A brief chat the other night got me thinking about the late and very great man.
Just think about a top ten of the rare soul scene faves and it's a fair bet he's involved in some way,
eg, Billy Woods, Kenny Shephard, Romance Watson, Jackie Wilson (I've lost you), Sandi Sheldon, Bill Harris, Maxine Brown ( wonder what my babys doing tonight) Faith hope and charity, David Ruffins' seventies output,Ilana (where would you be today) Chris Bartley, Chuck Jacksons' version of 'I can't stand to see you cry' et al and that's just a few rather obvious examples that I'm plucking from the air. Hard to believe he overcame personal and professional difficulites acheived all this in his twenties and died a very young man indeed without really getting the recognition he deserved.
Basically what I'm saying is how difficult would it be to assemble a compilation of material to those of us 'in the know'? and what an album it would be.
I suppose the obvious answer is bloody impossible given the myriad of publishers and label owners that would be involved thru' his creative period of the sixties and seventies.
A brief chat the other night got me thinking about the late and very great man.
Just think about a top ten of the rare soul scene faves and it's a fair bet he's involved in some way,
eg, Billy Woods, Kenny Shephard, Romance Watson, Jackie Wilson (I've lost you), Sandi Sheldon, Bill Harris, Maxine Brown ( wonder what my babys doing tonight) Faith hope and charity, David Ruffins' seventies output,Ilana (where would you be today) Chris Bartley, Chuck Jacksons' version of 'I can't stand to see you cry' et al and that's just a few rather obvious examples that I'm plucking from the air. Hard to believe he overcame personal and professional difficulites acheived all this in his twenties and died a very young man indeed without really getting the recognition he deserved.
Basically what I'm saying is how difficult would it be to assemble a compilation of material to those of us 'in the know'? and what an album it would be.
I suppose the obvious answer is bloody impossible given the myriad of publishers and label owners that would be involved thru' his creative period of the sixties and seventies.
Be good tho' would'nt it Ady?
Go on, you know you want to.
Van rules in Stoke On Trent anyway
Jim
Edited by Jim Elliott