There's no doubt that UK is, and always will be, the Northern Soul epicentre but I don't think anyone would argue that it has gone global over the past decade. So how do UK punters regard overseas scenes? On the same level - or with a condescending pat on the head ?
The reason I raise this was a thread a few months ago where somebody had got a totally inaccurate impression of the Australian scene, thinking we were barely past prehistoric, shuffling around in flip-flops to the Theme from Joe 90 whilst chucking shrimps on the barbie. Bit of an over-exaggeration but this view was based on limited first hand knowledge and got quickly clarified.
I'm biased of course but in my view the Aussie scene can now be defined as progressive and dare I say the truest (and biggest) Northern scene outside UK . This is clearly due to the fact that the audience consists of 95% ex-pat Brits from "proper" stock.
However this got me thinking that I'm probably just as guilty as the bloke who lambasted Oz NS in ignorance. For instance, my own snapshot view of other overseas scene is:-
Italy: Sub 30 average age, hardly any 60s sounds, more of a fashion parade.
Germany: R&B predominant, everybody shitfaced, no dancefloor etiquette.
Spain: Proper NS and serious collectors (OK I have personal experience in Spain)
France: Well there's nowt down South where I'm currently based (except the odd cheap EP!) but weekenders up North
Scandinavia: Serious collectors but no gigs, its too far away
Japan: Will try anything for a lark but unsustainable
USA: Should be the top non-UK location but only a handful of serious punters
I'm sure I'm completely wrong and have no intention of insulting anyone but you know what they say about perceptions .
So my question is: do UK punters take any non-UK scenes seriously? Or is it just an opportunity to get a tan and lashed up with the benefit of good backing music ?
There's no doubt that UK is, and always will be, the Northern Soul epicentre but I don't think anyone would argue that it has gone global over the past decade. So how do UK punters regard overseas scenes? On the same level - or with a condescending pat on the head
?
The reason I raise this was a thread a few months ago where somebody had got a totally inaccurate impression of the Australian scene, thinking we were barely past prehistoric, shuffling around in flip-flops to the Theme from Joe 90 whilst chucking shrimps on the barbie. Bit of an over-exaggeration but this view was based on limited first hand knowledge and got quickly clarified.
I'm biased of course but in my view the Aussie scene can now be defined as progressive and dare I say the truest (and biggest) Northern scene outside UK
. This is clearly due to the fact that the audience consists of 95% ex-pat Brits from "proper" stock.
However this got me thinking that I'm probably just as guilty as the bloke who lambasted Oz NS in ignorance. For instance, my own snapshot view of other overseas scene is:-
Italy: Sub 30 average age, hardly any 60s sounds, more of a fashion parade.
Germany: R&B predominant, everybody shitfaced, no dancefloor etiquette.
Spain: Proper NS and serious collectors (OK I have personal experience in Spain)
France: Well there's nowt down South where I'm currently based (except the odd cheap EP!) but weekenders up North
Scandinavia: Serious collectors but no gigs, its too far away
Japan: Will try anything for a lark but unsustainable
USA: Should be the top non-UK location but only a handful of serious punters
I'm sure I'm completely wrong and have no intention of insulting anyone but you know what they say about perceptions
.
So my question is: do UK punters take any non-UK scenes seriously? Or is it just an opportunity to get a tan and lashed up with the benefit of good backing music
?
Cheers
Pete