must have made it a hard call for lovers of quality rare soul to decide where to go. Myself well as Lowton was the closest and as it was a one off featuring 4 CSC djs guesting it had to be that one.


What a nite!! full review to follow but briefly it was ...

One of the most enjoyable nites have had in a long while, everything seemed to come together, Djs seemed to be on a mission, just hammering out quality rare sounds all nite long, an appreciative crowd, and all added up to a great nite.


Of course thats just my own view, all spoke to since have agreed, but as always if you agree or disagree feel free to hit that comments button and pass on your views!
By Mike in News Archives ·

LLANDUDNO NITER XMAS SPECIAL -15 DEC 01

News just in...
Soul dragons present
LLANDUDNO NITER XMAS SPECIAL
Sat 15 Dec 01

10pm-8am
DJs to be confirmed but planned to be usual top quality

01492-622166 or 878686

for full info and membership
By Mike in News Archives ·

Hitchin Football Club

Hi All, A quick update re: Hitchin Football Clubs soul night tomorrow. Due to family commitments Fingers will not be able to DJ which I know will disappoint the club regulars. However Neil & Ab will be covering and so a great night should still be on the cards. Expect to hear gems spanning all the eras, from Charles Sheffield Voodoo working to Dean Barlow 3rd Window from the right, from Millie Jacksons Dont send nobody else to John Westley Loves a funny thingand the Allen Sisters Downtown Crowd. 45 mins from central London on the A1(M). Cheers!
By Mike in News Archives ·

Stafford Live Session Part 1 09 June 1984

OK hit the 100 mark in poll with requests for Stafford being the clear winner!
Heres Part 1, part 2 to follow in a couple of days:


Info:

Part One of the Stafford Session 09 June 1984

Quick and dirty track listings as annouced on the nite so loads of covers plus best quotes


naughty boy -shellie mathhews and bells - "questions will be asked in parliment about that record"

soul of a woman- gracie dumas

gordon keith - dont be half sad -"big one for dean anderson "

randolph wright - and so they say

ringleaders- all my life "big one for dave thorley" - quiet volume

tape jump

rock robinson -eve of destruction instrumental

terry goodnight - they didnt know -"going big"

tommy wade the flame of my heart

oscar perry -face reality

carol orr-only have myself to blame

volumes-cant you hear me calling

arron domain - I cant see - "see you at leighton buzzard "

naughty boy - shellie mathhews and belles


Part 2 of this sess soon


session should now be in refosoul live event section


By Mike in News Archives ·

Lowton - Taster

Heres the latest CSC Djs "Magnifcent Sevens"
A fair chance that most of these be thrown at you at that there saloon up Lowton way this Friday.

Irish Greg

Mayfield Singers - Dont stop now - Mayfield unissued

Districts - One Lover (Just wont do) - Nile

4 Tops - Lonely Lover - Motown unissued

Johnnie Mae Matthews - Dont mess with my Man - Big D

Temptones - Baby yes I do - Arctic unissued

New Wanderers - Aint gonna do you no harm - Ready

Dee & Floe - This & That - Dee Wolf Productions.



David Flynn


Kenny Bernard & The Chapter Five - One in a million - CBS unissued

Del Larks - Out of the "In-crowd" - Jet

Tyrone Ashley -I want my baby back -Phil LA of Soul alt.take

Precious Three - I need a man - Ref-O-Ree

Jay Bee - Praying for an answer - Thunderbolt

Donna Loren - Blowing out the candle - Capitol

Arthur Alexander - Stay with me - Monument unissued



Stuart Tyler


Cautions - No Other Way - Shrine

Allen Sisters - Im in with The Downtown Crowd - Quality

Gladys Tyler - A Little Bitty Girl - Decca

Hattie Littles - Love Happiness Misery & Pain - Jobete

Exits - I Dont Want To Hear It - Gemini

Billy Wells - This Heart, These Hands - Sweet Soul

Matadors - Say Yes Baby - Chavis


By Mike in News Archives ·

Tonys on Saturday

Saturday saw a trip up to Tony’s Blackburn, billed as the 10th Annivesary, celebrating 10 years being run by the current promoters. The nite saw a fair sized crowd, Bob Hinsley, Pete Coulson, Robbo, Brian Rae, Chris King, and Little Scotty in action, delivering a right old mix, of current in-demand rarities, R&B Throbbers, classy revivals, and popular floorfillers.As the saying goes something for everyone. Pete Coulson passed on his top plays which included Dean Barlow Third window from the right and Lillian Offitt – “Miss you so”. Terry Davis and Tony Jebb were billed but no-showed. A good enjoyable nite.
Next one is on 01 Dec 01

DJ line up then is Carl Willingham, Eddie Edmondson, Sam Moore, Mark Morgan, John Mercer, and residents Mick Lyons, Little Scotty, Pete Coulson
By Mike in News Archives ·

Saturday Morning Bits

Saturday Morning Nitemare - odds and sods

Bangor Social -Friday saw the monthly soul nite at Bangor City Social Club

It was another good social nite, 100+ people in, Mark Morgan guest dj, Johnny one
of the organisers the other.

Sounds - well were talking mainly oldies most of the night, Mark M dished out a few
current floorfillers during last spot which included the likes of
It Aint What I Do -Peggy Paxton, Richard Berry and Merle Spears with aint
no need.

Thats it, if in north wales area worth checking out as its ideal for a friday socialable nite, few beers, bit of a laugh, few old faces, nice venue, you know the score. Next one is as normal first Friday of month and Johnny said may have something special up his sleeve for this one!

Web ring additions:

Two recent additions:

Another top quality Italian Soul Site, run by Moses, Nancy who some may know from US record lists is involved, loads of different sections and all seems quality stuff


Seems like Italian Soul Scene is buzzing, going by all these cracking web sites, Adey C, Derek Pearson were recently out there (Derek P radio spot is up in sounds) and Butch and Andy Rix are lined up

http://www.rightcombination.too.it/
Does that Vinyl monkey need feeding?

Well heres another place to feed it

Sites called Recordbarn and its at

http://recordbarn.homestead.com/Recordbarn.html

Clean up of webring:

Working way thru check of all sites, all those without links or the url is
not working, will/have been queued, please email once link is on or new url and will
re-add site, without the links the ring doesnt work!



Request help - Check forum out for a request for help contacting ex-casino
staff
By Mike in News Archives ·

STOKE WARM-UP! - WITH A DIFFERENCE

Just a quick note to let all those who are travelling to the Togetherness nighter that one of the unoffical warm-ups for the main event takes place an hour and a half down the road in Hertfordshire at the football club in Hitchin where regular DJs Neil & Ab will be joined by ace collector/dealer FINGERS for a night of across the board goodies, spanning all eras, prior to the nighter.

Entry is £4 (£2 to those travelling on) and the club is located a mere 10 mins. from the A1(M).

Come and relive those halycon days when we all had a lot more hair than now and didnt have our belts let out to the last hole! When wed take in a few hours at a local soul event B4 making the journey Ooop Narth.

Full info can be obtained by mailing Jane at janeoppegaard@aol.com. (About the event that is and not if your a sad old git etc etc)
By Mike in News Archives ·

Trivia -Weekends and Sites

Odds from Last Weekend:
Birchfield Last Friday was a great nite, guests John P and Colin W dished out some quality tunes (inc first chance to hear different version of Andys Rixs Jimmy Radcliffe one off "The Thrill of Loving You" by Parrish Broxton.) Regular DJs floorfilled with quality stuff such as Phonetics - Just a boys dream- Betty O Brian and more.

Bradford - Beehive last Saturday

Word is this was a quality nite allround, fresh and strong music, top crowd, etc seems to be going strength from strength.

Bretby Last Saturday - No reports sent in, though heard it was good nite music wise whilst not a packer.


This weekend:
Events all over the place - London, Hants, North Wales, Blackburn, Desborough, Notts, Inverness, Hindley and more,
check out Events Section for full details:
Looking at getting to Bangor and Tonys 10th Annivesary meself, not sure whos on at Bangor but Tonys features
Bob Hinsley,Tony Jebb, Brian Rae, Chris King, Terry Davies, with resident djs Mick Lyons & Little Scotty.


Shout for reviews didnt receive a lot of info back, so will give it a rest, though gotta say big thanks to all those who regular contribute and sure it is appreciated by all

Check 6ts site out as more articles, info, photos etc added, gotta say must be one of the most entertaining "offical" sites. Soul and a smile.


http://www.6ts.info

Northern Soul 45s Label Scans

Couple of Shouts:
Events:
If put postcode on event news it means travellers can enter it at www.streetmap.co.uk
and get an almost to the front door map.

News:
Sites all about "spreading the news" feel free to send ought you want word spread on in, though do get a lot of soul spam mail so please if you want it mentioned on site say so.


By Mike in News Archives ·

The Capitol Soul Club 2nd Anniversary: Pre-anniversary thoughts


The Capitol Soul Club 2nd Anniversary: Pre-anniversary thoughts

One of the many emails that I get from the website, this sort of feedback makes it all worth it!
See you all on the 30th @ the Dome
Regards
Matt Jahans


"As the anniversary of Capitol Soul Clubs marriage to the Dome beckons, it takes me back to July and my very first visit. I was already familiar with the music from the boys, but nothing could prepare me for what I actually experienced on going through the doors that steaming hot summers night.
I had decided to drive, and the car was very much alive to the sound of good music, as my partner in life Karen and I enjoyed the company of Dave Holt and Robbo.
After a somewhat lengthy journey, owing to roadworks we arrived at Finchley Park and managed to park about 100yds away from a building with plenty of outside activity.

Membership cards shown, we were in, and then it hit us.

Karen and I stood quite motionless for several minutes, not even daring to talk as a wave of music, heat, and an atmosphere to die for flooded over us. Only once before have I ever known that feeling, and that was on my first visit to the Torch in 1972, and here I was again, or was it someone elses first visit to the Casino or the Wheel?

Im sure everyones whos passionate about their music knows what I mean.
When we finally decided to move our feet and pitch our tent. We were welcomed by a lot of faces weve never seen, this was nice and I had already decied to go with the notion of when in Rome do as the Romans do.

No pre-conceived ideas, or Ive been there done that attitude, Karen and I were going to just let things happen, and did they happen.

The music was astounding as Alan, Dave, Carl an Irish Greg continued in the same vein as they did at Tonys all-nighter at Blackburn.
Excellent sets of music included The Nomads, The Springers, Sidney Barnes, Jesse Davis etc, etc.
Then popped up the guest for the evening non other than our good friend Ian Cunliffe. To say that he did the North justice would be an understatement, Ian did what Ian does, and does it so well. Joyce Taylor, Tommy Turner, Blue Jays, Brooks Bros., all went down a storm, but the real heroes are the punters.

They create an energy that all young people do, the difference is this time they do it with Soul.
They also are firmly behind the Jocks and their selections, and are prepared to dance to unknowns, which is so refreshing.
Im now counting the days to the November Dome, but I think Ill just forget everything Ive experienced, and start all over again..........wonderful.
Best wishes
Steve T"



By Mike in Articles ·

Rare Soul review - inc scans of article

Rare Soul Review - Issue 1  2001
Rare Soul review - Issue 1 (note 2 x clips are fairly large - 200kb and may take a few mins to download, but worth the wait)
Recently had the good sense at a niter to think better buy myself something to read before putting myself at the mercy of Railtrack on a Sunday. Quick look round the dealers stalls and spotted the glossy cover of the first issue of Rare Soul review. Had a flick and thought yeah give that a go. Now Railtrack being Railtrack yiu may be surprised to hear that they gave me a good chance to read this, (ended up a 10 hour journey ) so must have re-read it a fair few times (just ask me what is the third 45 on page 34).
Anyway enough late nite ramblings and onto the meat, right in these days of many mags/fanzines, a new one on the streets has to stand out and offer something new. So what's on offer here then, well a few years back one of the highlights of the maildrops was a fanzine called Soul Galore, which offered pages of 45 reviews and nothing else, since it stopped theres been nought really the same (that Ive spotted) . So when I did do the quick flick through at the stall I was quite chuffed to see that it follows a similar format. Quite a few differences though, the first obvious one being the quality, as you can see by cover (Mr Hoagy Lands featured) and the clips below were talking about glossy WH smith format here and the presentation, grapics and layout shows were talking definitely about the year 2001 standard.
So as you can see, it looks good what about the content, well for your money you get about 35 pages of soul reviews, the majority done by your man Tim Brown, and due to the diversty of current days split into different sections - Northern Soul Circles, Crossover to the Modern side, A Gallimaufry section (translates to misc as in doesnt fit in to mainstream cats), all by Tim Brown, and a Adams Apples (rare funk by Adam Lever), also short articles/listings on Rosie Grier, Unissued Motown doing the rounds, and 3 pages of recent cds reviews.
To give you a better idea of format here's a clip OK excuse the size and quality of scan.

But you get the idea for each 45 you get a bit of detailed background and comments, value and availability, with interesting label scans of some. And way it is written is not as per some dusty stock catalog, but your man offers more with his own views, compares with similar and so on.
Main attention by myself was to the northern bit, but the others inc the modern are of interest especially as the modern covers a lot of "decent" 70s 45s, (which is more to my taste rather than some of the other "cutting edge" stuff called modern nowadays). Any gripes, nah not really, of course would have liked it to feature even more 45s, as in be like 2 inches thick, but all things considered with the quality, effort, and standard I feel the price and content are right.
A suggestion that would work for me is a contents page, with each 45 listed, and in each forthcoming issue an index of all 45s featured and what issue and page, so in future when youre frantically searching for the info of that 45 someone is flogging, you can find it quick and easy, not like my current method of searching thru every mag you have and as always finding it in the last one you look at. And as the "All you need to know about .." mags advertised on telly say, "will build up to your own comprehesive reference libary"!
Anyway not a lot more to be said, end of the day, found it worthwhile as in its informative, a lot of unknown info to me, enjoyable, always enjoy reading the background to these bits of black vinyl, artist info, label info, first played etc its all part of the buzz that get out of soul music, and a good reference.
Highly recommended, am sure anyone who enjoys listening to rare soul will enjoy it no matter whats their background, and the final word by me is will be a addition to my must buy list.
No need to take my word, here's another clip

Contact details are after this the mag is £4.95 (includes p+p) or £5.95 overseas. Anglo-American, PO Box 4 Todmorden, Lancashire, OL14 6DA, England uk
If want to pay by credit card email postmaster@raresoulvinyl.demon.co.uk
At the moment the mag isnt featured on the publishers site but will be in future
By Mike in Articles ·

Brenda Holloway - Andy Rix interview

BRENDA HOLLOWAY INTERVIEW
conducted on October 13th 1997 at Brenda's Los Angeles home by Andrew Rix
AR: The logical place to start is at the beginning. We know you were born on June 21st 1946 in Atascadera, had a younger brother and sister - Wade and Patrice, and at some point moved to Watts.
BH: I was born on June 26th and moved to Watts when I was two years old.
AR: What can you tell us about your childhood, particularly your dreams and aspirations, and how you became interested in music.
BH: Well, when I was an infant I used to cry a lot and my mother used to put on the stereo. That was the only throguen_storiesing that would make me quiet, listening to music, not anyone talking to me, or patting me, or trying to calm me down, only music would calm me down. I would listen to Dinah Washington and B.B. King so maybe I developed an ear for music when I was an infant.
AR: What opportunities did you receive in the early days that led you to follow a career in music.
BH: Well, support from my teachers. I had a teacher who used to take me out of school to the colleges because I was a violinist at first. I started studying the violin when I was seven years old and the music teachers would always be interested in me because I played the violin, sort of like a gypsy, with a gypsy flare. So they used to take me to USC which is not too far from here, but it was kind of far from Watts, about 10 miles, from here it's about 10 minutes. At USC I would go to the lessons and they respected my talent even though I didn't really know I had a talent. All I knew was that I liked the violin. Going back into my background I have Hispanic and as you know they are known for playing the violin. That's probably where I picked up wanting to play because nobody in my family liked it infact they used to make me practice in the backyard. There would be me, the dogs and the violin and they would howl because the sound of the instrument would make them mad. So I used to practice for about an hour and then people would say "Brenda it's time to go in 'cos we can't take it anymore" so I was always trying to find a place to rehearse and I would complain to my teachers. They would take me away, out of Watts, to go and study. My mother used to have a boyfriend and he would take me out for auditions. They had an audition for a violin player, they had 500 people from all of the schools in southern California and they picked only 107. There was only 7 blacks out of the whole 500 and I was one. If the insurance man used to come in the house I would sing for him or if the neighbours came I would sing for them so I was always known for my music and singing. My mother always made sure I had the money to go for my lessons and she always pushed me, she'd say "nothing can hold you back, you can do anything you just have to be faithful and just believe". My mother didn't have any colour barriers, she didn't feel you should be held back because of your race, if your gift could make room for you and you were prepared so she used to say "get out there and do your best".
AR: Would you say that your mother guided your initial interest.
BH: We had a lady across the street from us and she was into gospel. I wasn't in the Church as a little girl, I was close to God but I didn't really want to be in the Church because I felt you would have to stop everything, I didn't understand God, that he would want you to do your best at everything. I was in Church but I was scared to get totally into it so she would take me out to sing in Church and then Hal Davis came on the scene and Marc Gordon, when I was in high school, and they are the ones who got me involved in Rock&Roll, cutting, doing backgrounds. That's how I got into R&B with Hal Davis and he introduced me to Berry Gordy.
AR: When did you decide to make singing and performing a career.
BH: At 5 years old
AR: Was there anyone who influenced this decision.
BH: I would always see people on TV and I would always tell my family that that was gonna be me. They used to say "please Brenda get out of the way of the TV cos we can't see". I was fascinated with television just to look at the people that were singing like Mahalia Jackson, I can't remember in particular but when I saw people singing I would always say that's gonna be me. I always loved music.
AR: When you decided to make it a career and you actually got into performing how easy was it for you to get work.
BH: Well I started out as a dancer with my sister. I was interested in singing but I didn't know if I really had it. If you're raised in a place like Watts or maybe in a ghetto everybody can sing. You could get a bum off the street or out of the liquor store - they could all sing. I didn't know my own potential but when I'd sing people would say "we like your voice", so I always got a good response. I didn't know how individual I was 'cos I'd sing Mary Wells things and I tried to sound like her, Diana Ross things and so on. I tried to sing like everybody but there was always a sadness in my voice and my sadness came from a lot of childhood stuff because I was always a loner. I didn't play with dolls, I didn't do any of those things because music was an outlet for me, it was the way I handled a lot of my personal sadness. I was basically an introvert, I didn't mingle with my sister and brother, I was just into music and doing my own thing.
AR: Did you intend to be a solo singer or did you have any thoughts at the beginning to be in partnership with Patrice.
BH: I was gonna be a songwriter and help Patrice whenever she needed me because she was the first one that was chosen to sing. She had a hit here with 'Do the Del-Viking', I was trying to be a part of it so I was the dancer.
AR: That song was written by you and Patrice and issued on Taste Records in July '63.
BH: I don't remember when. I can only recall when I started singing.
AR: The first issued recording of yours that we can trace is a song called 'Hey Fool' that came out on Donna Records in February 1962. What were the circumstances of you getting this first recording contract.
BH: Well Hal and Marc were trying to place me. I was the oldest, Patrice was 12 and I was 17 or 18, so they were trying to place me cos I had a figure and they said "you have a shape so you could probably get a deal". I didn't even know about the shape because everybody had everything that I had, so I said "I do ?". I felt like a square 'cos I was into classical and like a classical musician I was focused on the instrument, that was the kind of mentality I had from a little girl I was focused in on one thing. I couldn't care about the shape..I didn't know I had a figure or anything like that so Hal was trying to prepare me and that's how I got the deal. I was always a team player and if Hal had a project and he'd say "can you help me write this song" I'd say "sure" so I got the opportunity because I was easy to work with .
 
AR: Was the song 'Hey Fool' taken from your first recording session as a solo artist.
BH: I think that was maybe my one and only song, We didn't have a lot of money. I don't think I had an album it was just like a one time thing and then I started writing from that point. That was my initial introduction into writing .
AR: How did you feel when you went into the studio the first time.
BH: Everybody was there with me, I think Hal was on background, I just felt like a studio musician. you learn your lyrics and you sing it to the best of your ability. I didn't really feel special it was just a job, I wasn't too excited about it. I didn't actually know it was going to be put out we were just trying to get a deal.
AR: According to my research you had three records released at Donna.
BH: What were they.
AR: 'Hey Fool' recorded in January '62 with 'Echo' on the flip side.
BH: I liked 'Echo'.
AR: 'Game of Love'.
BH: I don't remember 'Game of Love'
AR: We've never seen it and can't find anybody with a copy.
BH: Now that we're going back I can kind of remember it but I liked 'Echo' because I was starting to go into my own type of writing that I liked to do.
AR: Yes you wrote that Patrice and K. Harris.
BH: Ken Harris.
AR: 'Game of Love' had the flip side 'Echo Echo Echo' and the third single was 'I'll give my life', written by Robert Jackson, and the flip was 'More Echo' so 'Echo' was obviously very popular. There are unconfirmed reports of two other singles on Del-Fi, one by 'The Sisters' and the other by 'The Wattasians'.
BH: 'The Wattasians', yes I was a part of that group. We were like a group of people where all of our product was coming from, we just used different names but we were all part of one stable, the same organisation, we were trying to just get a hit. The Wattasians were girls from Watts, that's how we got the name, we had one lady who became Eleanor Rigby, she worked with Gene Page, and was in Alaska doing a lot of work but I remember her because she was so heavy. We used to buy these clothes out of little cheap shops, like a 99c store, we used to have to buy two dresses, cut them down the middle, and sow them together and that would make her one dress. Her real name was Priscilla Kennedy and she was a very very talented musician.
AR: If I remind you what they were can you tell me how much success you achieved with the pre-Motown singles. There's the three we've just mentioned on Donna then you had a single with Hal Davis as 'Hal & Brenda called 'It's you' flipped with 'Unless I have you' that came out on Minasa and Snap Records.
BH: They were local hits and may have sold some in the East, they were creating interest and making us popular back here in L.A. . We were just coming out with songs that were making noise and making hits. Patrice's was the biggest but we were getting known in L.A. and we would do the record hops and were getting popular but I didn't have that real big one until I got with Motown. People knew us here because we were in the publics eye a lot.
AR: The next one was 'I'm gonna make you mine' and 'I never knew you looked so good til I quit you' which you cut with Jess Harris for Brevit Records released in June 1963.
BH: I remember them, I liked singing with Jessie he had a good voice. Can you imagine a title like 'I never knew you looked so good til I quit you', in those days we could sing what we really believed in because we didn't know the mechanics of writing, what we felt we penned it and put music to it and put it out.
AR: The next track was 'I get a feeling' flipped with 'I want a boyfriend (girlfriend)' that came out on In-Sound Records locally and then Era Records nationally.
BH: I didn't know it went national, I mean I didn't know it was even on a national label.
AR: Well Era was the label that had Jewel Akens and Ketty Lester.
BH: Through that Ketty Lester association is how I met a writer called Ed Cobb.
AR: Robert Jackson, the other singer, I believe was the brother of Gloria Jones.
BH: Yes I think that was Gloria's brother.
AR: That takes us up to August 1963. The next one was Brenda Holloway & the Carrols.
BH: Really.
AR: 'I ain't gonna take you back'.
BH: I remember the title.
AR: It was flipped with 'You're my only love'. Now I'm not convinced that it's actually you singing. I think that this record, which was released in June 1964, three months after your first Motown release, was put out as a cash-in. They probably only had one side so just used a filler on the flip.
BH: What was the label.
AR: Catch.
BH: I've never heard of that. I don't think that's me.
AR: So they are your pre-Motown's and from what you've said they were local hits. Going over those releases there are a number of names that crop up regularly Hal Davis, Robert Jackson. We've said that 'Echo' was used on the first three 45's. Whose idea was it to use the other names as 'I want a boyfriend; was issued as 'Bonnie & Clyde' .
BH: I think that was Hal's idea.
AR: Then the issue on Era was credited to 'The Soul Mates'.
BH: Maybe Robert was tied up to another contract and didn't want to use his name.
AR: Hal seems to be the common thread through all of those releases. Was he always beside you at that time.
BH: Yes.
AR: Patrice's record 'Do the Del-Viking' was released in July '63 and by this time you'd already made six records.
BH: Well evidently they didn't sell.
AR: You co-wrote 'Del-Viking' with Patrice and used to dance for Patrice when she performed the song, we would assume as sisters you enjoyed a close relationship so what part did each of you play in establishing the other as an artist and at that time when you were working together did you perform or record as a duo.
BH: Well we were very close as a family and were raised in a single parent home, my mother was very strong and believed in the family. We even sang at the dinner table and could talk in harmony. We were a musical family. We were always taught to help each other and stick closely together and I love Patrice, she's my baby-sister. Patrice had a very strong business-head, I'm more of an artist, she was very focused on the business side and I was looking at it as being an artist and getting my product out, getting my feelings out there. So we pushed each other and we would do anything for each other and when I broke with my big hit I'd got the title and everything came to me. I'd got the title but I'm not a lyricist I'm a melody person, a feeling person, I can tell you my feelings and you can put words to it so she worked very closely with me to help establish me as an artist and vica-versa, we enjoyed each other. She was more business-like so she got more jobs than me, I'd do jobs for free but she would always want paying, she had two cars and I had one. At 21 she had lots of property and I just gave all my money to my mom. We helped each other a lot in those days and we were very close. I knew that everything that I had would go to my family and she knew everything she had would go to buy property and cars. She was practically a movie star because the 'Josie & the Pussycats' show was led by Patrice, she would go in there and handle her own deals whilst I would always say "where's Hal, I don't want to talk to these people, I'll do whatever you say". We were totally different but sometimes she was too strong, she could be very intimidating to people where people always liked me because I was so easy going.
AR: You were obviously very supportive but you never got to record together.
BH: We wanted to record together but it never worked like that. People always pull you in the direction they want you to go, where they want to see you. At first we would always listen to Hal but when Patrice got a few breaks she went out on her own, she got her deal at Capitol but I stayed with Hal and he got me the deal at Motown.
AR: How important was Hal to your career.
BH: He was the person who started everything, except for the grooming which my mother looked after, but he was the vehicle that I used to get all of my deals.
AR: When did you meet up with Ed Cobb, was it when you entered your Motown period.
BH: Hal met him, I think it was earlier than when you're talking about. You remember the Ketty Lester association, 'Love letters', he did that with her and Hal knew Ketty. Ed had a song for her but Ketty didn't like it. The song was 'Every little bit hurts' and they loved it for me but I didn't like it but Hal was the one who got it to Motown. Hal knew a guy called Jack Eskew who knew Berry personally and when they came here to Los Angeles for the DJ convention in '63, I think, Hal set it up and I sang and sang and sang for hours. There were a group of men that came in and I was singing Mary Wells songs, I was supposed to meet Berry and I'd been singing for about four hours when these men came in. There was this little short man and he was cute, I didn't know who he was, I was just singing but I was getting tired and was getting ready to go home. You know I'd been singing since 10 o'clock and now it was 4 o'clock and I wanted to meet Berry but I said to Hal "I'm gonna go home because I'm tired". Then they all left the room, Hal included, then this little short man comes out and says "I am Berry Gordy" well I almost choked, he said "I like you, I like the way you look, I like the way you sound and I want to sign you up". I told Hal " you go home and get my mother and you tell her she better let me sign this contract". So they got her and she was all dressed up, actually I think I went home to get her. I used to believe in the horoscope and I'd read the paper that day and it said "today is a good day" I said to my mother "you better let me sign this", you know my mother was like a sister we had a good relationship. We went back and she signed for me and Berry said "there's one thing that all artists are told, you've got to graduate and when you do I'll put your record out". So I was in college and I graduated and people were saying to me "you've got a record out" and I said "no I haven't" they said "you have got a record out, isn't your name Brenda Holloway" I said "I think so". I still didn't believe them because I didn't have any communication with Berry while I was in High School. I recorded the songs here because I was a West Coast artist and the offices they have now they established because they found me so they started recording their people there, they brought Detroit here. So I never heard anything else, he never spoke to me again until I'd graduated, he put the record out, it could have been the day I graduated, because I was only at the college a little while. Well one day I was at home and I was mopping, I'm always mopping.......
AR: You're moving a bit too quick for me because I wanted to ask you about the DJ Convention. Motown had a PR knack of creating fairytales about how it discovered its artists, it's been written, that you apparently gatecrashed the DJ Convention dressed fit to kill in a gold pantsuit. Catching Berry Gordy's eye whilst miming to a Mary Wells record and signing a contract before the day was out. Did this really happen as reported.
BH: Well all I can remember about the pantsuit was that it was tight and I had gold shoes to match. I was noticed when I walked in but Berry wasn't in the crowd, they probably told him "there's a girl out there trying to sing, she's got a figure". My mother dressed me that day, I had all kinds of clothes so that particular day I just picked something that was kind of glam and sexy, not that I knew what sexy was, I was only 17 years old, and everybody has a figure at 17. So I just put on some high heel shoes and the gold pantsuit and everybody liked it...all the men. I wasn't miming to that song I was actually singing, it was 'My guy', I kept on singing it over and over again for hours and hours and like I've told you Berry came to me and said "I like you".
AR: So how fast did that contract get signed.
BH: As soon as my mother got there. I wasn't going to leave without that contract being signed, it was probably an hour. I used to tell everybody that I was gonna get on Motown and they would say "do you realise you're in Watts and Motown is in Detroit" so nobody believed me. When I got on Motown I was so excited I thought I was at Disneyland I saw Stevie, Mary and Marvin....I was so happy. You know my mother was into clothes and her friends used to own dress shops so when I went to Motown I was dressed out of the store and the women there said "she didn't come from the projects, what is her problem", I said "I don't have one". Berry would say "that's the girl who always says the right thing" and the girls would be like "who is she, she's not from Detroit, she's got all these clothes like a movie star". I've never been into clothes but my mother was and she would say "if your hair is good and your shoes are good whatever is in-between can be as cheap as I don't know what". When I went there I had good shoes and everything matched and a lot of the girls started to copy me..when I first went I was so excited but they were like "who is she". I always felt special because it's like having a large family of children and you decide to adopt, your gonna pick that child and mould them to how you want them to be. I felt that Berry picked me, I was an adopted child and the other kids didn't understand me. It was like "why did our dad want her when he has us" and that was how they treated me like "you've been adopted so you're not really part of the family". It made me feel funny because they used to talk about my clothes and being from Hollywood. I could hear them when I went to the parties.
AR: Your arrival at Motown co-incided with the departure of Mary Wells.
BH: I was there for a little while before Mary left, she was still releasing records, she was doing some tours and we were actually on the Dick Clark tour when we found out that Mary had left and then they started calling me in to cover her songs. She'd put them out but wasn't going to be there to do them so they wanted to make sure they would be covered by an artist who was with the company so they picked me 'cos I always tried to sound like her anyway just to get in the doors at Motown....but I always had that Brenda Holloway sound.
AR: Given that you actually recorded some of the songs that Mary had already done was there any suggestion, at that time, that you would be the new "first lady", the Mary Wells replacement, and if so how did you feel about that.
BH: Everybody wanted that but there was one hinderance....Diana Ross......she decided that she was gonna be the "first lady". When we started on the Dick Clark tour Berry negotiated that deal really well because he knew that the Supremes had hit potential so when they wanted me to go on the tour Berry kept on saying "I want the Supremes to go" and Dick Clark said "but I want Brenda Holloway I don't want the Supremes". Berry said "I'll make you a deal, we're not gonna let Brenda go unless the Supremes go", Dick Clark said "oh just send them". When we were on the road all their songs started selling, going up to a million, so they became the replacement for Mary Wells and that's when I started having my problems as an artist.
AR: It's difficult not to mention Patrice, at this point, as press releases from the time announced that you had both been signed to Motown.
BH: I don't think Patrice was ever signed to Motown but the job that Suzanne de Passe has was a job that was created for my sister. You know Patrice got ill and she was never able to take that position....she was business and instead of being an artist would have been better in administration.
AR: One of the first recordings we can actually trace, from March '64, is 'Come into my palace', a duet between you and Patrice. That song had already been recorded by Lee & The Leopards and was recorded by the Supremes. It was obviously a hectic time for the pair of you but you're saying that Patrice never had a contract and we're saying that we have evidence that she recorded tracks like 'For the love of Mike' and 'Stevie the boy of my dreams'.
BH: For Motown.
AR: Yes.
BH: I remember those songs. She probably did sign but she was never featured as a major artist for Motown. When I listen to the songs we were similar in sound, the only thing that I'm really famous for that she wasn't is that I have a cry in my voice, a moan in my voice, and I don't know where I got that. It's a thing that's similar to what Tony Braxton has in her voice also. If those songs of Patrice were on Motown then she did in fact sign.
AR: Did she actually physically work there.
BH: Yes she worked there but Berry was looking at her as more of an administrator...film making, a gigantic job , because he saw in her the potential and if she hadn't gotten sick she would have functioned there very well.
AR: Is it theoretically possible that because she was there, on the premises, and they knew she could sing that she just might have done some demos.
BH: No I think he was considering her for an artist because I think those songs were released actually. Weren't they released.
AR: No they were never issued. 'For the love of Mike' was a song written by Smokey, and the Supremes did it, but that has never been issued.
BH: Well basically to my thinking she was doing demos then.
AR: There are three songs we know of, all from around that same period.
BH: Maybe she got sick before they could release the package on her, before they could do a total album on her.
 
AR: Do you recall the song 'Come into my palace' that you recorded with her. We haven't heard it.
BH: I don't remember it.
AR: Do you ever recall recording with her.
BH: Never.
AR: Your first Motown release was, of course, 'Every little bit hurts, from March 1964, written by Ed Cobb. I played you some rehearsal versions a few years ago....can you recall the circumstances surrounding those sessions. Were they Motown sessions or were they intended to show your talents to Motown.
BH: They were cut for Motown as part of the project for my first album so 'Quality Control' could pick, Billie Jean and Janie Bradford could screen it and Berry..he basically screened all of my material and then picked out the best ones. I didn't want to do 'Every little bit hurts', and I never wanted to do any of the songs that were hits for me. I'd always get into big big fights over things that were gonna be hits for me. I don't have a feel for my own hits.
AR: The debut album must have been recorded very quickly because it came out only a couple of months after that first single. The single was released March '64, the album June '64.
BH: My debut album..what songs were on that
AR: The album tracks were....(lists tracks).
BH: We did all that work in '63 I think. We started working on that album as soon as I signed but he didn't release it and he didn't talk to me until I graduated, and then he put it all out. Hal Davis, Marc Gordon and Frank Wilson put that album together.
AR: So you didn't record all of that stuff in three months.
BH: I could have recorded it in three months because I had one of the best teams in showbusiness.
AR: How did you feel when you saw the album for the first time.
BH: I hated the cover. I hated the way I looked but when I first heard it it was okay..everybody loved it back then.
AR: So you weren't too thrilled.
BH: Well I loved the songs, I liked the songs that Hal picked because I was coming into my own style and I liked to work with Hal because he let me interpret the songs the way I wanted to. I could have all the feeling, all the moans, a lot of times with the producers at Motown they would say "you do to many slurs..you slur too much..you're the slur queen" and I would say "I don't like these people".
AR: You wrote a couple of tracks on the first album but what do you recall about those sessions. Did you have time to rehearse or was it a case of get in, get them done and get out.
BH: If somebody wanted me to record a song I would live with it for about a week because I wanted to feel the song and know the song. I wanted to be able to put my feeling in it. So it would take a week to learn the words and then I would record it in a few takes because I knew how I wanted to do it and if they'd used a bulldozer they wouldn't be able to change my mind. Once I got a feel for it I interpreted it in the way that I wanted to do the song and through listening to all my favourite female singers I would fit myself in the middle of them and the ladies who inspired me the most were Morgana King and Sarah Vaughan. I always liked ballads because of my sad feeling caused by the broken family. I don't really talk about it but it was a sad situation and I would always pull from that. Whenever I was singing I never used to think about happy things, only sad things that I wanted to be happy, that I wanted to improve...a lot of them didn't so I would sing out of my sadness.
AR: We think that most of the tracks on that album were cut in Los Angeles.
BH: You're right.
AR: Did you have a band in L.A. or did they send band-tracks over from Detroit.
BH: We had a band in L.A. and when we were trying to sound like Motown we were creating our own West Coast Motown too and it was good. We tried to mimic Motown and came up with a happening L.A. sound. They would then come out here and try and get our sound. We did the fingerpops and the handclaps and even though it was different it was still Motown.
AR: We knew that a lot of band-tracks were laid down so they could bring 'whoever' in to lay a vocal on top, or fly the tape out to Chicago, or New York, to get a touring artist to cut a track.
BH: Most of the musicians they had at Motown were musicians they had all the time like the Andantes, the background group, they were just there all of the time. Everything that came out, if it wasn't Martha like at the beginning, it was the Andantes.
AR: The track 'A favor for a girl with a lovesick heart', according to Clarence Paul, was probably the only song cut in Detroit. If so was this your first Detroit session.
BH: That's correct, I think it was my first Detroit session.
AR: Did you go to Detroit to record on a regular basis.
BH: No, that was one of my problems..if I went there to record and Gladys came in when they were cutting my track, she did my track and when I got there and said "where's my track" it would be "Oh Gladys came in and she had to go back out and she cut your track", I said "she did.....thankyou....can I go back home now ". I was always upset, I always wanted to be like everybody else at Motown but Berry had other plans for me and I just didn't want to wait for them.
AR: Did you record anywhere else.
BH: No, when I recorded with Joe Cocker he came here from London, I think, we did 'Feeling alright' and the one that's on the 'Wonder Years' now. Most of the other artists flew in and if the Blossoms didn't do it the Union Singers, which I was a part of, would do the backgrounds....me and Edna Wright, Gloria Jones, Shirley Matthews, Merry Clayton and Patrice.
AR: Shirley was in the Blackberries I think.
BH: Yes that was my sisters group.
AR: If we look through the discography when I mention songs if there are things about them you'd like to share with us please do. One of the things Edna Wright mentioned when interviewed was that she used to cut some demo's for you particularly 'Just look what you've done'...you've said you used to live with a song for a week so were the songs presented to you as demo's by other artists.
BH: The songs were presented as demo's by other artists but I didn't know Edna had done 'Just look what you've done' because I didn't listen to her version I listened to Frank's version because his were the best. I loved Frank Wilson's voice, I loved his delivery, his phrasing and everything.
AR: So you used to take the acetates home.
BH: Yes, take them home, live with them, record them.
AR: Where are they now.
BH: They took them back. They would never let you keep them because they were not published...that's top priority material, you can't have a writers demo until it's published so they would take it back immediately. They'd take them at the session.."Give me my demo"
AR: So you never got to keep any.
BH: Oh no.
AR: Okay I'll go through these songs...'Every little bit hurts' we've already discussed.
BH: Barbara Wilson, who was Frank's first wife did that, she did such a good rendition of it I didn't want to do it. That was why when I was doing the song I was crying. After she did the demo and they decided to do it with me I cried in the studio. I didn't want to do it, I wanted her to do it...but she died.
AR: 'Land of a thousand boys'.
BH: Oh that was my song..it was about for every boy there's a girl. You don't have to pinch someone else's guy there's one for everybody.
AR: 'I'll always love you'
BH: I love that song... I liked it better than 'Every little bit hurts'...that song was pulled in because there was a conflict of sales between my record and the Supremes. They pulled it so the Supremes could go to a million and then people were not interested in my song anymore and that's the problem being with a young company....it's like a family, everybody has to push one person, they weren't able to push a lot of artists when I was coming through so that was one thing that I didn't understand. I was upset because I did the best that I could do on that song, it was selling but they wanted my sisters at Motown, the Supremes, to sell a million so they pulled mine in so I wouldn't sell any records and theirs would sell...that was not a wise business move.
AR: 'Sad song'.
BH: I love that song, Frank Wilson wrote it.
AR: 'When I'm gone'.
BH: I love that song, Smokey wrote it. Mary Wells did that so I used her version as my demo. It sold a lot of copies.
AR: This next one is my favourite, 'I've been good to you', and I'll tell you why...It's because of that little break in the middle where you sing "you know that it's hurting me so" and you hold the note, the band stops...when I hear that I just tingle.
BH: You better keep that record...I don't know if I could ever do that again in my life.
AR: When people come to my house and they don't know all of you're material I say "If you want to listen to the best thing you're ever gonna hear just sit there, close your eyes and listen to this".
BH: It does have a thing where I went to my maximum but I didn't understand all that when I was singing it...my voice was at it's peak, I was much younger but had an old voice and old feelings. I'm just now coming up to where I should be feeling like that or being able to sing like that...I was before my time vocally. That's the way I feel about my voice because when I listen to that stuff it kinda blows my mind too. I think "is that me at 18"..that's all I did in those days..music..that was it, that was my life.
AR: So you can understand what I'm saying.
BH: When I hear it I say "is that me"..I love it because it's so soulful.
AR: 'Operator'.
BH: I was honoured to sing that song because Mary had a hit on that before I recorded it.
AR: I think yours is the best..I think all of your versions of songs that Mary did are better. To be honest I don't think Mary compares vocally.
BH: Well that's a toss-up because when I listen to Mary's stuff now that she's passed away...we only value stuff from people when they are not here and we always associate the person with the work but when they're gone you can really listen to them because you don't have to deal with them as a person. When I listen to her, now that she's not here, I can listen and be really open..I don't think about anything but her artistry. That girl was fabulous.
AR: She was good but I don't think she was as good as you.
BH: On certain things she was better on other things I was better..to me..but what you're saying is one of the greatest compliments because she is one of my all time favourites. To me Mary Wells was the voice behind Motown. I was different and I was special because I brought a different feeling to the company but as far as Motown, the authentic, the original I don't think there's anyone else. They could have taken me to a place where I could have been one of the most famous and fabulous. They could have taken me anywhere but they didn't really develop me and I didn't have the patience to wait. I would be interested to see if I'd stayed with Motown where I would have gone and where I would be today but a lot of times we don't go on the path where we started out, we go in many other ways...I would be interested to see what Brenda Holloway would be if she'd stayed and let Berry work his plan out. But who could say I would be alive today if I had gone with him. He did establish a name for me and I can work with that.
AR: 'I'll be available'
BH: I think Mary did that before too.
AR: 'You can cry on my shoulder', apparently Berry wrote that.
BH: I think Berry actually did write that. he thought he was gonna have a smash on me but it hardly did anything.
AR: There are two different versions of that. The promo copies and the ones you could buy in the store are different mixes.
BH: And they expected the public to buy it.
AR: 'How many times did you mean it ' written by R. Nievelt, which means nothing to me, and Staunton & Walker.
BH: I thought it was Ivy Hunter. That was probably one I was given a demo on.
AR: 'Together til the end of time'
BH: Another Frank Wilson, I loved recording all of his songs.
AR: 'Til Johnny comes', that was withdrawn , do you know why.
BH: I don't know. I guess when I left they didn't want to put it out. That would have been a hit.
AR: The Supremes did it on one of their albums.
BH: They did. I was probably gone by then. When should it have come out
AR: It was scheduled for July '66. You were still there
BH: I was having a lot of problems then.
AR: 'Just look what you've done'
BH: Frank rehearsed with me so much I fashioned the song after his, the way he sang it.
AR: 'Starting the hurt all over again'
BH: They just gave me a demo I don't know who it was.
AR: Your last Motown release 'You've made me so very happy'
BH: I don't know what Berry actually did on that song but he said that he'd helped, he probably decided to put it in a modulated key.
AR: There was a song that was pressed as a single sided promotional disc called 'Play it cool, stay in school', written by Jimmy Clark, that was done for the Women's Club of Detroit. How did that come about.
BH: I don't remember who wrote it but I thought it was just gonna be a promotion type thing. they thought it was better if I did it. I'm very interested in children and school and have adopted Jerome's school because I want to see young people, especially black people, graduate.
AR: Why do you think you were picked to do the song.
BH: I think a lot of it had to do with my diction. I think a songwriter wants to make sure that what he has written can be understood.
AR: There a loads of unreleased tracks in the vaults. I have details of at least 50.
BH: I was always doing a lot of work and that was one thing I didn't understand..why they didn't release any of those songs.
AR: Can you recall any of those unissued songs like 'Think it over' which is very popular in England.
BH: I can remember them now and I don't know why they didn't release them because they were good songs...maybe it was because with my leaving they just decided not to go forward with them because I wouldn't be able to do anything live. I severed all of my relationship with Motown in '68 and I went with Holland-Dozier to Invictus we recorded there too and they also didn't put any of that out.
AR: A couple of tracks I taped for you 'I'm on the outside' and 'Here are the pieces of my broken heart', which are you and a piano, do you remember those.
BH: I remember those, I think it was me and Lincoln Mayorga but I seem to recall more instruments backing me.
AR: How much encouragement were you given to write songs.
BH: I had to battle....I'd always be fighting with Eddie because we were both artists..I started writing because they said "women can't write around here", I said "oh they can't..I can" because I had been writing before. You know we weren't totally liberated, we hadn't been doing too much in the 60's so I talked to Berry and said "Berry give me some pointers" he told me to "never write a song like it's past, always write a song like it's happening right now so people can associate with it". So when I decided to write 'You've made me so very happy' I said "he's making me happy now" even though I was very sad because I had a bad love affair, a boyfriend that walked out on me, so I said "I'm gonna write a song like this is the happiest day of my life". Berry really helped me out with a few little pointers because we always listened to what Berry said because we knew we weren't going to get much time with him as he was a busy man. Whatever he told us we had to really take in, internalise it and keep it so we could pull from it. I used to do stuff on a dare, if somebody told me I couldn't do it I used to do it, I'd make a point of proving them wrong. So I started writing because people told me I couldn't.
AR: You mentioned at the beginning that you play the violin ..do you play anything else.
BH: I play violin, viola, cello, bass and the piano.
AR: Did you ever get involved in the technical side of recording.
BH: No but I eventually wanted to be an executive producer. I had my producers Hal, Marc, Frank..so I never got the chance to have a go.
AR: One of the things that's said about Motown is that everybody helped everybody else out at sessions. Did you ever do backing vocals on other artists sessions.
BH: Not to my knowledge..not anyone at Motown. I do backing for other artists like John Denver, Joe Cocker, Barry White....my sister did background on the Supremes 'Someday we'll be together'. I did a lot of background before I got involved with Motown.
AR: The second album, that should have come out, called 'Hurting and Crying' if it had come out in our opinion would have been regarded as one of Motown's finest moments. Having listened to the tracks what do you recall about that album. I'll remind you of the unreleased tracks. 'I don't want nobody's gonna make me cry'
BH: I remember that..it was okay.
AR: 'Til Johnny comes'.
BH: I love that.
AR: 'A world without you'.
BH: Who wrote that.
AR: Helen & Kay Lewis.
BH: I loved all their songs. I worked very closely with them in the beginning.
AR: A Frank Wilson track called 'I'll be alright'.
BH: O yes.. I love Frank's stuff.
AR: 'Everybody knows' and 'Make him come to you'
BH: I remember those.
AR 'You've changed me'.
BH: Oh yes Smokey..I loved that song.."You've changed me and made me someone new and the person you've made me doesn't want you"..I remember that because of the twist in it. That's the way life usually is when you get someone who tries to make you over, when you become that person you're not usually interested in the person that made you that way.
AR: Obviously all the tracks were cut and Robert has seen the project file with all of the artwork and everything.
BH: Was it good. RT: Don't ask me...I didn't buy it and it's one of the biggest mistakes I've made in my life.
AR: How aware were you of that planned second album.
BH: I didn't know it was coming.
AR: So you didn't have feelings of unhappiness when they pulled it.
 
 
BH: There were several years of unhappiness after leaving Motown. I always wondered where I would have been had I gone along with Berry's plan..but there was a lot of depth being involved with the Motown people..it was fab, hectic, behind the scenes was mind-blowing to me as a young girl...and there was so much sadness behind the scenes what with Tammi's death and Janis Joplin, who died out here, a lot of that drug-induced death became a little bit too much for me and I had never really messed with street drugs...I was on prescription drugs and was addicted to Benadril. It took me a year to really clean myself up from that. When you're travelling, on the road, you're up at all kinds of hours and go past your sleep cycle so you need something to help you sleep, then you need something to wake you up. It was all prescribed by a Doctor but became something I depended on...I like to be just the natural me. I'm a simple, uncomplicated person and when I have something in me that I can't function properly it's a handicap to me. I like to be alert..that was one of the reasons I left also because I didn't want to get any deeper into the drugs. I can feel for artists that get on them but you should be natural....my sister Patrice, she did lose herself in the entertainment world . She lost the 'person' Patrice and had a nervous breakdown, she has never recovered from that and I didn't want to go there. One thing that really affected me, when Tammi was real real sick, she'd had her first brain surgery, I saw her in Detroit and she was shaking all over..she had a big shopping bag full of pills, she said "you see all these pills, nothing helps me, nothing is gonna help my condition". Shortly after that she died and that impacted me in a bad way. I said "if this is all that there is..drugs, death and sickness..I really don't need it. I'm not really happy, I'm not getting what I want"...I was promised so much and that was part of the letter that I wrote. I was promised so much and got so little, I have to sacrifice so much for the little bit that I'm getting that it's not really worth it. I was in a state of depression when I left Motown. I was in a recording session with Smokey and I called my mother at home and said "I'm depressed, I'm not happy" and she said "well come home, you can always come home". I said "well I'm gonna have to sneak away" and she said "do whatever you need to do, just get back to L.A.". When I was on the plane I decided "I'm gonna get away from Motown". It's not what I really expected and I will never be handled in the way that I feel would be correct and I will never get the chance at the original art that the people from Motown got..I won't get those chances and opportunities to record so I said "I'm just gonna have to leave because I'm unhappy". If I'd had someone other than my mother, someone who knew about the business, who could really help me I probably would have stayed and waited but I didn't and I couldn't figure it out. I was a young woman and I decided that it just wasn't worth it, the risk, and what I might go to. Smokey called me from Detroit and tried to get me to come back. Berry never tried to force me but Smokey did. I told him "no Smokey I'm just gonna get involved in the church..it was not what I thought it would be and thankyou for everything".
AR: I've listened to some of the things that made you unhappy. 'Til Johnny comes' was pulled, they pulled the album..there were other songs you recorded such as 'Bah bah bah (you don't hold me in your arms the way you did)'
BH: We wrote that for Diana.
AR: There were another, 'I can't make it alone', which you cut but ended up on a Supremes album.
BH: Since they weren't gonna push me, and we came to that conclusion because I found out on the Dick Clark tour, as the Supremes were making it..we decided, my sister and I, that we were gonna write for them. We wanted to generate some money so the two songs we wrote, they put them on the album, then Patrice branched off into her own thing with 'Josie & The Pussycats'. She signed to Capitol and was going real good then she had her downfall and she never recovered from that.
AR: Did you ever record the 'Bah bah song' yourself.
BH: We recorded the demo.
AR: So it was always intended for the Supremes.
BH: It was.
AR: I think there was a concern, on our part, that you were being used to do Supremes demo's.
BH: No. We wrote it for them, we wanted to get it on the album because they were selling records and we were interested in making money.
AR: Talking about you doing stuff that ended up with somebody else, whether you wanted it to or not, you cut a track, in December '65, called 'All I do is think about you'. It eventually found itself on Stevie's 'Hotter than July' album, he co-wrote it and you recorded it..have you listened to his version.
BH: Yes and I loved it..the only problem I had with Motown was that they would let Marvin, Diana and everybody get in there and listen to my diction. Diana had a problem pronouncing her words and she would study my tapes..I should have been paid for that.
AR: One other thing my research threw up was that you were recorded live at the Twenty Grand in Detroit...did they ever plan a live album.
BH: Yes, they were gonna do a live album. They were gonna cut it in L.A. but it never happened. I seemed to be just as good live as I was in the studio, perhaps even better live. Hal Davis was the one who thought of it and we were trying to get it together but it never came into being.
AR: You worked with an awesome set of producers and songwriters...It's a big question but how did they compare and who did you like the best.
BH: I liked Frank..I was crazy about Harvey because he was different, really approachable..Smokey was professional with me, he would give me a lot of pointers about my stage presence.. Harvey was more like a friend..Frank was someone I admired, I loved everything he did...Hal Davis was my fiancee, as a matter of fact I'm working with his daughter right now, we've recorded some stuff with Hal Davis and my daughter Christie. Hal's daughter Colette Davis and my daughter Christie Davis.. I married a Davis and have four children..so we're doing a project right now and when I come back from my trip to England we're gonna finish it up..so we'll see where that goes but it sounds real good.
AR: What was Berry like in the studio.
BH: Berry was one of the most intense producers that I've worked for. He knew what he was looking for and expected you to come up to his standard. It was an honour to work with him but you were constantly afraid of making a mistake. Smokey was easy to work with because I fitted Smokey's mould. I always wanted to stay close to Frank's melodic pattern because he sang a lot. Smokey always presented a demo and Berry didn't sing. I liked the feel of Berry's songs, we were very similar in our interpretation..we were more or less on the same wavelength.
AR: Clarence Paul.
BH: I loved Clarence. His songs were easy and instantly recognisable. They didn't push Clarence's songs but you knew if they did you would have a hit..he was awesome and was the one who pushed Stevie.
AR: We know you recorded a lot of songs by Ivy Hunter and Holland-Dozier-Holland.
BH: I think that the Ivy songs I felt more for because he really took time to write songs for me..he didn't just pull something from a bag...he tried to tailor the songs to my voice. He took a lot of time with me, more time than the other producers even Hal.
AR And H-D-H.
BH: I had a crush on Eddie so I liked everything 'cos he was so good looking and he was a genius.
AR: Did you have studio time with them.
BH: I had studio time especially when I signed with Invictus. At Motown it was basically that we would fuss over material so I could get some extra time with Eddie. I admired him because everything he put out was a hit but they never released any of those songs.
AR: Did you ever work with Norman Whitfield.
BH: I think maybe once, just the one time.
AR: The session musicians at Motown have always been unsung hero's. How did you get on with them, did you have any favourites.
BH: I didn't have a favourite. I liked everything that they did. I admired them because I was a musician too. I got on well with them because of that.
AR: You've described your relationship with the Detroit family as "being like an adopted child". Did you ever become close to any of the other artists and what impact do you feel your relationship with the Detroiters had on your career.
BH: It had a big impact because I was with a company that was growing. My best friend was Tammi Terrell..we were buddies.
AR: How about Miss Ross.
BH: I didn't get along with Miss Ross because she was constantly stirring up trouble because I was in her way. I didn't really know it 'cos I really liked her but when I found out she was undermining me and lying on me a lot I began to stay away from her. At first I wanted to be her friend as I really admired her but when I found out she had deceitful ways and was only really interested in Diane I began to pull away from her, leave her alone, stay out of her way.
AR: We can't find any published references to your live shows apart from the Beatles video at the Shea Stadium.
BH: I haven't even seen that.
AR: We hear your stage presence was dynamite.. were you ever asked to tone it down.
BH: Smokey didn't want me to do any moving, he just wanted me to stand still and sing. He didn't want me to move like Tina.
AR: I've seen a T.V. show with you on and you were filmed from the waist upwards.
BH: That's new. I had a guy who would choreograph the songs and there was a lot of movement but I don't know why they wouldn't film below the waist.
AR: When performing did you sing non-Motown material.
BH: I did a lot of Beatles stuff, some Gershwin and then the Motown stuff.
AR: Did you have a favourite venue.
BH: My favourite was Hollywood A Go-Go. I think I was with the Temptations. I really enjoyed that.
AR: Any amusing stories from those Dick Clark tours like Miss Ross accusing you of stealing her hairspray....
 
part 2 was to follow
 
 
By Andy Rix in Articles ·

March 2002 Weekenders - Top drawer or what!

Already creating a lot of interest in the Soul world, here's the news as it stands of the two upcoming weekenders in March.
Both events are being held on North Wales Coast, both in the month of March and both appear to be Top Quality events. Already creating a lot of interest in the Soul world, heres the news as it stands of the two upcoming weekenders in March.
Both events are being held on North Wales Coast, both in the month of March and both appear to be Top Quality events.
To avoid any misunderstandings have dished out brief details below. Please note these are not offical details, its just what I have read and may be subject to error.
First up is:
1, 2, 3 March 2002 - Connisseurs Soul Weekend at Llandudno (40 odd miles
from Chester)
Highlights from the flyer:
A Quality Soul weekender for around 130 genuine Soul music lovers.
Held at a 3 star hotel with all rooms en-suite on the promenade
Two rooms - one with emphisis on quality soul music and R&B from the 60s and 70s
DJs confirmed on flyer are Roger Banks, Dave Rimmer, Andy Dyson, John Weston, Alex Jones, Derek Pearson, Chris Anderton, John Mills and Steve Z, that is what is confirmed at moment, no doubt this will be added to
Full details of this weekender can be found on the Soulful Kinda Music
Have been told this is close to selling out already!
Next up is:
8-11 March 2002 Prestatyn.Weekender. (20 odd miles
from Chester)
This is the "big full on" one.
This is the full works, its being held at the Pontins Hoilday Camp Complex, as said following details ripped from memory, hence subject to errors! Hopefully full offical info soon.
DJs booked so far are Roger Banks, Pat
Brady, Carl F, Simon Hunt, Kitch, John Poole, Dave Raistrick, Dave Rimmer,
Andy Rix, Rob Thomas. Adam, Chris Anderton, Mick Farer, Fish, Yogi
Houghton, Steve Hobbs, Ivor Jones, Cliffe Steele, Tats and Rob Wigley
Two Big Name Live Acts lined up, awaiting offical word
Offical Format of rooms to follow, but have been told by someone who has been there recently that the main room is almost purpose built for a weekender plus also modern room
Extra Weekender stuff lined up as well
Rooms: Per person
Prices are Classic accom: 6 sharing 2 bed £33. 4 Sharing 1 bed £39.75.
Top of Range Club Accom: 6 sharing 2 bed £37. 4 sharing 1 bed £44.75.
Info: only phone at moment
- 08705 331199(quoting)mfns
Ok there you go, brief details of both events,
Llandudno being a conniseurs event in hotel
 
Prestatyn. being a full on, major event with live acts big rooms, chalets etc etc
As 5 months away am sure that details will change, with additions etc etc closer to date, as more info comes out will inform.
Both events easy access from rest of uk by straight thru Motorway/Dual Expressway from M6, railway etc
Hopefully above makes things clear, have no connection to these events but as always on here like to spread the word on quality stuff.
By Mike in News Archives ·

Boogaloo nite at Greenwich London Review 2001

Dave G has passed on a review of a nite at the Spanish Galleon Pub Greenwich London
A couple of details first , its a monthly event 1st Saturday of the month
& right opposite Cutty Sark Docklands light railway station & just down the road from Greenwich main-line.Runs from 8.30 til midnight & £1.50 to get in until 9.30 when it goes up to £3 - get there early!
On with the night , did I say strange? Well only because the night is a mixture of Northern & 70s Funk being played in half hourly sets..................
6th October 2001:
On with the night , did I say strange? Well only because the night is a mixture of Northern & 70s Funk being played in half hourly sets.Not exactly the norm but ................it works, mainly because of the cross section of people that turn up, staunch Northern fans , funk fans, locals who tried it liked it & come back for more & the Mod/scooter types who are always appreciative if you play something they ask for , but I must repeat this conversation I had with one of them while Djing , "Alright mate, have you got any Small Faces" " no sorry we only play Soul" " Oh right , have you got any Stones then" "No we only play Soul " "Oh sorry have you got any Hendrix then"?????????? Im still not sure if he was taking the piss !
Anyway on with the night, with regular DJs Warren & Michelle away the Northern stuff was down to me Dave Greenhill to try & provide something to dance to. I tend to buy the mid-tempo sounds these days(mainly cause Im an old bastard & get puffed out too easily) & this was reflected in my early playlist but these bloody energetic Northern boys were having none of it so the old stompers were
quickly brought into play. Spyder Turner (especially for Sean, his alltime fav) & Epitome of Sound had the floor packed( even with Funk fans) For the last Hour & half every one was dancing to everything. Its brilliant what alcohol does to people. All barriers come down, "bloody funk music, Im off to the bar"
One Hour later its "Ere this James Brown fellows a bit of alright int ee".
A mixed but appreciative & friendly crowd & if you live within travelling distance of Greenwich get yourself down for a good night out. Next one is coming up on 3rd November. Cant wait!
With apologies to Colin who played the funk sounds which went down well even with the northern crowd after a few beers, I must confess I didnt write down what he played. Sorry mate, didnt know em.
These are amongst the records that I played :
Splendors - Please Dont Go
Donna Coleman -Your Loves Too Strong
Kim Weston - A Thrill A Moment
Frank Dell - He Broke Your Game Wide Open
Sharon Scott - Id Like To Know
Marjorie Black - One More Hurt
Ray Pollard - This Time
Harry & The Keyavas - If This Is Goodbye
Little Anthony - Better Use Your Head
Martha & the Vandellas - Show Me The Way
Patrice Holloway - Ecstasy
Village Sounds - These Windows
Joe Stampley & the Uniques - Not Too Long Ago
Bunny Sigler - For Crying Out Loud
Harry Deal & The Galaxies I Still Love You
Claude Huey -Feel Good All Over
Darrow Fletcher - My Young Misery
Robin Rice - Ive Had It
Pat Lewis - Warning
Wanderers - You Cant Run Away From Me
Ron Holden Ill Forgive & Forget
Frances Nero - Keep On Loving me
Have just heard there is a strong possibility that there could be a new night at the same venue playing Northern & Motown.
Watch out for flyers at London venues, or check out this site for forthcoming events.
Alternatively you can always give Warren a ring on 07956-536127
By Mike in Articles ·

Nantwich Niter - 20 Oct 01

Weekend Trivia:

 Notre Dame - Word from those who went is 1st Annivesary was that it was a tremendous nite Wilton - keep hearing currently getting big recommends Llandudno - next niter wont be till next year Conniseurs Weekender Llandudno - in March almost sold out Line up for Weekender at Presatyn - also in March, line up looks well strong and fresh, more details soon

Nantwich Niter - 20 Oct 01 Nantwich Civic Niter was the destination this weekend, after hearing great things about the last one was looking forward to this one . Well wasnt to be that disappointed, the venue itself is well smart, a good layout, big dancefloor, lateish bar. Dj line up was something like Irish Greg, Derek Pearson, Bob Hinsley, Dave Rimmer, Robbo, Simon, Rob Smith, Chris Penn, Mace, apologies think may have missed one out there.

After normal dramas with car, electrics this time, walked into Chris Penn spot and he was carrying on from where I last heard him with a great set, quality spins, told us afterwards that since the aug one the Birchfield event at Widnes is going from strength to strength with great attendance and atmsphere (the next one is this Friday). Missed the first dj (and name) but Chris spot got my nite off to a good start. followed by Dave Rimmer up next and he was in fine form which may had something to do with the football results, (watch out for highlites from his recent radio appearance here on Soul Source soon).Mace was up next and continued the quality, Irish Greg making one of his regular trips up north from CSC Dome, next and dished out more quality with some top dome floor fillers. Robbo up next more top stuff, Bob Hinsley, guess what yep more quality rare soul, Derek Pearson made trip from Yorkshire and gave out a great well mixed set, check his Italian radio real audios recently added for a taste of his style, Simon was up next and ... more quality including some top Stafford revivals, Rob Smith took final hour announced it as oldies set, but along with a few of the more popular ones took opportunity to revive a few little heard revivals and some current plays. Crowd wise, well promoter told me reckon about 220 there, which was a bit of a disappointment as because of the venue size it really needed about another 100 in to generate the atmosphere and while everything else, sounds, venue was top class a good attendance would have changed it from a good nite to a top one. Crowd reaction, well though dancefloor wasnt packed it was said that the dancefloor was up for it, and to me it seemed that was case.

Great to see Djs delivering quality stuff, and the crowd reacting to them, and well refreshing not to hear those bloody overplays that currently plague so many venues. Plus know that a lot who were not dancefloor bound were enjoying the quality. Well as you may have read, mentioned quality a few times so far and that was the theme thru the nite to me, was thinking well when word gets round this event will be on the must go list, great venue, djs doing the business, so was a bit shocked that when Iasked when the next one is.Was told next one in Nov is a Modern One, then one at Xmas is a motown one, then next one with the same format as last nite is in February! Myself think they may be missing a trick here, as know there was a lot of people there impressed with place and format and would think it can only grow.

Gotta add though that its easy for me to say that as its not my money at risk! Name checks: sizeable lot from Yorkshire way including Pavilions lot John P and Colin W who are guesting at next Birchfield, met a fair few long distance travellers from places such as Rotherham, and a few down southers.

Final word - Quality good nite, shame attendance didnt match venue Verdict from car was out of 10 8, 7, 5 (he had a headache), 10 (the opposite) Well bit of a gap to next one, hopefully word will get round by then and it will get attendance it deserves. Of course the above is just my own view, if you Agree - a quality nite, well hit comments and pass word on, spread the word, a lot of promoters djs soul fans use internet to suss out venues, your ords can make a difference Disagree - not your cup of tea, well do same post it up, give reasons, nought worse than travelling a fair way and finding out the format is not what you want or expected


 Some More Odds - Trying to remember title of 45 that saw the flip was at a expensive price in box as was sure it was in crap pile at home, got home yeah it was the one, but when flipping it over with $ in me eyes saw it was a double a-side demo...cue same old story.... Irish Greg showing me a top tip 45 that can be picked up cheap at moment. of course remembered all details, well not really, err....the label was red.

Dave R says Mojo collector quarterly thing has a northern feature, so may be worth checking out, warn you though he does say that this site gets a mention. So may not be!
By Mike in Articles ·

Soul Talk -The List to Talk Soul

Been looking for a discussion list that offers the following:

On -Topic discussion - Just rare 60/70s Soul music, nothing else, just vinyl, artist, events, reviews, labels, background, current scene news, etc etc

No abuse/Egos - Run by soul fans for soul fans, slaging off and self promotion not an option

Great crowd - Artists, Promoters, Djs, Collectors, Dealers, Soul Fans worldwide from all backgrounds exchanging info/news/views etc with no hassle.

If above sounds like it would ring your bell, well check below out:

Send a blank email to source-subscribe@topica.com

You will then receive a email asking for a intro (just a few lines on who you are, were your from, background) you will be then added.. easy as that

Or just email one of the mods with intro and we take care of it
emails are


Mike Hughes

David Flynn

Nick Brown

Dave Mackey
By Mike in News Archives ·

Results Of Last Poll

Well Known Oldies
Lock them up...sick of hearing them 36 %
36.32 % (77)
Keep playing them ... great memories 48 %48 %
48.11 % (102)
Not Oldies to me 15 %15 %
15.57 % (33
Well there you go, quite interesting results, thoughts? use comments to pass on, thanks to all those who took part.
Check out new poll, chance for you to vote on the next live session that will be thrown up.
mike
By Mike in News Archives ·

Notre Dame - Next Friday Membership rush!

Seems like the annivesary at Notre Dame is going to be a packer!!

Nicks asked for below to be passed on, so if you wanna attend one of the UKs TOP soul nites do the necessary

Any chance of sticking a note on your site to give
people wanting to get to Notre Dame for the members-only anniversary do next
Friday a last reminder to make sure that they and everyone theyre going
with has memberships?
From the amount of memberships Im processing at the
moment it looks like its going to be a really monster turnout (Ive just had to
ring up the printers for an emergency top-up of blank cards!) and Im sure
people wont want to be left on the outside because of not sorting out their
membership.




Thanks!
By Mike in News Archives ·

Carl F - Playlist Dome 28 Sep 2001

Putting the line under the CSC Dome reputation as one of the leading events, heres regular DJ, Carl Fs plays from the last one

Carl Fortnums set list @ Capitol Soul Club Sept.28th

The Furys - Im satisfied with you - Keyman
Frank Foster - Movin From Detroit - Bell Acetate
Roy Roberts - Got to have all your love - Bo Ro
Nolan Chance - No one else will do - C/Up
Jesse Davis - Theres room for me - Revere
Martha Starr - Sweet Temptation - Charly
Chubby Checker - You just dont know - Parkway
Dennis Edwards - Johnnie on the spot - International Soulville
Mickey Champion - What good am I - Musette
Eddie Campbell - Contagious love - Artco
Eric Mercury - Lonely Girl - Sac
Fred & The Turbins - Bernadine - Cenco
Maxine Brown - Let me give you my lovin - Wand
Antellects - Love Slave - Flodavieur
Gloria Jones - Come go with me - Uptown
Larry Clinton - Shes Wanted - Dynamo
Constellations - I dont know about you - Gemini
Terry Callier - Ordinary Joe - Cadet
Target - Give me one more chance - Kama
Sandra Wright - Midnight Affair - Truth
Little Richie - Something called love - C/up
Ty Karim - You just dont know - Romark
Anita Anderson - Secretly - Contact


By Mike in News Archives ·

Fleetwood Weekender 2001 - A Review and a half!

Well here you go with a great (and I do mean great) review of Togetherness Event by Colin Dilnot
If you want a informative, enjoyable well written view of the weekends goings on......
Big thanks to Colin D for the time and effort... great stuff!!
 
Fleetwood Weekender 2001
Just getting my act back together after another great weekender.I arrived with my wife Barbara on Friday in the early evening. We soon settled into the caravan and started on the old red vino with our hosts Annette and Jacqui from Middlesborough who were excellent hosts over the entire weekend.
I decided to hit the Northern room first to catch Gingers set which was the usual good fare and by then the place was cooking with water already running down the walls. The breaking up of the dance floor will probably go down in Northern folklore as burly Northern guys stripped to the waist with mallets to put the floor back together!!! Though the call for the return of the mallets by Kev Roberts must be one of the stranger pieces of DJing ever on the scene.
Next up was my old friend Tim Brown who gave an excellent mixture of the rare and the very rare!!! I missed his set on Saturday which was said by some to be even better. I sat through the set with John from Anglo-American and his partner Chris - and by now we were getting into the whole thing and helped John try to keep £1000s of records stuck to the wall as a river flowed down it. Just loved it when Tim came back after his spot and rested his feet on his record box - probably one of the most expensive foot-rests in the UK.
I went to the Modern Room during the dancing contest to catch up on what was happening. Met up with some mates and exchanged the usual notes. Couldnt really get my head round the new room used for the modern event which lacked atmosphere away from the dance floor which seemed to be the common consensus but it was cooking at various stages over the weekend. I couldnt get to grips with the sales area being away from the dance floor and most of the bar area was too and when you werent actually in the bit where the dance floor was the sound system was very distorted and you couldnt tell a lot of the tracks. It did seem to get better as time went by or maybe the vodka was kicking in.
I went back to the Northern room for Jimmy Conwells set and Snake Davis was already doing a storming set as intro for Jimmy. Jimmys first set was a 70s one and it was excellent - highpoints were LOVE, Another Sundown In Watts and Got to Have Money. After the set I turned round and there was Richard Sealing buzzing off the performance we had witnessed - I just gave him a big hug and said thanks for getting Jimmy over. 
It was back to the Modern Room for the rest of the evening which had started to get going and Gary Dennis and Steve Aggisald both played good sets. As I walked back in the rain to the caravan I felt a feeling of fulfilment but knew I had just started!!!
The second day was football first for me but a quick trip into Fleetwood to clear the head helped me for the anguish of sitting and standing as I watched an inept England performance turn into heaven. The atmosphere in the
Modern room was electric and just exploded when the 2nd goal went in. Drink, music and football what more can you ask for well I did get more than I anticipated when a mucky Scottish woman came over to chat me up as I listened to the excellent boogie tunes provided by Gary Denis, Kev Roberts, Pete Haigh and Andy Davies.
Went out at this point and grabbed an Indian banquet to keep us going before returning to the caravan to be entertained by one Derek Pearson and crew - Allie, Teresa, Jacqui and Annette - had to get back to the music eventually before I died laughing.
The Modern Room was really heaving on Saturday night and as I walked in met up, with people like Garry Cape and Hans and Harry of Fingerpoppin fame, Martin Barnfather, John Smith etc. The music was being supplied by the ever excellent Fish. First act up was Kloud 9 - who were 2 great guys who are young and very enthusiastic - soul lives on in the USA. The Kloud 9 guys were good singers and very friendly - loved seeing them staying on in the modern room for the next set.
Then it was the turn of a living legend in the shape of Ollie Woodson. He was ushered in by the security as a true soul star should be!! He hit the tiny stage and soon jumped up on the chairs to give us a better view. He sang several songs from his excellent new CD Right Here All Along including Power of A Woman and the Drama In The Bedroom which has reached anthem status on the modern scene. He finished on Treat Her Like A Lady which had the crowd going mad for more but it was a short stop and he was gone. I was fortunate to meet him later before he went off to his hotel and what a nice guy. He was very pleased with the response he got so lets hope he comes back with a band and does a tour.
It was quickly back to the Northern Room for Jimmy Conwells 2nd set. Got into the room for Snake and co doing a belting version of "Little Queenie"! Jimmys second set was more Northern on the Saturday night and was tremendous - Snake Davis pulled out all the stops - That Beatin Rhythm was explosive - Under The Street Lamp and Too Much were something else again. It was becoming a real piece of Northern Soul history when he did Cigarette Ashes with ad-libs!!!; Theres That Mountain. He was class and a very nice guy who was overwhelmed by the reaction of the crowd.
I decided to get as close to the stage for Gene Chandler as possible for the old photos. Snake played a few more Northern classics and actually sang - my favourite with the girls singing brilliantly was the MVPs Turning My Heartbeat Up. Then Snake started playing the opening bars of There Was A Time which built into a storming intro but Gene wasnt ready!! Was this showmanship or what because this was soon eclipsed when he made maximum space on the stage for himself at the expense of everyone else - Gene was the star and wanted to dance!!! He did wonderful versions of Nothing Can Stop Me, Bet You Never Thought, Such A Pretty Thing, Mr. Big Shot, I Can Take Care of Myself, Let Me Make Love To You, Does She Have a Friend, a wonderful duet on Teacher to The Preacher with one of the girls, Groovy Situation - how does Snake and crew make them sound so like the originals!!.
Gene just had to finish on his Duke of Earl routine with top hat, cape and cane!!! OK he did forget the words to some of the songs in parts but overall worth the wait to see one of the greats. Give him his due he paid thanks toeveryone and to Richard and Kev for bringing him over.
Now a lot has been said both at the event and on the Net since the show about his behaviour towards Snake and the band. Gene had a few goes at the bands drummer during his show by telling the drummer which cymbal to hit and when. The real trouble started when Gene in between songs started scatting a beat to a tune they had obviously not rehearsed and turned to the drummer and told him to go with it. The drummer was confused, not knowing what was happening. Snake took charge and started the next rehearsed number which was Preacher etc. Gene went with it but at the end hurled abuse at the drummer. Snake pulled him back and the two had a face to face confrontation with much abuse being hurled. Gene laid down that he wasstar!!! Eventually, the show started again but you could tell from then on that though the band and especially Snakes heart wasnt in it anymore.
At the end of the set, Gene asked if anyone wanted more and what could he sing because they had done all the rehearsed tunes - you can imagine what happened - shouts of every song he had recorded. Eventually hearing that he should sing a Curtis Mayfield tune he launched into a great story about Curtis giving Major Lance Monkey Time even though Gene wanted the song. He then did Nothing Can Stop Me again and then he was gone. The was a bitter taste in some peoples mouths at what they had witnessed - a great performance spoilt by unnecessary behaviour and you could tell from the crowds response to Snakes playing out of the show when Gene had left the stage that there hearts where with Snake - the guy looked sick.
I eventually forgave Gene because he is still an excellent performer because when I met him later he had obviously given his all. It was then back to the Modern Room and caught Steve Aggasild and Dean Johnsons set but I hit a break wall and returned to the caravan.
Woke to mayhem courtesy of my hosts and their friends but what a great laugh and the socialising is part of the weekend as well as the music!!! Went back to the Modern Room and the record boxes before making several tasty purchases.
We hit the road during the now regular excellent Sunday PM spots which feature some class connoisseur tunes from Terry Jones, Andy Davies and Richard Searling - a great feel and I was sad to leave and also miss  Beverlei Brown who I understand was excellent. Well there's always next year!!!!
By Mike in Articles ·

Next George Jackson Soul Night 13/10

Ace soul records from whenever and wherever spun by Gareth, David and special guests.
Next George Jackson Soul Night 13/10 @Smersh Bar,
5 Ravey Street,
London EC2
 
Liverpool Street, Old Street tubes
 
8 till late. Admission free
 
Ace soul records from whenever and wherever spun by Gareth, David and special guests.
Anyone who would like to receive our monthly e-mail newsletter conrtact us at:
 
mail@georgejackson.ndo.co.uk
 
 
By Mike in News Archives ·

Northern on TV

News that Channel 4 have commisioned a TV programme to be broadcasted in Jan/Feb, Featuring current scene and history, interviews with Ady C, Keb Darge, Irish Greg, Richard S, and Russ W.


Sounds like could be a good one!

By Mike in News Archives ·

Albrighton - Friday - Soul Nite

Hi all
Can I just remind you that Albrighton Lea Manor Soul Nite this Friday 12th
October is proud to present Butch playing alongise the Albrighton regulars.
The nite runs from 9 till 2am and tax otd is £5.

This is possibly to be the LAST soul nite at this prestigious venue.
November has been cancelled, however we are hoping to go ahead with the
Decemeber 1st Niter.

Thanks to everyone for their support, be nice to see you on Friday for what
may be the last one.

Thanks
Tait and Lin

By Mike in News Archives ·

Alan H Plays at the last Dome

Hit read more for details of what Alan H delivered at what is probablys the Uks Premier soul nite last week......

1ST SET



ADMIRATIONS -LONELY STREET -BRUNSWICK



RONNIE SAVOY -BIG HAND LITLE HAND -PHILIPS



ESQUEW REEDER -UNDIVIDED LOVE -INSTANT



CARL UNDERWOOD -AINT YOU LYING -MERGING



SOULFUL TWINS -I CANT LET YOU GO -SABLE



BILL JOHNSON -IT AINT NEVER GONNA DIE -JOCIDA



CHI-LITES -SHES MINE -BLUE ROCK



FALCONS -LOVE LOOK IN HER EYES -BIG WHEEL



JOE AKENS -WHAT IT IS -EGO



LOUIS CURRY -YOURE JUST PLAIN NICE -REEL



2ND SET



MARIE KNIGHT -TO BE LOVED BY YOU -ADDIT



FABULOUS DENOS -IVE ENJOYED BEING LOVED BY YOU -KING



JOE HINTON -GOT YOU ON MY MIND -BACK BEAT



SAMMY RIDGLEY -LOCKED UP -HIT SOUND



DYNELS -CALL ON ME -ATCO



OHIO PLAYERS -LOVE SLIPPED THROUGH MY FINGERS -TRIP LP



SOUL GENTS -WONDERS OF LOVE -FROS RAY



TEMPESTS -SOMEDAY -SMASH LP



BUSTER&EDDIE -CANT BE STILL -CLASS



ALLAN SISTERS -IM IN WITH THE DOWNTOWN CROWD -QUALITY



J.J.BARNES -DAYTRIPPER -RIC-TIC



MARJORIE BLACK -ONE MORE HURT -SUE



DYNELS -CMON LITTLE DARLING -NATURAL




By Mike in News Archives ·

Bangor and Wrexham Tonite

Seems all roads are leading to one of the big events of the year this weekend
"The Togetherness Weekender"
So a bit quiet event wise...?
Two events in North Wales tonite though
Wrexham - Rafa club

see events section for details

Plus also

A Soul Nite in Bangor at Bangor City Social

Steve Thomas ( Holyhead) is Guest Dj and here's 5 of his current plays:

Carol Fran-Knock Knock-Exello

Lillian Offit-Miss You so-Exello

Johnny lee Hooker- Send Me Your Pillow -Stateside

Lost Souls- A Secret of Mine- Raven

Elliusions- You Didn't Have to Leave-Lamon

Dickie Wonder -Nobody Knows- Golden Traingle






By Mike in News Archives ·

Jazz FM -Ady Croasdell 30 Sep 01

Jazz Fm featured main man Ady Croasdell as main guest this Sunday
Now have real audio clip of 40 mins featuring himself and Richard Searling up on site
Jazz Fm featured main man Ady Croasdell as main guest this Sunday
Now have real audio clip of 40 mins featuring himself and Richard Searling up on site


Link is out of date

Details :


Blenders- big lover

Devonnes-straighten up and fly right


Event guide


phone in from charity alldayer


James Carr - from forthcoming Kent cd -due next month


Eddie Campbell - contagious love - artco - great stuff! from possible forthcoming cd feat Eddie and Ernie Material artco label


Devonnes - someone to treat me the way you used to


Eddie Whitehead - just a fool


Lorraine Chandler - You Cant have enough of that - Unissued RCA - Not out on Cd yet


Ads cut out

If anyone wants the next hour which features also Mike Warburton, Neil Henderson, Paul Welsby with R+B being the focus of discussion both sounds wise and discussion inc Hideaway Club and Kent Cd, either use comments or email and if enough response will throw it up.

site note - goto refosoul radio for clips etc

By Mike in News Archives ·

Soul Together Product News

Product news from Soul Together
The first range of clothing created especially for fans of Soul music across the UK and the world over. The catalogue brings together a wide range of quality stylish and comfortable T-shirts, Polo shirts, jackets, caps and accessories that reflect the true Northern Soul image with the logos of great clubs, past and present, and the record labels that made the sound... If you get your kicks out on the floor, then Soul Together is where its at. Ordering from soultogether.com is easy -


by post or online at http://www.soultogether.com, so get the gear and get on that dancefloor!


Goods available at the togetherness weekender 5th, 6th & &7th October 2001

By Mike in News Archives ·

Review of Roar Nightclub in Bilston Last Nite

Heres the full story, big thanks to Dave for passing on Last night was the first promotion at Roar Nightclub in Bilston. And what a good night it turned out to be. This venue is going to establish itself very quickly as the top two room event in the Midlands. Upstairs was the Modern room, and although I didnt spend much time in there I pop up a couple of times to see how it was going on.

Music was provided by John Pugh, Blue Max, Jordi, Gary Holyman, and the irrepressible Gavin Page (Who greeted me over the mic the first time I went up by saying "Rimmer, youre in the wrong room, piss off !"). Trouble is, the bloke does have such immaculate taste in Soul music. Numbers in the Modern room varied all night, as they did in the Sixties room with people going from one room to the other and back. Because of that its going to be hard to put a figure on how many there were through the door, but Id guess at over 150. Downstairs, my territory (Its where the bar was, and a pint of bitter was only £1.40, in a nightclub for Gods sake !).
Des Parker started procedings off with a well thought out set of unknowns, rarities and cheapies whilst people started to come in, get drinks, and find seats. Kenny Onions was next up, and Ken went straight for the jugular with a set of storming Oldies mixed in wth a few Newies. As expected, people started to dance at this point. I took over at 11.00 pm and played a set which contained more Oldies than I usually play, but I still managed to slip things like The Magnectics and The Vondells in there mixed in with some uptempo R&B.
John Pugh took over from me and the floor almost caught fire, whilst there were a lot of regulars off the scene there, the night had also pulled a lot of locals in as well, so Oldies were the order of the day. Blue Max joined John downstairs as well, so The Catacombs lived again for a while.
Guy Hennigan was next up, half of the original Sixties Mafia, in full force, to a great dance floor reaction. Starting off with the Back Street instrumental it just got better and better. Full respect to Guy, he doesnt get any where near the number of bookings he should these days. Fortunately hes one of the residents at Bilston, so hell be back next time as well.
The last spot should have been Little Scotty, but for whatever reason, he didnt arrive, so the last hour was covered by Rob Haigh for quarter of a hour, and then Guy Hennigan went back on to finish the night off. To sum it up, the venues good, the dance floors good, the bar prices are good, the fact its two rooms is good, the DJ line ups good, and with room for a few more bodies this will turn into a top night. The next one is on November the 24th. Get yourself along. Dave Rimmer Soulful Kinda Music Magazine&Web Site http://members.tripod.com/SoulfulKindaMusic/
By Mike in Articles ·

WILLINGTON and LOUGHBOROUGH Review

Started the weekend in just the right way, a really good soul night at Willington. This is a really cool venue: a good sized dance floor thats in good repair, a pretty good sound system and a reasonably cheap bar. I think those assets just about cover the requirements of most soulies I know!
WILLINGTON and LOUGHBOROUGH REVIEW

Started the weekend in just the right way, a really good soul night at Willington. This is a really cool venue: a good sized dance floor thats in good repair, a pretty good sound system and a reasonably cheap bar. I think those assets just about cover the requirements of most soulies I know!

The music policy is across the board, but the emphasis (for me) does lean slightly towards oldies. Not that Im complaining, I havent been out a lot recently, so it was nice to feel so comfortable with the music. I never made or asked for playlists, (havent been writing much of late) but once I got there I danced most of the night. Fellow KTFr, Nogsy was there, as was Andy Humberston, and if either of them read this they may be able to remember some of the plays (for those interested) ;-)
All in all (cliché time) I was sick as a parrot that the night didnt go on a little longer, but thats can you ever get too much of a good thing? For anyone who hasnt made the trip to Willington, I would say give it a go, youll probably be pleasantly surprised.

So its now Saturday, Id asked Steve Heinsen and his good wife Janet, if I could scrounge a lift with them to Loughborough and they agreed. By the time we arrived (just before 9:30) the car park already had quite a few cars in it (that could be a case of stating the bleeding obvious) so the night looked promising. And for me I think the promise was fulfilled. The venue was pretty full by 11 and everybody seemed to be enjoying themselves, there were quite a few in from the thriving Nottingham circuit, Carl and Andy Riley with his wife Debs to name but a few.

There was also a fair sprinkling of the species KTF. As already mentioned, Steve and Janet, Alan Gibbons, Andy Humberston, Peter Burton, Nogsy, Mark Sanders, the Rimmerman, Spanner, Chris Anderton and as usual there will be others that Ive forgotten to name.:-) I spent the night flitting between the small room (which included sets from Andy H, Nogsy and Peter B) and the main hall. Best set for me in the main room, well the Rimmerman took the prize. He managed to keep Spanner dancing/walking/yomping all night. ;-) A few of us had a chat and we came up with the idea of getting Spanner one of those "For great Northern Soul dancing, put your feet here, here, and here mats. Amaze your friends, youll never take up quite so much room again" :-)
I thought Dave played an excellent set, as ever, and the floor was heaving during his spot. Again no playlists, mainly because I was too busy dancing. Last spot of the night in the main room belonged to Derek Allen, the Mr Motivator of the Northern DJ circuit, he is just so enthusiastic you cant help but be carried along.

My only grizzle is about the dance floor, which was a composite material that was IMO already quite fast, and after a few had liberally covered it in talc became even faster. Im not going to go into the should you shouldnt you talc the floor, as Ive made my feelings on this subject known before. That really was the only moan I had, it was for me an excellent night with great atmosphere, great music and great company. Once again I urge you to give it a go if you havent been, and to go back if you have.
A big pat on the back to Mark Sanders for working so hard to make it a success, and a further pat on the back for his lovely wife Leanne, for dancing.:-)
KTF Winston
By Winnie :-) in Articles ·

Waldorf Plays- Derek Pearson

Published Date: 2001/9/25 3:40:00
waldorf Plays- Derek Pearson

Background history on the Waldorf: Its a small upstairs
function room of a pub to the rear of the Twisted
Wheel/Placemate Seven club near Piccadilly station. I've dj'd
here before and musically its anywhere from traditional
northern to two step. A broad canvas indeed. A place to be experimental
if you wish. The place was packed I've never seen it so full, Butch and
Dave Thorley were guesting as well so all the ingredients were there
for a good night.

Johnny Gilliam "Take me back" (Modern) forgotten oldie.Soulfull as hell
Scotty Williams "Fear" (Mona Lee) as above - less is more
Dells "Thinking about you" (Cadet) truly fabulous just listen to it.
New Sounds "Don't take your love" (Turbo LP) orgasmic
Willie Tee "Peeped your hole card" (Gatur)
currently working people up into a frenzy
Keni Lewis "Whats her name" (Buddah) I keep playing it
Towana & Total Explosions "Help me get this feeling back" (Romark)
girls on top with great flip too
Shirley Wahls "Thats how long I'm gonna love you" (King)
Another girly stormer with quality flip "Why am I crying"
Johnny Robinson "Gone but not forgotten" (Okeh)quality oldie
guess who sold it for £6 in 1984 'cos it clicked (soon get another
copy) then had to pay £100 in 1996 to get a copy back. doh
Friendly People "Nothing but the blues" (VMP)
where are all the copies now?
Larry Brown "Moving on" (Vent)
Eddie Billups "Shake off that dream" (SS7) awesome flip side as well
Betty Swann "Kiss my love goodbye" (Atlantic)
Bros.Guiding Light "Get together"(Mercury) love it love it
Four Tracks "Charade"(Note) if this is heaven....
Danny Woods "Had me fooled"(Correctone) decent flip as well
Kenny Carlton "Lost and found" (Blue Rock)
Four Tracks "Like my love" (Mandingo)
Joseph Moore "Still can't get to you" (Marvlus) flips good too
Soul Communicators "Lonely nights" (Fee Bee) don't come much better
Tangeers "Let my heart and soul" (Okeh)
Masqueraders "Do you love me baby"(Wand) grits an' all
Bobby Thurston "Just ask me" (Mainline LP)
C.L.Blast "Love don't feel like love" (Cotillion LP)
Ron Keith "Can't live with you" (A&M)
Staple Singers "Trippin on your love" (Stax LP)
Miss Louistine "I don't want to love nobody else" (NWE)
By Mike in News Archives ·

6 pac sessions -need

Dome - CSC 6 pacs galore

Posted on Monday, September 24 2001 @ 20:06:33 BST Topic: Soul Sounds Soul Sounds Yeah its that time again, time for one of the premier soul nites around, CSC friday nite bash at the Dome London. To get you in the mood (or let you know what youre missing) have put together 2 x 6-pacs from Irish Greg, Carl Fortnum and Alan. H Follow soul sounds link on left! Way to go or what Whats a good nite out ?

More of this or hearing stuff like that bloody 20 quid motown boot yet again!

Session 1

Anita Anderson - Secretly - Contact
Bogus Chimes - I think you find-Champ
Dee and Floo -This or That - Dee Wolf prod Tony Clarke - No Conception -MS Martha Starr - Sweet Temptation - Charay
Eddie Campell -Contagious Love-Artco

session 2
Johnny Watson - Cause I love you - cover up
Shadows -This is not the end-Audio Unlimited
Tammi Levon - Clothes dont make a man - Nation
Fawns - Nothing but love can save me - Cap City
Chances - It takes more than love alone- Bea
Baby Eddie King & Mae B May - Please Mr Dj -


1 comment

The comments are owned by the poster. We arent responsible for their content.

Re: Dome - CSC 6 pacs galore (Score: 0) by Anonymous on Tuesday, September 25 @ 18:45:10 BST Rubbish......absolute nonsense.....is that the best those three djs can come up with????!!!!! ;-) See you all on Friday :-) David c.s.c. - p.s. Anyone got that Martha Starr for sale/swaps? :-)

By Mike in News Archives ·

Wilton - Last Friday by Chalky

A tale of what went on at the wilton by Chalkie
Well what can I say aboout this place except superb. Great venue and the music is what I like to hear at a nighter (hardly an overplayed oldie insight).
The nearest I can compare this venue to is the 100 Club.

Travelled up with fellow soul-talkers Andy Mac and Mick Brown, got there just after 11pm and straight to the bar to oil the tonsils. First person I met was Kenny (100 Club) and then Mark Hansan. Andy Dyson was at the decks playing some shit hot rarities. Some nice mid tempo items and then a few dancers to get the crowd goin. Stand out track was, according to Andy was Bobby Bennett Try Me Baby???, although he could have been bullshittin. Bumped into Barry James, Paul Mac and Derek Pearson.

It really is the next best nighter after the 100 Club, dare I say it maybe better, better venue certainly.

The policy of using "collectors" rather than so called big name DJs seems to be working well with a great choice of records spun that you really dont hear at too many venues. Fresh vibrant upfront 60s newies with some quality xover and the odd 80s track thrown in.

Stand out tracks for me were the Moments-You Said (Deep), James Lately-Love Friends and Money (Temple), Paulette-Love You Babe (Contact) and the awesome Lonnette-Blue Jeans (MS) what a fuckin record, extremely rare as well, plus too many others that Ive forgot (memory not as good, must take a pen with me next time). Not much of a report as the brain is still a little scrambled. Deffo a venue I shall attend again and recommend a visit to anyone wanting a quality night out.

Chalky




By Chalky in Articles ·

Notre Dame - Quality Playlists

As you may have noticed have banged on a bit here on Soul source about how good the Notre Dame soul nite in London is.
So for those who havent took in the delights yet here is the complete playlist from last August event.
So you can check out the quality, top drawer rare spins, classy revivals, all top stuff. And check out Andy Rixs set - stuff dreams are made out of.
Read more for the full listings.......
Nicks words...
Right, finally got around to sorting this out. As I mentioned before, the
tape recorder I usually use as a notepad conked out on the night, so I had
o get the DJs to piece together their sets again, but after much exercising
of grey matter on their part (for which I am eternally grateful), heres the
list of what got played:
NICK BROWN (1)
SERENADERS - If Your Heart Says Yes - VIP
TRAITS - Someday, Someway - Contact
GALAHADS - Ive Got To Find A Way - Beech Wood
BARRATT STRONG - Id Better Run - Tollie
EPSILONS - Its All Right - HEM
THERESA LINDSAY - Its Love - Correc Tone
BOBBY GARRETT - I Cant Get Away - Mirwood
MIGHTY JOE YOUNG - Suffering Soul - Webcor
JOHNNY MOORE - Lonely Heart In The City - Blue Rock
DANNY MOORE - Somebody New - Allrite
ARLENE BELL - My Lover - Velvet
DEE CLARKE - Shes My Baby - Constellation
RINGLEADERS - Win You Over - Unissued M-Pac
TEARDROPS - Every Step You Take - Max
BILLY MILLS - Under The Pines - Charay
DAWN BROWN
PAT LEWIS - Warning - Solid Hit
LEE LAMONT - Ill Take Love - Backbeat
FOXES - Mighty Good Sign - Fencoe
JAY WIGGINS - Tears Of A Lover - Solid
CHECKMATES - Kissing Her And Crying For You - Capitol
DRAKE/EN-SOLIDS - Please Leave Me - Alteen
BUSTER AND JAMES - Count The Tears - Cee Jam
HARRY DEAL/GALAXIES - I Still Love You - Eclipse
H B BARNUM - It Hurts Too Much To Cry - RCA Victor
OTHELLO ROBERTSON - So In Luv - Era
JOHNNY GILLIAM - Room Full Of Tears - Cancer
SPARKELS - Try Love (One More Time) - Old Town
TIMI YURO - Itll Never Be Over For Me - Liberty
TOMMY RIDGLEY - My Love Grows Stronger - International City
LEWIS CLARKE/EXPLORERS - I Need Your Loving So Bad - Tigertown
TEMPESTS - Someday - Smash LP
BARBARA McNAIR - Youre Gonna Love My Baby - Motown

 
CHRIS DALE
WADE FLEMONS - Jeanette - Ramsel
SHIRLEY LAWSON - The Star - Backbeat
JESSE JOHNSON - Left Out - Old Town
JO ANN GARRETT - Whole New Plan - Chess
ROGER HATCHER - Sweetest Girl In The World - Excello
O JAYS - Ill Never Forget You - Imperial
BOBBY REED - The Time Is Right For Love - Bell
TAN GEERS - Let My Heart And Soul Be Free - Okeh
LONNIE RUSS - Say Girl - Kerwood
GENE TOONES - What More Do You Want - Simco
TERRY CALLIER - Ordinary Joe - Cadet
CALVIN WILLIAMS - Lets Dance - Target
JUDY HUGHES - Fine Fine Fine - Vault
SAM DEES - Lonely For You Baby - SSS International
GWEN DAVIS - My Man Dont Think I Know - SS7
BROOKS BROTHERS - Looking For A Woman - Tay
RHONDA DAVIS - Can You Remember -Duke
BRICE COFIELD - Aint That Right - Omen
SEVEN SOULS - I Still Love You - Okeh
HERB WARD - Strange Change - Argo
WILLIE TEE - Walking Up A One Way Street - Nola
SOUL BROS INC. - Pyramid - Golden Eye
JOANIE SOMMERS - Dont Pity Me - WB


 
TONY SMITH
(Not necessarily in the order played)
JOHN/WIERDEST - No Time - Tie
JACKIE BEAVERS - I Need My Baby - Revilot
SUGAR & THE SPICES - Have Faith In Me - Swan
ALICE CLARK - You Hit Me Where It Hurt - WB
BETTY EVERETT - Please Love Me - One Der Ful
CAROL ANDERSON - Taking My Mind Off Love - Whip
ARGIE/ARKETTS - Youre The Guy - Ronnie
CURLY MOORE - You Dont Mean - Sansu
KEITH CURTESS - My Love I Cant Hide - Smoke
TIARAS - Loves Made A Connection - Seton
BOBBY MAC - Shy Guy - Vended
BOBBY JASON - Wall To Wall Heartaches - Ranwood
ARTIE FELDMAN - Wave A Banner - Aries
CARL H. HALL - Let Me Down Slowly - Mercury
RAY AGEE - Im Losing Again - Soultown
TOKAYS - Baby Baby Baby - Brute
LITTLE STANLEY - Outasite Loving - Vance
BARBARA MIDDLETON - Come On Back To Me - Tangerine
MATADORS - Say Yes Baby - Chavis
MELVIN DAVIS - I Must Love You - Groovesville
SANDI SHELDON - Youre Gonna Make Me Love You - Okeh
PEOPLES CHOICE - Saving My loving For You - Palmer
PAT LEWIS - No-one To Love - Solid Hit
BOB AND FRED - Ill Be On My Way - Big Mack
AL WILLIAMS - I Am Nothing - La Beat


 
ANDY RIX
(Not necessarily in the order played)
JIMMY RADCLIFF - The Thrill Of Loving You - Jaysina studio disc
CINDY SCOTT - In One Ear And Out The Other - Virtue studio disc
GLORIA JONES - Come And Go With Me (alt Vers.) - Unissued Uptown
IMPERIAL CHALLENGERS - Someone Tell Her (alt. version) - Unissued Phil-La Of Soul
RONNIE MCNEIR - Isnt She A Pretty Girl - D Town
PHONETICS - Just A Boys Dream (alt. version) - Unissued Kent/Trudel
HYTONES - You Dont Even Know My Name (alt Vers) - Unissued Southern Artists
MILL EVANS - Aint You Glad - Unissued Kent/King
JOE PEIROLLI - Yeah Yeah Yeah - unissued Merben
APPOINTMENTS - I Saw You There - De Lite
DREAM TEAM - Im Not Satisfied - Gregory
KENNY LEWIS - Not The Marrying Kind - Blue Rock acetate...Naaaaah! -Audiodisc acetate
DETROIT RHYTHM SECTION - I Know Something - Unissued
POOKIE HUDSON - This Gets To Me (alt. vers.) - unissued Jamie
ARTHUR WILLIS/SOULFUL DYNAMICS - The Hurting Is Over - Mars La Tour
SOUNDMASTERS - Lonely Lonely - Julet
ADMIRATIONS - You Left Me - Peaches
JESSE JAMES - Love Is Alright - Virtue studio disc
WALLIE HAWKINS/ROSE MARIE MCCOY - Switch Around - Beltone studio disc
WELDON AND IRMA - You Need Love - Virtue studio disc
KIM WESTON - Dont Let Me Down - unissued Jobete
CINDY SCOTT - World Of Happiness - Virtue studio disc


 
NICK BROWN (2)
LOST SOUL - Secret Of Mine - Raven
DOC/INTERNS - The Love That You Give Me -Edgewood studio disc
CASHMERES - Showstopper - HEM
PIC & BILL - What Does It Take - Charay
WILLIAMS/WATSON - A Quitter Never Wins - Okeh
FOUR REPUTATIONS - Call On Me - Millage
DOLLS - The Reason Why - Toy
JACKIE WILSON - Ive Lost You - Brunswick
ANITA ANDERSON - Little Bit Longer - Contact
SHIRLEY EDWARDS - Dream My Heart - Shrine
EDDIE GILES - Losing Boy - Murco
MAJOR LANCE - You Dont Want Me No More - Okeh
EXCEPTIONS - Baby You Know I Need You (alt. version ) - Impact Sound studio disc
CARL CARLTON - Competition Aint Nothing - Backbeat
CHUBBY CHECKER - At The Discotheque - Parkway
CLYDE McPHATTER - Lonely People Can Afford To Cry - Amy
FOUR TOPS - Baby, I Need Your Loving - Tamla Motown
Thanks to all who came and made the night worth doing.
More of the same (plus some serious new exclusives, if everything comes
together on time) on October 19th.
TTFN
Nick
By Mike in News Archives ·

CSC Dome Sep 2001 and more

A fair few other events on this weekend, Birchfield, Dundee, Stafford, Bretby, Northampton, Wolves, Bilston etc etc, As always am shouting for views and reviews so if you have any words send them in and let rest of soul world know what went on, and also give your local/top events some exposure.
Well that time came round again, time to brave the M1/M6 and get down to North London, for the CSC event at Dome. After a good nighter last weekend refreshed my faith, was well in the mood for some quality rare soul, and a quality nite out. Got there about 10.30, with still a queue outside, got in, and straight away felt the buzz, place was fairly packed, sounds system working great and atmosphere was….well. …atmospheric. Stuart Tyler who was standing in for Irish Greg (who was on at a Spanish weekender) was just finishing his spot so missed him yet again. Spoke to Matt J, who told me his offer of free entry to the first people who turned up with a Bombay Aloo meal complete with all the bits was successfully claimed. Record bar was busy with usual wheelers and dealers - Mark Hanson, Andy Dyson, Roger Banks (also main guest Dj), and more. My vinyl budget is well in red so kept well away from that den of inequity.
Did a fair bit of catching up , so added Trivia points, name checks and odds at the end. Caught up with a bit of feedback on recent events from those who went, Llandudno: all who went said top, enjoyable event and going to next one Wilton: getting the name as the No 1 Rare Soul niter of the North, Someone said the buzz they got off the rare sounds there was equal to the 100 club at its best.
Crowd wise, well have said it many times before, top crowd, well mixed, and up for it, mentioned the atmosphere just seems to be a air of excitement about the place and the way the crowd "reacts" to the sounds. People from all over, were there - North and South Wales, Scotland, all parts of England, international wise usually miss them out but did speak to a few first time Australians. Dance floor wise don't think saw it less than a third full all night, packed full a fair part of the nite, the overall crowd dropped off round one-ish but the dancefloor constantly got used right to the traditional packed ending. Last 30 minutes finale was handled by David Flynn with The Drifter being the last but one, reaction after playing this one was a mass round of spontaneous applause from the packed floor. Not just your usual couple of claps but …well just say anyone who is getting jaded with things should have been there, could just hear the enthusiasm and enjoyment of the crowd in the clapping. Then more of the same with the Trends finishing the nite off, then onto a quick regroup and coffee at M1 services and then the joys of getting home. Sounds wise -Did hear a fewbits of discontent from some with the amount of revivals played, and the balance did seem to swing a bit more that way than usual. To me ratio seemed about like 1 revival in 4. Suppose the full playlists will prove that right or wrong, though gotta say that balance wise, with all different styles, as in revivals, one offs, r+b, raities, traditional, 70s etc the balance seemed to work to me, think it was Roger Banks who said "here's one to keep everyone happy" and reckon that was achieved on the night.
Speaking off balance and various tastes. Off on a tangent, went to a event recently and had a great time, with some well enjoyable sounds, though found out afterwards that whilst enjoying myself, the "play some proper northern" gang went off complaining to the promoters and anyone else who was listening about the fact that their regular diet of teenage memories were interrupted by djs having the audacity to play other stuff, oblivious to the fact that a fair few punters were enjoying it. Gripped my goat this as thought how many times have sat thru "classic spots" and thought fair enough, some people enjoy this sort of thing, will go and have a look round bar or similar. Perhaps answer is instead of doing that should play their game and every time hear likes of "that's not love" or "just a little misunderstanding" go and give promoters earache. On same sort of vein someone said last nite, wonder how many people at other events who now flock to the floor when the likes of "world of happiness" and other newly available stuff is played, where the ones who slagged and abused the northern djs who were playing it and similar yonks ago.
Anyway back to the nite here's a rough sounds guide
Yet again working off a fast fading memory, so details may be a bit sparse and even some errors might even creep in, and obviously some of the first hears/rarities will be missing, hopefully all djs will continue the trend of passing on full playlists once they have recovered!
Warm Up Guest - Paco
Totally missed the warm up/opportunity knocks spot where CSC give up and coming DJs chance to show what they are made of, hopefully someone will pass on
Stand In Regular - Stuart Tyler
After doing such a top job on his appearance as warm up, Stuart T was chosen to stand in for Irish Greg who was off dj-ing in Spain. Grabbed his top five off him, quality stuff, going by reports if you're after a quality set for your event give him a shout
Hattie Lydells - Heartaches Trouble Misery and Pain - Jobette Acetate
Deadbeats -no second chance-strata
Martha Starr - Love is the only solution - Thelma
Soul Communicators- Lonely Nights - Fee Bee
Liz Lands - Midnight Johnie-Jobette Acetate
Carl Fortnum - delivered his usual strikingly good set mixing rare one offs with rare and worthwhile revivals including likes of
Frank Foster - Moods - Bell Acetate - Pounding instrumental building up be a monster
Anita Anderson - Secretly - Contact - up in soul sounds as part of latest dome mix
Love Slave - Antellects- Flodavieur - big mid 90s-00 spin, not heard much recently, but apparently just bought for big bucks by NW Dj so expect it to be given a new lease of life
Martha Starr - Sweet Temptation - Charay- up in soul sounds as part of latest dome mix
Alan H - issued out his own unique style mix of r+b, tumbleweed, and up-tempo soul such as
Allen sisters- downtown crowd -quality test pressing
Day-tripper - JJ Barnes -ric tic - bit of a neck turner this, went down well with some
Love slipped thru my fingers- Towanda Barnes
Tommy Navarro- I cried my life away-- de jac
David Flynn - threw at us his usual quality stuff including:
The Jokers - Soul Sound Sko-Filed
Donna Loren -Blowing Out The Candles - Capitol
My Proposal - Soul Inc - Coconut Groove
I Need A Man -Precious Three Ref-O-Ree
Hayes Cotton -Black Wings Have My Angel Resist
Edwin Starr -Scott’s On Swingers
Roger Banks - Doing the main guest spot, started off his set with words similar to "Best Soul Nite in Country" and gave us a great set, mixing it up all the way, rare r+b, quality revivals and stunning seventies. Appreciation was shown by the floor remaining busy through out.
Left out - Jesse Johnson - old town
Soul Bros. Inc-Pyramid
Memory’s fading away now so details dodgy
Cadets instrumental - title anyone
R+B track that used same backing of the travelling salesman one -
Either you can’t have your cake or which side is your bread buttered on - know it was one of them or even maybe both!
Finish - as said DF took the last half hour with usual finish on a high set, which included
Chandlers-Your Love Makes Me Lonely
Jesse Davis - Gotta Hang On In There Girl
The Drifter - Ray Pollard
Trends- Thanks For A Little Loving
That’s about it then hopefully memory not failed me too much. Final thoughts, overall another enjoyable cracking nite, not the best one ever but will say up to the usual high standards and still gotta say, if you know of any soul nite that is up to this standard of atmosphere and sounds and enjoyable let us know asp As always thoughts above are just my own views on it all, feel different, agree or whatever just send them in.
Mike
Trivia:
Spent a bit of time catching up, various odd bits of trivia that retained were
Clare told me she was still shouting for a 45 – Oh Mama - C M Lord - capitol 4262, heard possible hard to trace as its flip of country style a side, anyone help her out???
Dave G passed on his event at Greenwich, London is going well, mixing Northern and Funk and going well, on first Saturday of each month (full details posted soon on site)
Mike Hump and Julie passed on a Cd full of photos from Rarest of Rare, 100 Club, and more. Should be up on site next couple of days
Johnny T spoke about future plans for Valatones, next one up on 20 Oct and flyer has Ian Levine now as a regular.
Jo ”How many jobs do I do” Wallace was taking care of cloakroom after her guesting on Wire FM up there in Warrington and later Dj-ing with PTP up at Runcorn last week. Have been told her spot on radio was “brilliant” apparently she had a “free “ hand to do and say what she liked and it was a right old laugh. Plus feedback from her and PTPs spot at Runcorn was it went down well and the punters really enjoyed it.
Simon - was saying how the Brighton all-dayers have proved very successful, said may not be so many of them in winter months, but says the one on tomorrow (Sunday) is looking at being another cracker.
Quote of the nite- was passed this one on, from someone from up Yorkshire on first visit "Can't believe have missed this, husband is in his element, this is what its all about"
Laugh of the nite - Getting a phone call at six to see how far had got, as traffic on M6 was bad, “err ........ still in the bath” Name checks: All usual suspects were there, the usual gang mike, Andy, Julie with their plans of invading Llandudno at the Connoisseurs weekend in March, getting windows boarded up now. Pop up Pete popped up, Katrina fresh from travels to Oslo and Berlin, The two North Wales exiles Gary and Dave, Pete Coulson, Barry and crew who must have put some miles in this weekend, NW to London and then onto Hull, Most Wanted Nick Brown flyering the next Notre Dame on 19th Oct with Adey C as guest, Neil and his mate carrying on where we both left off at Llandudno i.e. at a bar, Rob C back from holiday Plus to all of the usual lot knocking around.
By Mike in Articles ·

Llandudno Niter - This Saturday

Just a reminder that next big Niter is Llandudno Niter which is on this Saturday
Dj line up inc :
Mick Lyons,Bob Hinsley, Terry Davis,Roger Banks
Pete Coulson, Robbo, Steve Thomas, Mark Morgan, Keith Williams, Gary Beatie
Full details up in Events - should be a good one!
By Mike in News Archives ·

Notre Dame Annivesary - Thats The Way To Do It

Notre Dame anniversary, 19th October.



News from Nick Brown of the celebration of a year that has seen the Notre Dame shoot to the status of one of the best rare soul nites in UK.

With its top regular djs and top guests, were talking REAL rare soul here. Heres what Nick says......



Notre Dame celebrates its first anniversary on Friday, October 19th with a special guest appearance from Ady Croasdell, who joins Notre Dame regulars Andy Rix, Chris Dale, Dawn Brown and Nick Brown for the night.
By way of saying a big thank you to all those who have supported the club over the last year, this night will be members-only, so if youve mislaid your card or if youve been coming to the club and simply havent got around to joining yet, now is the time to get your membership sorted.

To register for membership, either:
e-mail driveller@supanet.com with the name and address of each person registering
or go to website where there is a form which will automatically register you once you fill it out.


New members, of course, are always welcome, so if you dont want to miss out on the 19th, get in touch now and dont get caught out at the last minute!
Looking forward to a really buzzing do!
Driveller
By Mike in News Archives ·

Valatone Soul Sessions

Huge thank you to all who made it down to our anniversary nite on saturday. Excellent atmosphere, excellent people, excellent music, thank you all very much. Johnny T
By Mike in News Archives ·

Sour Mash Newsletter

THE REAL WEEKENDER WARM-UP!
The August, residents throw-down session did not take place as planned due to Catch, having to shut to complete essential maintenance works. which was a real disappointment to us, not to mention to you guys too.
Friday September 21st is seen by us, as a bit of a good reason to party least wise
because its the real Weekender
Season Warm Up! as the residents will be appearing
and representing Caister, Southport and Togetherness
as well as Soul24-7.Com Our guest Gavin Musical Fishbowl Page whilst also representing Soul24-7.Com,
will also be baring his Soul Essence. So now that you know the date, youve got no excuses!!!



OUR GUESTS, OCTOBER AND BEYOND. . .

Our guests confirmed for rest of the year were Ivor Jones and his Devils
Den Session on October 26th and Gary Dennis and
his Soulful Christmas Sack on December 28th. With the
originally planned Residents Throwdown Part Deux
taking place in November.

The best laid
plans of mice and men and all that malarkey. . .


(cont. over)




It is said that all good
things come to those that wait, and we are pleased to announce
our re-collaboration with Dr
Bob Jones. Bob first appeared with us, way back in November
1992 at the very first Sour Mash in Londons West End, and after
taking over his slot on Soul
24-7 last winter we are pleased to have the opportunity to
work with him again after so many years. The November Chocolate Soul
takes place one week earlier than normal on the 23rd. See you there!

Chocolate
Soul @ Catch, No. 22 Kingsland Road London E2



FORTHCOMING
S.M.C. APPEARANCES

In addition to
our aforementioned appearances at Chocolate Soul and Caister,
we have been confirmed as guests at the next Spirit with residents Niki
& Kaya on Friday October 5th.

spirit
@ The clinic, 13 gerrard st., Chinatown, London w1

Saturday
November 3rd is the date of the Soul 24-7 Launch Party which
takes place in Washington D.C., US of A. Soul Damn Phisticated
does D.C. Join us and the other 24-7 jocks and make it a
weekend to remember, with breaks costing from £299 (incl all
flights + taxes and accomodation), its an opportunity that is
too good to miss! Full details are available at the Soul24-7
website.

Another date for
your diaries is December 29th when well be residing at Point 101
for the evening.

Point
101, 101 New Oxford St, London W1





Please
feel free to forward this update to your friends and colleagues.

TO
SUBSCRIBE TO THE SOUR MASH COLLECTIVE LIST CLICK HERE
TO
UNSUBSCRIBE FROM THE SOUR MASH COLLECTIVE LIST CLICK HERE











The Sour Mash Collective



Soul Damn Phisticated



Refresh your SOUL @ WWW.Soul24-7.com

Mondays from 10pm til 1am GMT
By Mike in News Archives ·

Todays Sunday Jazz FM bits

Afternoon at home so managed to listen to Mr Searlings show on and off. Heres bits for those who missed.
Ginger was first guest and most enoyable with some of his big sounds, clip should be up very soon.
Next guest was Fran with a look at all the classic clubs from the 60s with sounds from that era to match

 
Future guests -
next week Kenny Burrel
Then next wek Johnny Pearson with a Gene Chandler feature
Followed the next week with one to note Adey croasdell - inc kent r+b, hideaway club feature.

 
News from Radio one - Bob Mclaw (?), was in studio with plans to make the "definite" radio program on northern soul. Plans to feature all aspects -clubs, including some of the lesser know ones,sounds, djs, attendees, stay at homes, sounds and so on, sounded well up for it so could be a good one.
Contact number for people who have ought to relate
01619454686
By Mike in News Archives ·

Albrighton Last Saturday

Few words and playlist from last Albrighton niter from CSC Dj and man behind the fine Anoracks Corner Website, David Flynn

Next up at 2am was my bad-self on my first deck duty there. Well, below is my play list and as you can see I treated em to the kinda tracks that get the Dome dance-floor bouncing. I was particularly pleasing to receive requests for some of the emerging tracks Im playing...kinda makes it all worth while! :-) Must admit that the dance-floor didnt respond to every tune and the surprise fillers were Bobby Reed and Johnny Maestro...but then again why am I surprised as they are top tunes?!

The Precious Three went down well, as it should as did Donna Loren...both tunes Im gonna be pushing all the way! I had the pleasure of handing over the mic to the Worlds #1 NS deejay, Butch, and he rammed the floor for most of his set (well they did have a rest during my spot and were recovering after Dave Rimmers before me! ;-) ), spinning Betty Wilson, Patrinell Staten, the awesome Jean Carter c/up (I NEED THIS RECORD!), Temptones (stating that hes been spinning it for 15 years now!) and a host of his other monsters!

Big up Tait & Lin for giving me such a warm welcome and the opportnity to deejay at one of my fav NS venues


BETTY LOU & BOBBY ADAMS - DR.TRUELOVE - TRAX
JIMMIE & ENTERTAINERS - NEW GIRL - TODDLIN TOWN
CARL UNDERWOOD - AINT YOU LYING - MERGING
BENNY SPELLMAN - THIS ONES FOR YOU MY LOVE - ALON
THE JOKERS - SOUL SOUND - SKOFIELD
MARVA JOSIE - LATER FOR YOU BABY - TIME
SEPTEMBER JONES - GIVE ME ALL OF YOUR LOVE - UNISSUED PIED PIPER
GERRI DIAMOND - ONLY YOU (CAN FEEL THE LOSE) - COUNTERPART DONNA LOREN - BLOWING OUT THE CANDLES - CAPITOL
BERNARD HARPER - IM NOT GONNA LOSE IT - ACTION
SOUL INC. - MY PROPOSAL - COCONUT GROOVE
OXFORD NIGHTS - IM SUCH A LONELY ONE - DELPHI
GARY DEAN - YOU CAN SAY - YOUNG
TYRONE ASHLEY - I WANT MY BABY BACK (ALT.TAKE) - ACETATE PRECIOUS THREE - I NEED A MAN - REFOREE
BOBBY REED - THE TIME IS RIGHT FOR LOVE - BELL
SEPTEMBER JONES - IM WITH YOU - UNISSUED PIED PIPER
HAYES COTTON - BLACK WINGS HAVE MY ANGEL - RESIST
DORIS SMITH - NO GOOD GUY - LIMELIGHT
RODD KEITH & THE RAINDROPS - LIKE THE LORD SAID - PREVIEW SIDNEY BARNES - SAFETY ZONE - JOBETE ACETATE
THE DEADBEATS - NO SECOND CHANCE - STRATA
GREATER EXPERIENCE - DONT FORGET TO REMEMBER - COLONY 13 JOHNNY MAESTRO & CRESTS - IM STEPPING OUT OF THE PICTURE - SCEPTER



By Mike in Articles ·

Nantwich Allniter

As nobody else has sent a review in of the Nantwich allnighter I thought Id better do one as it was such a good night.

The Venue first: A large dancefloor (in very good condition), with seating on a slightly raised platform one side with the record dealers set up on the opposite side. Bad planning really, the bar was on the side by the seating !

The Attendance: Considering it was the first one, and it was The Ritz in Manchester the next day, a very healthy crowd of 200 turned up.

The Music: Something to please everyone really. DJs for the night were Siomon, Chris Penn
(An absolute blinder of a spot), Roger Banks, Yours truly, Carl Willingham, Robbo, Sam
Moore, Rob Smith, and Brian Rae. So you got rarities, oldies, newies, R & B, and some odd
bits in between !

The next one is scheduled for October and there will be a seperate Moderm room at that one.
Get yourselves along, its worth the trip.
Recommended.

Dave Rimmer
By Dave Rimmer in News Archives ·

Winsford Niter - Liberation Review

Going back a couple of Fridays and here's a review by Dave D of his adventures at the Winsford All nighter, complete with modern room playlists......
Liberation - Winsford 18.8.2001
It was my first trip to Winsford and one I had been looking forward to immensely since the beginning of the year as I promised myself that Id pay it a visit. My main reason for visiting was to establish if the recent rave reviews about the modern room, titled Liberation, were substantiated.
After a lengthy but trouble free drive from Chatham, I checked into a b&b, got changed and arrived at the warm-up at The Queens pub at 9.15. It was not very busy at that time and northern soul was blaring out to get people in the mood. Said hello to Roger Williams who was, I suppose, warming himself up for the long night ahead. Also had a chat with a few others until a minibus full of the Soul Down South crew with Terry Jones arrived at about 10.30 and seemed to take over the place. They missed the brief modern spot and was back to northern. I enjoyed The Queens - the music was good, it wasnt too busy and it was a good opportunity to have a few pints and a laugh before the allnighter.
Over to the allnighter. Poked my head in the northern room. its huge - sound system is good playing Terry Callier and John Bowie. Oh no - its gone silent; technical hitch so Im off into the modern room. Theirry Boulanger, over from Belgium for the weekend, is playing Sunshine Anderson. My wife walks straight into the room and onto the dancefloor. In fact, quite a lot of people are dancing, and its only 11.15.
The modern room is a nice small square shape. There are big potted plants and nice comfortable seats set in an almost complete rectangle shape in two corners creating a lounge bar type of environment but there was no lounging going on. The DJ and decks are on the ground, not elevated which all goes to create a intimate party atmosphere.
The music was very good ranging from 70s to brand new, rare to very easy to find but the emphasis is on good modern danceable soul music. Roger Williams and Terry Jones played their sets back to back for what seemed a marathon three hours because the music was so good.
Ive listed Rogers set below and Terry played lots of different things from Vivian Reed to the new Ollie Woodson cut due out on Expansion soon.
Tony Dawber also played a very good set of recent big tunes including Bob Sinclair, Darwin Hobbs, Freddie Jackson and Cynthia Biggs/Sharon Bryant.
The occasional tune did not do it for me but I think thats to be expected for an allnighter lasting nine hours. There was one 30 minute stint where the music was a bit eclectic for my taste but overall 95% did do it for me and thats an excellent hit rate.
An excellent crowd also made for an enjoyable night and it was well worth the long trip.
Recommended.
Theirry Boulanger
GWEN McCRAE - Winners together (Together LP)
G.C. CAMERON - Im gonna give you respect (Love songs LP)
BETTY WRIGHT - Keep feelin (Explosion LP)
BEN TANKARD - N-da-spirit (15") (Git yo praize on CD)
C + C MUSIC FACTORY - Searchin (Same CD)
DRAMATICS - Shes my kinda girl (New dimension LP)
ANDRE DE LANGE - A friend (C&J R&B Mix) (Worth the wait CD)
ATLANTIC STARR - All because of you (All because CD)
RONNIE McNEIR - The good side of your love (Rare McNeir CD)
III FRUM THA SOUL - My body (Same CD)
HAROLD WHALEY - Playthang (Simply Soul 3 CD)
ZHANE - Request line (Saturday night CD)
SUNSHINE ANDERSON - Heard it all before (18") (Your woman CD)
LATANYA - Why you acting shady (19") (Same CD)
OLU - Dont cry (Soul catcher CD
ROBBIE DANZIE - Summer (Best Of CD)
Roger Williams
Sweet & Wonderful - Jean Carn/Glenn Jones
Love Town - Booker Newberry III
Circles - Atlantic Starr
Dont Let Love Get You Down - Archie Bell & The Drells
Didnt Know About Love Til I Found You - Lenny White
Share The Night - World Premiere
Dont Let It Go To Your Head - Jean Carn
Seventh Heaven - Gwen Guthrie
What Am I Gonna Do - Akwaaba People
Ribbon In The Sky - 2 Men 4 Soul
Wilder - Stargate featuring Tyler
A Miracle - Dez
I Should Be Groovin - Mr. Alexander
Find A Way - Trey Lorenz
Spread Love - Messengers featuring Lisa Millett
We Are One - Urban Blues Project featuring Bobby Pruitt
By Your Side - Greg Gaulthier & Tony L featuring Michelle Weeks
Learn To Give - Arnold Jarvis
Wishing On A Star - Randy Crawford
Oh, and a little forthcoming Expansion eksclooosiv!! - twice, again!!
Everybodys Talking - Rance Allen
Everyday Love - Dazz Band
Here With My Best Friend - Stephanie Cooke
Keep It In The Family - Leon Haywood
Syreeta & GC Cameron (cant remember the title!!)
Dave D
By Daved in Articles ·

Funk Brothers Movie

LIVONIA -- In the pine-paneled rumpus room of a nondescript brick house in a
sleepy suburb, the worlds greatest basement band is kicking some serious butt.You know these musicians, even if you never knew their names: the Funk Brothers, as they called themselves, were the uncredited studio band that laid down the intricate, funky grooves for Diana, Smokey, Marvin, Tammi, Martha and the rest of Berry Gordys stable.

Weve heard it for years -- Pistol Allens infectious shuffle on "Baby Love," Ivy
Hunters funky keyboard intro on "Pride and Joy," drummer Uriel Jones urgent beat on "Aint No Mountain High Enough."
For 15 years, a slightly changing cast of Funk Brothers plied their trade in tiny Studio
A in the back of 2648 W. Grand Blvd., coming up with the goods over and over for producers ike Smokey Robinson, Norman Whitfield, Holland-Dozier-Holland, Ashford and Simpson, and the boss, Gordy. Their reign ended abruptly in 1972.

Now, thanks to the persistence and heart of a 48-year-old, self-described "bar mitzvah" musician from New Jersey, the Funk Brothers will swing again, in a documentary being filmed in locations around Detroit next month
.
By Mike in News Archives ·

Sad News - Betty Everett

Legendary Soul singer, Betty Everett, passed away in her home in Beloit Wisconsin over the weekend. Her body was found by her family on Sunday.
Cause of death has yet to be determined.
Born in Greenwood Mississippi on November 23, 1939, Betty Everett is remembered primarily for one huge hit in the 60s, but she was also one of the very best soul singers and actually recorded many songs. Starting at age nine she played the piano and sang in church. She continued to sing in gospel choirs, and eventually moved to Chicago in 1957. While there she continued to sing.
She recorded songs on some of the local Chicago labels such as C.J., Cobra and OneDerful in the late 50s and early 60s, coming up with local hits such as Ill Be There and Ive Got A Claim On You. She signed a contract with VeeJay, a label that was issuing some hits by the Beatles at around the same time. Her release of "Youre No Good" just missed the top fifty late in 1963 and was covered in the UK by the Swinging Blue Jeans.
Then she hit big. Betty Everett recorded "The Shoop Shoop Song [its In His Kiss]" in the Spring of 1964 and it soared to Billboards Top-10. Other records, such as "I Cant Hear You" and "Getting Mighty Crowded" extended her fan base. She then did a duet with another prominent Chicago-area singer, Jerry Butler, and their single, "Let It Be Me" also made the top ten that year. Other Betty Everett/Jerry Butler duets came along, such as their single "Smile" and their LP "Delicious Together."
Betty Everett made a wildly successful tour of England in the mid-60s in support of these releases. After Vee Jay folded in 1967, Betty went to ABC without success before coming back on Uni in 1969 with "Therell Come A Time," her last top forty hit. This song was her first entry in the soul charts where it went to number two. Betty had five more entries in the soul charts on Uni and Fantasy by 1971. "Youre No Good" was covered by Linda Lewis in 1975 and went top ten in the UK, and went to number one in the United States in a version released by Linda Ronstadt. The song that Betty Everett is remembered for, however, is one that everybody knew in 1964, "The Shoop Shoop Song [its In His Kiss]." Betty most recently appeared on DOO WOP 51 (PBS) with Jerry Butler. It was her last public performance.
 
By Mike in News Archives ·

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