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Sad News - Loleatta Holloway RIP

In these days of regular sad news, I do find that with some artists its not to the actual day of the news that really appreciate just what they have done.
Loleatta Holloway is one of these artists, looking back I think its fair to say that her work must have touched many soul or even pure dance music fans some time in some shape or form.
Sad news today indeed
 
A couple of information clips from web sources
 
The Soul Book (the influential book by Clive Anderson, Ian Hoare et al-.-Methuen, 1975) said of her "there is no shortage of singers waiting in the wings, artists like Loleatta Holloway who have been making ripples in the business for some years. Numbers like her impassioned Cry To Me...continue to knock insistently at the door". By the late 1970s, the door to fame had opened for Loleatta and she went on to become one of the great disco divas of the era.
The sides she cut for Aware between 1971 and 1975, however, (including 1974's Cry To Me) stand alongside the very finest soul music ever made.
 
ace website notes on kent cd The Hotlanta Soul Of Loleatta Holloway
 
http://www.acerecord...=59&release=994
 
 
 
Wikiopedia
 
Early career
Holloway began singing gospel with her mother in the Holloway Community Singers and recorded with Albertina Walker in the Caravans gospel group. Holloway was also a cast member of the Chicago troupe of Don't Bother Me, I Can't Cope. Around this time, she met her future producer, manager, and husband Floyd Smith, and recorded "Rainbow '71" in 1971, a Curtis Mayfield song that Gene Chandler had recorded in 1963. It was initially released on the tiny Apache label, but shortly thereafter, it got picked up for national distribution by Galaxy Records.
 
1970s
In the early 1970s, Holloway signed a recording contract with the Atlanta-based soul music label Aware, part of the General Recording Corporation (GRC), owned by Michael Thevis. Holloway recorded two albums for the label, both of them produced by Floyd Smith "Loleatta (1973) and Cry to Me (1975). Holloway later married Smith. Her first single from the second album, the ballad "Cry to Me" rose to #10 Billboard R&B and #68 on the Hot 100, but before the label could really establish Holloway, it went out of business.
Top Philadelphia arranger and producer Norman Harris quickly signed Holloway in 1976 for his new label, Gold Mind, a subsidiary of New York's Salsoul Records. The first release from the album Loleatta was another Sam Dees ballad, "Worn-Out Broken Heart," which reached #25 R&B, but the B-side, "Dreaming," climbed to #72 on the pop chart and launched her as a disco act. She contributed vocals to "Re-Light My Fire" for Dan Hartman, who then wrote and produced the title track of her fourth and final album for Gold Mind, "Love Sensation" (1980). Eighteen songs of hers charted on the Hot Dance Music/Club Play chart, including four #1s. However, it was a ballad that proved to be another big R&B hit for her. "Only You" was written and produced by Bunny Sigler, who also sang with Holloway on the track, and it reached #11 in 1978.
 
1980s to the present
In the early 1980s, she had another dance hit with "Crash Goes Love" (#5 on the U.S. Dance chart, #86 on the US R&B Chart). She also recorded one single, "So Sweet," for the fledgling house-music label DJ International Records. In the late 1980s, her vocals from "Love Sensation" were used in the UK #1 hit "Ride on Time" by Black Box. Holloway, however, was uncredited for her vocals and both Holloway and her attorneys successfully sued the group, which lead to an undisclosed court settlement in Holloway's favor. In 1992, she also had a hit with dance band Cappella. There she appeared billed as Cappella featuring Lolleatta Holloway on the single "Take Me Away" (UK #25). Holloway's fortunes dramatically improved, however, when she had her first US #1 hit when Marky Mark and the Funky Bunch featured her vocals in the chart-topping "Good Vibrations" (1991). Holloway also performed with Marky Mark and the Funky Bunch to promote the single, and she received full vocal credit and a share of the royalties.
More recent dance chart entries include "What Goes around Comes Around" (credited to GTS featuring Loleatta Holloway) in 2000, and "Relight My Fire" (credited to Martin featuring Loleatta Holloway), which hit #5 in 2003. While not a single, "Like a Prayer", a Madonna cover, was a track on the Madonna tribute album Virgin Voices. "Love Sensation '06," peaked at #22 in the Dutch Top 40,[4] and reached #37 on the UK Singles Chart as well as #49 in Australia.
Whitney Houston sampled Holloway's 1976 track "We're Getting Stronger" on her 2009 hit single "Million Dollar Bill".
Holloway died on March 21, 2011 after slipping into a coma. She was 64 years old.
Wikiopedia http://en.wikipedia....leatta_Holloway
(note the usual wikipedia issues apply with the above info)
 
Thanks to Paul for passing on the sad news in the thread below

 
Refosoul Loleatta Holloway Clip Page
 
http://www.soul-sour...atta%20holloway
 
loleatta holloway - we did it
 
[rs]31863[/rs]
 
 

 
 
By Mike in News Archives ·

Mostly Jazz Festival 2011 - 1-3rd July Birmingham Mosley Park

Tim has passed on word of an off the beat event that brings a welcome vision of summer into the room on this dull spring's sort of here monday morning.

Press release below

The Mostly Jazz Festival 2011 will be taking place on the 1st, 2nd and 3rd July in Birmingham's Moseley Park.

The event will be headlined by Booker T and Matthew Herbert and The
Cinematic Orchestra. Other performances will include Pigbag, Brass
Roots, Hidden Orchestra, and Milestones playing Miles Davis' Kind of
Blue in full.

BBC 6 Music's Craig Charles will be returning to the festival to
compere for the second year on Sunday 3rd July. He'll be bringing his
Funk & Soul Club and some of his favourite acts, including Smoove &
Turrell and Ariya Astrobeat Arkestra.

BBC Radio 1 DJ Gilles Peterson will be at the festival on Friday 1st
July, introducing a range of the acts he's championed of late, such as
Alice Russell and Brandt Brauer Frick.

full info at
http://mostlyjazz.co.uk/


By TOAD in Event News ·

Upcoming Event News - Weekenders - Manchester - Japan Charity

A few catch ups of upcoming event news, announcements and changes
Word via the crystal ball is The July Manchester Ritz is now no longer being held at the Ritz
New venue is Dunkenhalgh Hotel at Clayton Le Willows
Been passed on that the latest news on the Manchester Weekender in May at Ritz/Palace, is that live act Ritchie Pitts has had to cancel due to throat problems
Latest grab from the "event announcement" forum
Word that details of a autumn "west coast weekender" will be out soon
Announcement of charity alldayer in London in aid of Japan
just a quick grab and post
check out the events guide and forums for all the latest info and news
By Mike in Event News ·

Hayley 10th Anniversary - Final Decisions - Now Out

HAYLEY 10th ANNIVERSARY SINGLE RELEASED

The long awaited release of the FINAL DECISIONS 'I don't feel no pain' (Short and Long versions) is now with us.

The record has been gaining momentum on dance floors around the country due to pre release copies spun by top DJs Soul Sam, Cliff Steele and Karl Heard.

Recorded in Detroit in the mid 1970s at Fast Track studios, it features the production skills of Leonard Jones and the sparkling vocal skills of the Final Decisions.

Single comes with a full colour picture sleeve with biographical notes and group photo.


To order a copy send £10 plus £1.50 P&P to


Hayley Records
6 The Martyrs Close
COVENTRY
CV3 5FN

note: cheques/po's payable to rob moss
or can use paypalsales@hayleyrecords.co.uk




http://www.youtube.com/watch?v=VMgyWbe2VRA



By Rob Moss in News Archives ·

Impressions UK June 2011 - Manchester and London

The Soul of Curtis Mayfield

Featuring The Impressions & the Curtom Orchestra + Speedometer
10 June 2011 / 19:30
Barbican Hall

Tickets: £22.50 - 35
subject to availability
book tickets

tell a friend

share this

Description / Bio
AGMP & Jazz FM present the first ever UK performance of one of the most important soul groups of all time - The Impressions.The band will be performing all of their hits and the songs of Curtis Mayfield with backing from the Curtom Orchestra. Expect to hear all the classics, including "People get ready", "Move on up", "Can't satisfy", "We're a winner" and many more. This is a once in a lifetime opportunity to experience one of the greatest soul groups in person.

Speedometer have been confirmed as the support artists for this concert

added by site
Manchester Info

Bridgewater Hall in Manchester on Saturday 11th June.
The Impressions & the Curtom Orchestra



Sat 11 Jun 2011, 7.30 pmBook Tickets Tickets: £22.50 - £32.50

Band on the Wall & Jazz FM present the first major UK venue appearance of The Impressions, one of the greatest soul groups of all time, performing all their hits and the songs of original band member Curtis Mayfield.


site note : thanks to paul w for the initial posting of news
Surprised no ones mentioned The Impressions gigs in the UK 10/11th June ?
10th Barbican London/11th Bridgewater Hall Manchester
Cheers Paul Woosnam


By Paul McKay in Event News ·

Darlene Love

Don't know if aware or read but Darlene Love has been inducted into the Rock & Roll Hall Of Fame.
 
If your interested you can read about it at http://rockhall.com/...s/darlene-love/
 
There's an article in the Independent
 
http://www.independe...ar-2240879.html
 
There's more reading at http://journalstar.c...a2079a0254.html
By Chalky in News Archives ·

Uncle Stan the Hip Hit Record Man - Stan Lewis Interview

Uncle Stan, the Hip Hit Record Man © Martin Gavin 2006 & 2011
 
I'm excited: I'm about to meet Stan Lewis. Uncle Stan 'The Hip Hit Record Man' as bluesman Lightin' Hopkins called him on record, is partly responsible for a very large chunk of the back catalogue of soul and blues to come out of America during the 60s, 70s and 80s.
He is, quite simply, one of the most significant figures in the history of blues, R&B, and even Northern Soul, but receives little recognition compared to Atlantic's Ahmet Ertegan, Berry Gordy or Lewis's old friends, Phil and Leonard Chess. Funny how history picks its heroes.
He formed Jewel Records in 1963 in Shreveport Louisiana, his hometown. The label was named after a chain of grocery stores in Chicago that he saw from the passenger seat of Leonard Chess' Cadillac. These are the Jewel supermarkets featured in the famous shopping-mall car-chase in the film, The Blues Brothers. In the 1960s heyday he had 120 staff including 12 promotion men on the road and his own printing shop. Maybe not Motown, or Chess, but they do things differently in the South: more relaxed.
The interview has been set up by my friend, Bill Bush, writer and performer of the Northern Soul rarity, 'I'm Waiting'. The location is Lee's Lounge, a blues and live music venue on East King's Highway, Shreveport, Louisiana. I would later find out that it's now the only club in town with regular live music, crazy when you remember this where the famed Louisiana Hayride was based just about two miles from where I'm at now, in the grand Civic Hall, a venue where Elvis cut his teeth as a live performer.
 

 
Lee's is a busy, old style 'tavern' a bit like Huggy's place in Starsky and Hutch and the blues jam that's taking place is just what you want: genuine blues players including Bill Bush and an appreciative audience of all ages set in a dark, smokey (no smoking ban at the time) atmosphere that adds to the buzz.
As soon as he walks in I know it's him. The only photo I've seen is at least 50 years old of Stan with his ex-wife, Paula (of the label) standing with Elvis, who looks about 16. Now he wears a white suit, shoulder length white hair expertly styled and alligator shoes, who else could it be.
I later find out that a serious car accident in 2002 left Lewis with arthritis and some other associated injuries but despite the fact that many details about his career have faded with time, he is a sharp dressed character in his late 70s and every inch the Southern gentleman that his appearance suggests. He also turns out to be a rich vein of information and stories about the golden age of R&B.
After the introductions we take a table in the back of the club and I asked Stan how he got started, which takes him back much further than I expected to the Great Depression and a nine year-old entrepreneur with a news stand. "I got a corner news stand and sold magazines, we also had a veterinary next door and I cleaned the dog pens, during the depression things were tough and money was scarce," he says. "I sold papers until I was 13 and in the morning and afternoon and business took off. I remember the extra edition coming out when the Japanese bombed Pearl Harbour and after that there was an extra edition almost every day, which suited me."
Lewis got more and more rounds delivering newspapers and had accumulated $2500 when he got married at aged 17. His next step up was slot machines and aged 18 he bought five 10/50 Wurlitzer jukeboxes, "The kind you see in all the movies," and five pinball machines. It was around this time that he started to look for a reliable source of blues records because his main location was Bossier City, a blues (Black) area. "It was big bands, swing and jive that was in demand," he says. "I had to go to HL Green, Woolworths, etc. to find the records to put on the jukeboxes."
 

It was on one buying trip that Stan happened upon one of his most significant breaks. "In 1948 I visited J&M Record store to pick up the latest blues records and the shop happened to be for sale, for exactly $2500, the amount of money that I had saved. I'd been married just under a year and I told them that I'd pay them $1800 and that I wanted to but some inventory - they agreed." It was located at 728 Texas Street in Shreveport and his wife originally worked in the store while Stan worked other jobs to make ends meet. Eventually, they did well enough with the records so they could buy a slightly larger store next door and expand the business.
"I got rid of the jukeboxes because I didn't want to be in competition to the jukebox operators as I was also selling them by this time in East Texas, Arkansas, Alabama and even Oklahoma and had a big jukebox clientele. I was the first person to give the operators a 10% discount on the records that they bought, which they weren't used to getting and I really built up a very substantial business selling jukeboxes and records to go into them."
Stan speaks in a low, calm Southern accent like a smoother Bob Dylan, it's a pleasure to listen to, although hard to make out clearly at times. "One day, Leonard Chess pulls up outside my place, this would have been mid 50s, and he was sharing the trip through the southern states with a guy called Lee Agulnick. Leonard was pushing a record by Muddy Waters and Lee was plugging a record called 'Long Gone'. Leonard would come through Shreveport about every three months when he had a new release out. Well, I had a contract at that time on Sonny Boy Williamson, which I gave to Leonard and that would prove very good for both of them of course. Leonard covered the South and Phil the North, he took Waxy Maxy up in Washington and Joe in New York.
"Phil stayed in the background but he was pretty sharp, and then Marshall came along. Later on Leonard put in some real good people around him, that was his skill, people like Dick La Palm. Dick was Nat Cole's manager and set up Argo for Leonard, the jazz label."
It was common for record pluggers to drive around and distribute their records personally, bearing in mind that Chess was little more than a well established 'start-up' business in the late 40s trading as Aristocratic Records, eventually becoming Chess around 1950.
As well as the varied back catalogues of Jewel, Ronn and Paula, the three labels that Stan Lewis set up in the 60s, he produced or co-produced many tracks around this time he tells me, including Lowell Fulsom's blues standard, Reconsider Baby, and sat in on recordings by Muddy Waters, Sonny Boy Williamson, Etta James and the Moonglows, to name a few.
Lewis was gradually gaining status and his position as one of the most important distributors in the South was cemented when 1949 he was invited to Chicago as a guest of the Chess brothers, staying at Leonard's Chi-Town home. "He was 12 years older than me and always called me kid," says Lewis. "We got real close and the records that I was distributing for Leonard saved my business in the early fifties, it was tough. John Lee Hooker's Crawling King Snake, I'm In the Mood Hobo Blues, Charles Brown's Trouble Blues got real hot here and Leonard would introduce me to people, mention my name. Leonard was a diamond in the rough, a very special person."
 

Although never rich in the Berry Gordy sense of the word, Stan, a key Motown distributor in the South, was able to loan the label 'some cash' when Gordy wanted re-sign Stevie Wonder in the late 60s. He's still bitter about losing 60,000 units of stock in Stax, which he received in the late 60s after selling up his own company. A two year cooling off period before resale meant that Stax went under before Stan could sell and he lost around $2.4 million by his calculations, and his masters. He blames his lawyers for not seeing it coming, although ironically they also had Stax stock. He also makes reference to a British business man, publisher and music collector well known on the UK soul scene of the 70s who never paid him for masters, but best not to get into that one - bit too close to home.
Lewis is still grateful for favours he received from industry giants like Chess and Gordy back in the day. "Guys like Bob Shad, who later went to Mercury, he had Lightnin' Hopkins and Peppermint Harris, who I released on Jewel in the 1960s with some great stuff. Jo Bihari of Kent and Modern was also very good to me, I remember that Ike Turner was riding with him on the second trip through here and then he was always with him and would give me samples and started selling direct to me, I got real close to these guys, Ike was crazy, but he lived, ate and slept music.
 
 
"In the early 60s Leonard Chess asked me to come up to this convention in Chicago and he would take me along and put his arm round me and say, 'This is my man Stan, take care of him,' and I tell you, that opened doors. Great days, I was very lucky you know, I remember going to Sun, Stax, Hi, Fame, all these places and sitting in on sessions. I saw the Rolling Stones record their sessions at Chess in Chicago at 21/22 South Michigan, and Muddy Waters, the Moonglows, Etta James, on yeah, I saw them all right there in the booth. I love the doo-wop sound personally, The Moonglows and The Clovers were great."
It was the late 50s and Lewis was by now selling records mail order. A young Bob Dylan was a customer and Lewis remembers marvelling at how "this kid" could afford a long distance telephone call. He would later receive a signed biography from Dylan with reference to this period and to thje importance of Stan's shop.
"I had started to buy time, about 15 minutes of airtime, on KWKH in the afternoon and these guys were real happy to get their records played because stations didn't play what they called race records at that time in the 50s. Because I bought the time I could play what I wanted to play," he chuckles. "In those days you couldn't own more than seven radio stations, so it was a very independent industry with great diversity, not like today."
That may be true, but his choices didn't sit well with the good ole' boys of Shreveport and Lewis, a Roman Catholic, soon found himself on the wrong end of a pillow case, as it were. "It's a funny thing, I got the first Fats Domino records and Jimmy Reed on the show, that was the first time Jimmy Reed was played on a white station, Baby What You Want Me To Do. After that The Klan put posters on my door and I was scared to death I'll be honest, I've never told that to anyone before, but these people were very prejudiced and very violent. You see, I was raised in a black neighbourhood, I knew the people - we had black neighbours and I'd play with the kids and we got along very good with the black people in town, it wasn't as bad as people think."
The Klansmen didn't stop him, and soon Lewis was buying airspace on KWKH and KAAY in Little Rock, Arkansas, which was a more powerful station, and WLAC in Nashville.
Fortune smiled on Stan and his family during the 1950s with the emergence of blues and R&B as a mainstream, crossover music form his mail order and shop sales business flourished. He guided sessions for Dale Hawkins' hit, Susie Q, and Lowell Fulsom's Reconsider Baby in Dallas in 1963, already a music business veteran although just in his early 30s, he formed his own label with Bobby Charles as his first artist, cutting Everybody's Laughing in late 1963. "Bobby Charles was a great writer," says Lewis. "I gave him to Leonard (Chess) after that and wrote some great material for Fats Domino.
"I would go along to sessions, although I didn't really know much about the engineering side of things I learned a lot from Jo Bihari and the engineers of course, you can't run the whole show yourself you need good people around you. A lot of people don't admit that but I some good engineers and recorded at some great studios, Universal, Chess. Being in the retail business you get a feel for the music and soon you get to love it.
"My mail order business was totally R&B but I was selling white music too; country too and had Arista, 20th Century, United Artists, Cameo Parkway as a distributor. They put out everything from jazz to R&B."
By 1963 Lewis had the record store, a mail order business and his own Jewel label.
The legendary Jewel Records was followed by subsidiaries Paula (after his wife at the time Pauline) and Ronn (after his brother, who Lewis credits as his 'right arm'). I asked Stan why he had Ronn and Jewel, both hosting R&B stars (Paula was his pop label). "Well, the thing then was payola, if you had too many records on the same label you got accused of payola, bribing the DJs. That was why Leonard had Checker, Argo, etc. and Atlantic had Atco, Modern had Kent, etc. I was never involved in that type of thing.
 

"The record industry was so interesting, exciting there was something happening every minute, I mean every minute 24/7, you'd get the records in, run them down to the radio stations then the show and the mail order. I remember one night I was at Leonard's house and at 2am the phone rang. It was the Cook County jail asking if he could come and bail XXXXXX (a certain very famous female R&B star) out of jail, which he did."
"When Atlantic came along I got their first blues record to distribute. I also had the first Stax release and I got the first Motown release. I became the biggest distributor in the South. John Richbourg was also doing well with Ernie's record shop who took airplay as well, he was involved with Joe Simon and played him to death on the show. I came on after him and played at 1 o'clock in the afternoon, that was how the music was made up and we would get a lot of free records, that's how the game worked."
Stan's company was in many respects pioneering, cutting innovative business deals that would be copied across the music business in the late 60s and 70s. He approached Bob Smith at KCIJ (later to become the fabled Wolf Man Jack), to negotiate a PI deal, which he explains meant Payment Per Inquiry. For every call that Stan received from a potential customer, Smith got a cut. The radio station was based in Del Rio Texas but the transmitter was a massive 250,000W unit in Mexico. "It was probably the biggest transmitter in the world," he says. "I started to get orders from Europe, in fact everywhere bar the Soviet countries, really everywhere else.
Through strong sales and a reputation for business Lewis became sub distributor for many of the major labels such as RCA and Decca. "We were shipping records worldwide eventually, it got real big." Lewis was given 10% of the Chess pressing plant in Chicago when the company moved to 2120 South Michigan Avenue. When they opened another plant in Nashville he got 10% of that one just for being great at what he did, that was the way it worked. He had helped the Chess bothers get established in the south, he had given them Sonny Boy Williamson, he was in. Motown also pressed at the Nashville plant and most of the other major labels of the 60s.
Through his contacts, basically the founding fathers of modern popular music, he travelled the length and breadth of the USA, often as a companion of Leonard Chess. "Leonard had a big station in Chicago and E. Rodney Jones was a key figure there, a DJ. Then he moved to Baton Rouge, he was great and I could call him and say, 'Man I need some help with this,' and he'd play it for me. The other guy was BB Davis at KOKA who would sometimes pay a track four, five times in a row if he liked it."
The standout for me thing about talking to Lewis face-to-face were the stories behind some of the tracks that I've loved for years. One of these concerns Toussaint McCall's stunning Southern Soul ballad, Nothing Takes the Place of you. The story about McCall's visit to Shreveport was confirmed to me later in the week by BB Davis, the DJ that Lewis refers to above.
"I remember one night in the record store I was closing up and this guy knocked on the window," says Lewis. "Well, this good looking negro fella was waving a record at me, it was an acetate if you know what that is, like a metal master. Anyway, I was tired and I knew my wife was expecting me home so I told him I was closed but he wouldn't go away so eventually I let him is just to get rid of him really and played the track. Now I don't know if it was 'cause I was tired or what but it didn't do anything for me, he made me play it again but I wasn't really interested, it was just a real simple little recording and I was used to cutting tracks at Muscle Shoals, Chess, Stax you know, really top end studios. Anyway I thanked him, and I think I must have said to him 'take it to BB at the station'.
BB Davis was one of the first successful black DJs in Louisiana and he took up the story when I met him later that week. "Stan didn't dig the track," says Davis. "I was playing my show and it was near to quittin' time when this guy tapped on the window, cause the station had a window to the street in these days. I let him in cause he had a record with him and said I'd listen. Man, it was Nothing Takes the Place of You and I just melted, I thought it was heartbreaking man, and I played it at least six times, plugging it over and over again.
"Almost straight away the phone started to ring, 'Who that, where can I get it man, does Stan have it?' They just kept callin'. Toussaint explained that the record was recorded in his living room at home, then he left and headed back home."
 

 
 
Stan Lewis remembers what happened next: "My phone at the shop started to ring off the wall, the girl asked me if I've ever heard of the track that everyone was callin' about by Toussaint McCall, Nothing Takes The Place of You, luckily he'd left a business card and I grabbed my cheque book, a contract and took off on the highway to Munro after Toussaint. I caught him and singed him right there at the roadside and that was how the track was released as the third single on Ronn and became a hit."
The prolific releases from the trio of labels during the 1960s made Stan successful. National and international hits by John Fred (Judy In Disguise was Stan's' biggest seller), blue-eyed soulsters, The Uniques (USA), and Northern Soul heroes, The Montclairs, plus the local blues and pop hits, meant that when Chess Records sold up in the late 60s Lewis was in a prime position to take on many of the artists after the company that took over Chess went bankrupt.
"They knew me, guys like the Blind Boys, the Soul Stirrers, Ted Taylor, Fontella Bass, Lightnin' Hopkins, I took all these guys from Leonard. Artists were always in debt though, they always borrowed ahead of themselves. The late John Fred owed me $45,000 when he left the label, even after his hit and Little Johnny Taylor, who was very successful, owed about the same too, they were always living above their sales and that's still the same today I think."
In 1966, Lewis started a gospel singles series (the 100 series) on Jewel, and followed that with the establishment of Ronn Records in 1967 (named after brother, Ron), as an outlet for R&B and jazz style recordings.
He turned down offers from the majors to buy the labels in the 60s, something he regrets. Enigmatically, he also regrets selling eventually in 2000, mainly because of the subsequent resurgence of blues as a mainstream music form and the boost that CDs and downloading provided. "I felt that I could conquer the world in the 60s, I wasn't ready to retire because I was still on my way up. However, things changed in the 1970s - I stuck to the R&B but I really would have been better off selling."
Lewis sold to a large .com but he states that it never came to anything and that Len Ficco has the label now, but he admits to being unsure what he's doing with it. Lewis is retired and after the accident is not as "frisky" as he used to be, in his words. However, right at the end of the interview he drops the news that he has unreleased masters of Lightnin' Hopkins, Ernie Johnson and some 'other things' in the can and would still like to get back into the business, taking advantage of the latest technology to go right back into the music business.
Not everyone likes Stan. I've spoken to several well known characters over the years from that part of Louisiana, including Elvis's band members, who are less than keen on Lewis. You don't run a business like Lewis's without making enemies, but I have to admit that I found him charming, self effacing and very genuinely proud to have achieved what he has done over the years. When all things are taken into account, I reckon Uncle Stan 'The Hip Hit Record Man', founder of Jewel records, is a diamond geezer.
©Martin Gavin 2006 and 2011
 
Can catch the author Martin Dj-ing @ Friday Street in Blackfriars, Bell Street, Merchant City, Glasgow on Friday 25 March 9pm - 3am.
 
.
By scotchmartin in Articles ·

Otis Williams - Take Me Back - I Got To Have You - 45 - Now Out!

If you were one waiting then the waiting is no more as word has been announced that its now officially out on the streets, pre-release orders have been sent out and can now this fine double sider in real time (see the info after words)

SI005 - Otis Williams - Take Me Back / I Got To Have You

This has got to be one of the best 70's double-siders ever! The owner and producer Kent Washburn has this to say .......

"I am so pleased to see that these two masters finally get to the public. It finally confirms my belief way back in the early 70's, of the serious validity of:

(1) the songs, (2) the musicians and (3) the technical staff. These tracks are seriously good, and why they never got released is a mystery to me at this point. I even chatted with Otis (Williams) recently, and he can't even remember why he was in St Louis to start with, or what prompted us to even cut the tracks either

However, he does confirm that it is him, and yes, he does remember the songs and recording them, but he can't remember how the whole thing got hooked up to start with, and neither can I!!

Take Me Back
[rs]73145[/rs]


I Got To Have You
[rs]73144[/rs]

now avail via the usual suspects and via Soul Intention themselves

http://www.soul-inte....uk/release.htm
By Mike in News Archives ·

Soul Junction - Jesse James 45 now officially out!

As highlighted a couple of weeks ago by Lloydee, will keep this news post of this latest Soul Junction release just a bit brief and to the point.
Check out either Soul Junction website for full background info (link below) or Lloydee's post


Today's is the official release date of Soul Junctions latest addition to their now bulging at the seams quality catalogue.
With this latest 45 featuring a un-released 70's gem as the a and the b being a tip top 60's soul anthem, its fairly safe to say that this 45 release is indeed yet more of the same from the Soul Junction label ie top quaility all-era soul.

Details and clips below , its now officially out there via usual stockists or Soul Junction Website

http://www.souljunct...o.uk/SJ511.html


Jesse James

Side A - I Gave You Love With An 'A' Plus
Side B - Are You Gonna Leave Me

Catalogue # SJ511





By Mike in News Archives ·

Petition On Behalf Of The Late Roy Hamilton

The family of the late Soul Legend Roy Hamilton, would like everyone to click on Roys new memorial website.
 
To help get Roys memory inducted to America's Rock 'n' Roll Hall of Fame
Please take a few moments to click on the link and sign the petition
Many Thanks to all.
On Behalf of Roy Hamilton Jnr, Marie, Ray and family
By Guest in News Archives ·

Record Store Day: New Kent Limited Edition Vinyl Ep

Record store day is creeping up (april 16th 2011), here's word of Ace/Kent participation in this ever growing annual event..

Dear all

As we did last year with 'The Stars Of Goldwax', Ace/Kent will be manufacturing a limited edition 7 inch EP, in a full colour glossy pic sleeve, in support of Record Store Day on Saturday April 16th.



This year our RSD EP will be even more exciting than last year, because it will feature four previously unissued tracks from 'The Stars Of Fame' - as, if you like, a prelude to the first of many forthcoming CDs that we are rolling out to celebrate the 50th anniversary of FAME Studios this year.



The tracks that will feature on the EP are:



George Jackson - Search Your Heart (original version of Wilson Pickett's classic)

Ben & Spence - Thief In The Night (original version - we think! - of the Percy Sledge tune that was also done in reggae, by John Holt, as 'Stealing Stealing')

The C & C Boys - Thread The Needle (original version of track that Clarence later recut solo)

Jimmy Hughes - Steal Away '67 Part One (originally thought lost, we discovered the tape for this this after we had released the two JH Fame CDs and decided that it was too good not to issue ASAP!)



The lovely colour cover has features pix of all four artists, and the music is, frankly, fantastic.



I don't know how close everyone will be to a shop that supports Record Store Day - I do know that there's one in downtown Florence, AL if that's a help! - but the 1000 copies of the Goldwax EP sold out pretty quickly, so you'll need to move fast if you want one of these, I would have thought.



I should mention that all four of these tracks will eventually come out on CD, so those who no longer deal in vinyl need not feel that they're missing out in the long term!



If you go to http://www.recordstoreday.co.uk you'll be able to access a list of participating stores across the USA, and a separate list for what they call 'International'. You US guys can find out the names of the nearest participating stores by inputting your state of residence, city of residence or even just your zip.



To test this out, I just brought up the site and put in the zip 19803, which is for Havertown PA, and it gave me a list of eight participating stores across Pennsylvania, some with websites that you can click to from the RSD site.



I would imagine that you'll get something similar for the area surrounding your own zip.



I would imagine, too, that it'll be very easy to get the EP over there, possibly even more so than here in the UK.



Should have mentioned that this release won't be available directly from Ace as we are not a 'Record Store'...



Happy hunting!
By Guest in News Archives ·

Europe And Beyond.. Gothenburg Soul Scene

Been wanting to feature whats on overseas for a long while..
Seems a good time now with Dave doing the overseas events guide..
I am gonna feature soul clubs and history from all over Europe and beyond...
First up is the Gothenborg Soul Scene..
A brief history and what's on now from Punky who runs the Soulastatic club...
Had the pleasure to go there and play in the past and in the future August event too I hope..
These articles can give an insight to whats on and a chance for some to plans breaks, holidays and take in some soul at the same time..
Europe And Beyond.. Gothenburg soul scene
 

 
There was some scooter nights in the 80´s playing the soul/ska mix, but at that time funk was really big in Gothenburg (slipping in some soul as well) with clubs like Funk House, Funk nights at Huset and Nefertiti.
In late 80´s early nineties Max Hansson, Paul Henningson and Sven Eric started the legendary Earland Club for a couple of years mixing all types of Soul with the then very popular Acid Jazz sounds. Then it was quiet for a while except for the odd mod/scooter night. Neftertiti kept on mixing Club Soul/Funk/Jazz through out the nineties.
In feb 1998 Christian Punky and Isse Samie started northern club: Soulastatic Soul Club.
Packed from first night, plaing Northern and after a few years adding some Modern Soul as well.
Many djs that have been guesting the club over the years : Arthur Fenn, Ady Croasdel, Steve Cato, Carl Willingham, Ginger Taylor, Ralph Tee, Liam Quinn, Terry Davis, Kenny Burrell, Yann Vatiste, Marc Forrest, Tommy (Oslo), Phil Shields, Andy Whitmore, Andreas Dienel, Stuart Tyler, Max Soulservice (resident), Tolgerdt, Russel Paine and LOTS more,the list is long + swede soul mafia like Soulof, Baum, Helena, Marcus, Karl Marthon..
2 weekenders a year (summer & winter), the club is still running (nowdays by Punky alone) and just celebrated its 13th year.
Around year 2000 Christian Hermansson and Ludwig Hall started the On The Real Side Soul Club, and after a while Olof "Soulof" Hjort joined in.
Mainly Northern spun, also having uk Dj guests like Dave Flynn, Willingham, Andy Dyson, Butch spinning + swede soul mafia. They also put on 2 very well attended Allnighters named Soul Unity 1 and 2 over the years, club ended around 2007/2008 (if im not wrong).
2009 Fredrik Andersson and Micke Balkefors launched the monthly mid-week nights, Soulful Lounge. Playing an ecclectic mix of modern and jazzy tunes. Still running.
2010 Great Shakes club started by Monourban. Once a month, mixing 6t´s soul with beat/garage. Still running.
2010 Ludwig Hall teamed up with BjÃÆ’¶rn and Magnus Hjorth to form Pied Piper Soul Club, monthly nights with Northern/Modern in its pipe, mainly swede guest Djs this far.
In August 2011 Soulastatic Soul Club will run its annual summer nighters (5-6th of august) weekend.
Djs Arthur Fenn and hopefully Steve Cato + more TBA
Christian 
March 8, 2011
some past pics from the gallery
more can be found here
 
 

 

 

 
 

 
 

 

By Little-stevie in Articles ·

Penny and the Quarters now out (rare soul at the oscars cont...)

Well the film Blue Valentine didn't win an oscar then. Guess most reading this are up to speed on the story behind this 'lost' track and how it become a recent 'internet' thing of interest ( if not you can read the background via this news article - Rare Soul At The Oscars)

Well a few weeks down the line and its good to see that Numero Group have just pushed this out on 45, with the flip of the track that has caused all the fuss being another from the same studio sessions

Penny & the Quarters "You and Me" b/w "Some Other Love" 45
$5.00 (45) / $3.00 (MP3)

clips:
You And Me - Penny & The Quarters
http://numerogroup.files.wordpress.com/2011/03/01_youandme.mp3

You Are Giving Me Some Other Love - Penny & The Quarters
http://numerogroup.files.wordpress.com/2011/03/02_itstime.mp3

I Cried A Tear - Penny & The Quarters
http://numerogroup.files.wordpress.com/2011/03/03_i-cried-a-tear.mp3

note with the mp3 download you do get a bonus track

Availability seems to be a bit on and off, but should start showing in a couple of weeks at usual places, for now the main Numero website is selling it and so may be a good place to start

http://www.numerogro...l.php?uid=01228

On the actual story, well since the initial fuss more info on the background of this track has since come to light. The identity of the author of the track and also a member of the group has been discovered, it was a Jay Robinson who passed away in 2005. In an informative feature on the Columbus based website The Other Paper his widow Glodan tells the story about how he was once a singer in a doo wop Columbus group called the Supremes and that his groups original version did get a release on a one off label in the 70s
http://theotherpaper...e5958763369.txt

"A 45 rpm record was pressed, on the Grog label "Grog was Clifton's nickname. It was the only record ever released on the label. And it, quickly, gathered dust for the next 35 years."

As said its an informative article and would say well worth a visit

Supremes version



http://theotherpaper.com/content/articles/2011/02/05/front/doc4d4ac03e6bee5958763369-75.mp3
By Mike in News Archives ·

Keni Burke new 45 - Soulsorts Podcast

Soul Source does austerity. A combined news post
Expansion have a new 45 out by Keni Burke and Soulsorts has a new podcast out.
Pull the two together and result a no effort news item


KENI BURKE/PRESTON GLASS - SO REAL/ORANGE U READY 7" SINGLE £9

listen via podcast below

available at all usual suspects - seen@ £9.99
also available for download purchase

photo from Carl Ingrams Jazz Cafe 2010 album

more from this event can be viewed here in the almost ready for prime time revamped Soul Source Gallery







SOULSORTS PODCAST - SOULSORTS ON SOLAR RADIO FEB 27th 2011 - #7

Show playlist:
Keni Burke - So Real (7" Version) (2011)
Nothende - Celebrate (CD: LoveLight 2010)
Park Place - Travelin' (CD: Steps 2011)
Uness - Every Minute (CD: Intimate 2011)
Michael Jeffries, Daughter & Son - Can't You Feel It (CD: Family Affair 2011)
Bridgette Bryant - Soft Place (e-single 2011)
The Philly Collective - Changeless as Truth (CD: The Philly Collective, Vol.1 2010)
Marsha Ambrosius - I Want You To Stay Late Nights And Early Mornings 2011)
Beatchild - The Cure (CD: Something Forever 2011)
Teri Tobin - Free (e-single 2011)
Michael Jeffries, Daughter & Son - The Best (CD: Family Affair 2011)
Michael Jeffries, Daughter & Son - I Ran Park Place (CD: Steps 2011)
Drizabone Soul Family feat. Natalie Valentine - Slow Luv (All Thru The Night) (Family Remix) (Dome promo 2011)
Toni Redd - I Apologize (CD: 'N The Key Of Redd 2008)
Uness - Better Days (CD: Intimate 2011)
Beatchild feat. Ebrahim - This Beautiful Feeling (CD: Something Forever 2011)
Michael Jeffries, Daughter & Son - Journey On A Butterfly (CD: Family Affair 2011)
E-Life - Something About You (CD: It's Time)
Teri Tobin - Can I Get That (e-single 2011
Darnisha Taylor - Blue Skies (CD: Day Rain 2011)
Joint Heirs - Special Kind Of Love (Digital EP: If We Stay True 2011)
Heaven's Paradise - Park Place (CD: Steps 2011)
House & Sinnett - Where Is The Love (CD: Old School Loyalty 2011)
Anthony David - Reach Ya (CD: As Above So Below
Nothende - Got To Go (CD: LoveLight 2010)
Tommy Blaize Band - Don't Ya Love Life (CD: Don't Ya Love Life 2011}

http://soulsorts.blogspot.com/

http://soulsorts.podomatic.com/enclosure/2011-02-27T09_45_06-08_00.mp3




By Mike in News Archives ·

Draw: Two SJ Bill Spoon lps (lets do this...)

The last Soul Source competition didn't really go that well. No correct answer meant that there was no winner which was a bit of a drawback and so has led to a look at just how they are carried out on here.
The end result is that rather than go down the road of asking morning tv type phone in questions, feel the best bet is just scrap the competition and just go for a members only prize draw sort of effort.
First up for this is the chance (again) to be the proud owner of one of two copies of
you can enter by
1. sending a pm to myself via the link below and just putting bill spoon lp in the subject heading
http://www.soul-sour...&fromMemberID=1
Comp will end in two weeks 20th March 2011
-------------------------------------------------------------------------------------------------------
Release Date: February 14th 2011
As a follow up to Bill Spoons highly successful 45 release of 2010 "I Can't Wait (Until The Weekend)" we at Soul Junction have decided to release a vinyl only album of some of Bills other previously unissued material.
The album features two takes of "I Can't Wait", the 45 cut and the equally soulful but alternative take which on first hearing gives you the impression that it's a duo before you realise its Bill singing both parts!
An excellent version of Al Wilson's "Be Concerned" is also featured which Bill claims to have recorded in 1974 which means it predates Al's version by some two years?
Two re-mixed tracks "Watcha Doin' With Your Time" and "Kick Back" which first appeared on Bill's highly acclaimed Henceforth album, are also featured have been re-worked to great effect.
Also featured is the previously unissued full length studio cut of Bill's modern soul dance anthem "Love Is On The Way" coming in at almost five minutes long.
more info
http://www.souljunctionrecords.co.uk
By Mike in News Archives ·

March - London Stoke Hamburg Wigan Photos Mods Site...

Not sure when the first day of spring is officially but it certainly feels that the winter is long gone here in freedomsville 2011. And so as on this pleasant spring morning, I do have some time on my hands and a spring in my step it means its time for a quick look at this weekends allnighters and also some soul source site news and highlights
Allnighter wise this weekend sees three up in the event guide
100 Club Allnighter is first up, with its first niter since word that the future of the venue is firm was announced, which along with the recent discussion in msm that it is a contendor for the title oflongest running uk club night, does fit in with the feel good everything is as it should be vibe.
A few words from Ady c on what is in store..
" ...we're gonna be playing the world debut of Marva Holiday's sensational 'Rising Higher'; written by Sherlie Matthews, it was cut at the same legendary 1968 LA session as 'It's Written All Over My Face'.
Also a first time out at the 100 Club for Candi Staton's unissued 70s Fame gem 'One More Hurt'.Catch those and many more at: 100 Oxford St W1DJs Butch, Mick Smith, Joel, Ady Croasdell and guest spinners Nick & Dawn Brown"
 
more info and talk here
The first Kings Hall Stoke Allnighter of 2011 is underway tonight.
Kev r highlights in the pre-match build up that its 15 years long running for this major venue and has asked for any early flyers (if anyone can help). There's as usual a fair old buzz on the forum event thread and no doubt there will be just as much a buzz on the thread afterwards...
Can read it all via the link below
The third All nighter is For Dancers Only @Hamburg
Hamburg has to be close to the top of the list of the top cities that I have ever visited, and would say that if a city was ever purpose made for allnighers then Hamburg has to be a contender.
Offering 2 floors of Northern Soul, R&B, Modern Soul, Sixties Beat, Garage Punk, Psych, it sounds like its going to be worth missing the fischmarkt for.
 
Info can be viewed at the link below
Site Highlights
Things here at Soul Source do seem vibrant and healthy, over the last month the site is as busy and active as it has ever been, have had some great discussion, some great sounds, and have to say hats off to all the members who have made it that way..
A few off the cuff highlites
We have had a Wigan mystery finally solved by Derek P - the elusive photograph
A seller that restores faith in the whole internet sales thing
Over $2000 raised for a memorial to a legend
Along with the usual soul source stuff...
Exclusive and not so exclusive news and previews of forth coming releases, talk, clips and all sort on todays plays and events
Covers uncovered, new fresh info on artists background and history etc etc
On the geek side
Various geek improvements have been occurring over the last month
A lot in the background but other stuff thats visible includes...
Dave Rimmer has started his stand alone European Event Forecast, which deserves a mention
Always have had a strong active mainland european side to the site and sure this will be useful
Facebook/Twitter login intergration has worked well and now gone firm
Various Frontpage and Article improvements have occured
Mod Moves
A few changes to the team
Stevie Cato (member Little Stevie ) is now moving from forum mod (in aats) to joining the forum staff and is now looking after the freebasing section along with Karen
Roger (member 45cellar) is also making the move from forum mod to forum staff and him and ken will be shortly getting stuck into looking after the refosoul feature
Near Future
 
A main feature has had a major upgrade, work is still ongoing so won't say too much till work is 100% finished but will say its a big step forward both ease of use and the way it works
March should see a fair few final final improvements to most features along with a new major feature added all being well
Will post more as it occurs on those
That's about it, a bit lengthier than planned but hopefully of interest
Hope all having a good a day as myself
thumbs up
mike
By Mike in Event News ·

Sales Forum - Grading and Wants Guidelines

Two posts reference the sales forums on soul source that have been moved from the old blog to the new articles as part of the latest site reorg


Record Grading
Posted by modernsoulsucks, in sales 04 December 2011 ·
Here is a start to arrive at something we can agree on.

This will not be compulsory but sellers may want to include in their ads something along the lines of "graded as per recommended SS guidelines" .


M- As good as it gets, practically an untouched record that plays as if it were brand new store stock

VG++The odd barely discernable surface mark or minor blemish, nothing that will affect play in any way.

VG+ A few more marks than a VG++ record but still sounds fine for listening and/or DJing. No scratches. A used but far from abused copy.

VG Light scuffs and light scratches throughout, most can't be felt. Expect surface wear throughout the record with light surface noise and possibly a few pops. Should still serve as a suitable player copy for listening & DJing despite the moderate noise.

VG- The record may have some scratches that will be deep enough to feel. Audible clicks and pops are likely consistent throughout the grooves. Should still play well enough for DJing if you're not a stickler. Expect noticeable noise throughout, NO SKIPS though.

G+ A record that has been played and not taken care of. Constant background noise will be present. NO SKIPS but such records are the lowest grade likely to still serve as a cheap filler copy for those in need.

Things like WOL, label tears and sticker marks will have to be listed seperately. A coupler of "X"s on a M- record makes no difference IMO whilst someone's name scrawled across the label does.

Thoughts?

ROD



Wants Guidelines
Posted by modernsoulsucks, in sales 04 January 2012

Anyone got anything to add to the following?



Just a few words to hopefully enable members to get the best out of this feature.

Ads, as within Sales, are limited to 2 per day per member with no re-posting within 3 days. If you are posting a couple or more wants please do not split into seperate ads.

New members are asked to post an introduction before placing any ads.

It is suggested that members are precise in their wording. Asking generally for a want can lead to both set sale and "make me an offer" replies. If members do not wish to make an offer then state clearly in the ad that you are only interested in the item at a set sale price.

Rather than a general "Wanted" or "Looking for..." in the Topic Title it is recommended that members give some indication as to artists,labels etc

Where replies are received to a want it is only polite to contact all members who have taken the time to respond. An interim reply where you are awaiting further offers to compare prices or to decline the offer.

Members can also state what they wish to pay for an item which would cut out having to respond to offers above that price.

If members do not want comments to appear within the ad then lock the topic and ask for all responses to be via PM. If the topic is not locked then members are asked to restrict their comments to those which may help to locate the item. Any wider discussion can be accommodated by opening a new topic in LAYB.
By Modernsoulsucks in News Archives ·

Motown at the BBC and Motown Invasion Rerun

Showing this weekend on BBC4 reruns of two recent BBC Motown related shows originally broadcast in 2009 to mark the 50th Motown Anniversary
23:25-00:25 Saturday Night
Motown at the BBC
With the Miracles, the Supremes, the Temptations, Stevie Wonder and the Four Tops.
00:25-01:25 Sunday Morning
Legends The Motown Invasion
Documentary about the 1965 Motown Revue UK tour and the Ready Steady Go! TV special.
Worth a watch if you havent seen before
The photo is from rehearsals for the rsg show, and is linked from this look at Dusty Springfield and the Motown Invasion by Annie J. Randall
 
By Mike in News Archives ·

Jesse James New Single Out Now and Over Here

Hi All

What with Jesse James visiting our shores next week for the Prestatyn Weekender, Soul Junction Records have managed to get an un-released track to us from Jesse.

Jesse James -
Side A - I Gave You Love With An 'A' Plus
Side B - Are You Gonna Leave Me

Words from the website; souljunctionrecords.co.uk

Soul Junction Records have once again dug deep into the Gunsmoke Records inventory to unearth a further un- released 70's gem from the one and only Mr Jesse James.

So at last we present you with the sophisticated Percy Smith and Harvey Scales penned "I Gave You Love With An A Plus" a great old school stepper with a wicked organ break to boot!

The flip side features Jesse's perennial, 60's soul anthem "Are Your Gonna Leave Me" which he recorded for the US Shirley label in 1964.

Both the above songs can be heard live when Jesse returns to the UK after a 25 year absence to perform a full 1 hour show at the Prestatyn Soul Weekender, March 10th - 14th 2011.

Miss him at your peril!


This is a public service announcement, I thank you

By Lloydee in News Archives ·

Streetsoul Records New Release 25 Feb 2011

Latest release news from Streetsoul

Jerline & Friends "The Best of Friends" is out now on vinyl 45!!!

b/w a previously unheard version of "Open up your Heart" Extended by Neil Thompson.

Both taken from the album.

Go to www.streetsoulrecords.com to listen & purchase

Chicago 70's Soul at it's best!



Added by site

This Vinyl 45 will be available from Friday 25th February 2011


Clip of bio from the streetsoulsite

Back in the mid-1990s when I was fortunate enough to be working at John Anderson's esteemed Soul Bowl Records, I came across an acetate album of tracks by Chicago's Jerline and Friends. I was really taken with it, and added it to my soul collection. A few years later, I dug out the acetate and played one of the tracks - 'Joy Trip pt1' - first on my Solar Radio shows in 2002 and then on Starpoint Radio. The record attracted a great deal of interest because of its urban Two Step sound.

Chicago-based Jerline and Friends was a premier local group, led by vocalist Jerline Shelton, who co-wrote the songs with Maurice 'Matavani' Commander, her long-term business partner. In the mid-1970s, they recorded under the group name of 'Royal Flush' and enjoyed considerable commercial success with their album 'Hot Spot'. It is those members of 'Royal Flush' who appear on this release: Jerline's twin sister Sherline who was not only the songbird of 'Royal Flush', but was also a talented writer and producer; Charles Beadle was an accomplished bassist and a veteran studio musician, who had worked with such musical giants as Curtis Mayfield and Lonnie Liston Smith in his long career....

full version http://www.streetsou...s.com/page7.htm

listen to clips - more on streetsoul site

Best of friends
http://www.streetsoulrecords.com/USERIMAGES/02-The%20Best%20Of%20Friends(1).mp3

Open Up Your Heart
http://www.streetsoulrecords.com/USERIMAGES/09-Open%20Up%20Your%20Heart(1).mp3







By Guest Andyd in News Archives ·

Mellow Mellow - New Harmless 15th Anniversary Release out Monday

Out Monday "Mellow Mellow" comp from Harmless, the final one of the 15th Anniversary releases

Not particularly Northern by any means, but some of you may be into some of these so no harm in posting 'em I guess.

After 4 new Disco Discharges and Trax Re-Edited, Harmless gets back to some Soul again with the final 2 of our 15th anniversary releases which celebrate another two of the label's most popular series from the previous 15 years both compiled by the good Dean Rudland......


Just as an otherwise ferocious Winter draws to end and the first flowers of Spring begin to blossom, lo and behold what could be better then another special edition of another one of Harmless's flagship series, so welcome to "Mellow Mellow" - 15th Anniversary Crystal Edition.

As with the original albums in this flagship series, we present a veritable cornucopia of Mellow Soul delights designed to be played as you're relaxing in the Sun, preferably on a beach or in long field of tall grass. As with "The Breaks" (also released this month) we've utilised the services of compiler extraordinaire Dean Rudland to scour the vaults of various catalogues like Curtom, Philadelphia International, Kelli-Arts, Invictus, Columbia, Epic, Hi, Brunswick, Fantasy, Philly World, Sleeping Bag and Spring to bring you 2 CD's worth of simply delectable music compiled with love and expertise by one of the most knowledgeable Soul Music experts in the world.

Naturally there are a host of tracks which have either NEVER been available on CD before or which are currently unavailable on compilations like Jae Mason's "Cloud Of Sunshine", Maryann Farra & Satin Soul's "Living In The Footsteps Of Another Girl", Side Effect's "Spend It On Love", Anthony White's "I'm So Much In Love With You", MFSB feat Carla Benson's "Tell Me Why" and Millie Jackson and Isaac Hayes' "Soft Lights, Sweet Music & You". Also it gives us great pleasure to finally unearth Eugene Wilde's superlative UK and US smash "Gotta Get You Home With Me Tonight" which has long been unavailable on CD and is always in demand.

As per usual, Harmless will be doing a full-on major Press, Promotion and Radio campaign targeting a much larger range of media then other Harmless releasesas we think"Mellow Mellow" has the potential to reach a much wider audience then most Harmless releases.

So ease yourself into what will undoubtedly be a beautiful Spring this year and make "Mellow Mellow" the soundtrack for the Summer! You know it makes sense!


HURTCD099 Mellow Mellow - 15TH Anniversary Crystal Edition 28/3/11



CD 1

1. All Because Of You Leroy Hutson 7.02
2. Why Can't We Be Lovers Holland & Dozier 4.01
3. Cloud Of Sunshine Jae Mason 3.29
4. I'm Back For More Al Johnson & Jean Carn 5.05
5. Give Me Some Emotion Webster Lewis 4.01
6. What Do You Want Me To Do Lou Courtney 2.49
7. Call Me (Come Back Home) Al Green 3.01
8. The Sweetest Pain Dexter Wansel ft Jean Carn 5.42
9. Ain't You Had Enough Phyllis Hyman 4.11
10. If Only You Knew Patti Labelle 4.44
11. Just As Long As I Know You're Mine Dee Dee Sharp Gamble 4.14
12. The O'Jays Darlin' Darlin' Baby 4.15
13. Living In The Footsteps Of Another Girl Maryann Farra & Satin Soul 2.15
14. Keep Goin' On Gary Bartz 4.27
15. This Feeling's Killing Me The Jones Girls 3.30
16. Oh Girl The Chi-Lites 3.43
17. Spend It On Love Side Effect 3.35
18. Gotta Get You Home With Me Tonight Eugene Wilde 5.19

Total 75.45

CD2

1. Come Into My Life Joyce Sims 3.43
2. I Choose You Paris 5.52
3. Heaven Only Knows Teddy Pendergrass 4.08
4. Use To Be My Girl The O'Jays 3.59
5. My Love Don't Come Easy Jean Carn 5.05
6. Tell Me Why MFSB feat Carla Benson 3.55
7. Let's Make A Baby Billy Paul 7.09
8. Do You Get Enough Love Shirley Jones 4.34
9. I'm So Much In Love With You Anthony White 4.41
10. Love For The Sake Of Love Claudia Barry 5.15
11. Devotion Earth Wind and Fire 4.48
12. Soft Lights Sweet Music and You Millie Jackson & Isaac Hayes 4.24
13. Count On Me Natural Four 4.03
14. Mon Belle Amour Ann Peebles 3.40
15. Don't Leave Me Starving For Your Love Laura Lee 2.57
16. Look At The Boy Jean Plum 2.32
17. Aretha, Sing One For Me George Jackson 2.55

Total 73.50

Amazon




also out but available now...


HURTCD101 The Breaks - Harmless 15th Anniversary Crystal Edition 14/3/11



CD 1

1. The Champ The Mohawks 2.38
2. It's A New Day The Skullsnaps 3.03
3. Don't Change Your Love Five Stairsteps 2.48
4. I'm Gonna Get You Joe Quarterman 2.52
5. Same Old Thing The Meters 2.45
6. Space Funk Manzel 3.39
7. Cavern Liquid Liquid 5.20
8. Heartbeat (Party Version) Taana Gardner 9.48
9. Jammin' Big Guitar Vaughan Mason 6.08
10. I Got My Mind Made Up Instant Funk 9.46
11. Dazz Brick 5.36
12. Sing Sing Gaz 7.15
13. Get Down With The Philly Sound MFSB 4.29
14. Bra Cymande 5.03
15. Love And Happiness Al Green 5.02

Total 76.40

CD2

1. I'm So Glad You're Mine Al Green 2.52
2. Here I Go Again Jean Plum 2.27
3. You Know How To Make Me Feel So Good Harold Melvin & The Blue Notes 5.16
4. Hercules Aaron Neville 4.11
5. Person To Person Average White Band 3.36
6. Cry Together The O'Jays 5.26
7. Hurry Up This Way Again The Stylistics 5.53
8. I Hate I Walked Away Syl Johnson 3.26
9. Tramp Lowell Fullsom 3.05
10. Stick Up Honey Cone 3.01
11. Soulful Football Willie Henderson 3.47
12. The Message Cymande 4.19
13. Good Ole Music Funkadelic 8.04
14. Run Nigger Last Poets 1.10
15. Kool Is Back Funk Incorporated 8.15
16. Groovin' Willie Mitchell 3.00

Total 68.17

Amazon


Ian D
By Ian Dewhirst in News Archives ·

A Spoonful Of Soul - Bill Spoon - Soul Junction - LP Out Now!

Another release from those very active Soul Junction types, and as you may have read this one has already been causing a bit of a stir in the forums.


A Spoonful Of Soul - Bill Spoon - Soul Junction Catalogue # SJLP5003


After the very popular release of Bill Spoons "I Can't Wait (Until The Weekend)"" 45 last year, the Soul Junction team have gone for a vinyl lp of more of the same high quality soul output for the next Soul Junction release.

The format is a vinyl only lp release with the meat being a tasty grab of more of Mr Spoons previously unissued material.


Highlights to name just some of quite a few, include not only a re-visit of his previous Soul Junction 45 "I can't wait (weekend)" side but a alt version of it as well , the full studio version of the oh so great "Love Is On The Way" is a contender for the stand out , with the reworking of "Kick Back" putting up an argument for such a claim, and his earlier version of "Be Concerned" has a shout as well

The track listing is below, along with a sleeve notes grab and a quick mix of just a few of the tracks from this fine release


Sleeve Notes

A brief grab of just part of the very informative sleeve notes (some great bits of info in there), you can read the full wack at the Soul Junction website (link below)

I was born William Bell-Weatherspoon on November 6th 1942 in Bessemer, Alabama. My greatest childhood mentor was our next door neighbour, the renowned 50's gospel singer Alex Bradford. Mr Bradford would often bring his piano out onto his front porch during warm summer nights and invite all the kids in the neighbourhood to join him in song. During high school I continued to sing in several different groups with my friend Richard Fisher (a later member of the Jive Five).I lost contact with Richard albeit for just a short time when his family moved to Cleveland Ohio.

In early 1960 my own family followed the same path as The Fishers with us too moving to Cleveland. Once again reunited with Richard we formed a street corner group whose fellow members where David Peoples and Walter "Ricki" Dannison also known as Ricki Sonda. The group never had a formal name we just enjoyed singing on various street corners in the Kinsman area of Cleveland.

In 1962 I was drafted into the Army. During my time in the service I continued to sing firstly with the Soul Masters while stationed in Korea and later with the Uniques when stationed in Germany.

After my return from the Army in June 1965 I was reunited with Riki Sonda and he introduced me to Leroy Elie, with whom he had been singing with during my absence. The three of us soon realized that we the gist of a competent vocal outfit if only we could add a fourth voice. So in August 1965, John "Cornbread" Berry became the fourth member of our group. Because we all had day jobs our performances were limited to nightclubs at the weekend only. Riki was a quality control foreman at the Cleveland, Chrysler Automotive Plant, Leroy was a commercial electrical and mechanical architect. John was a manager at a metal photo processing plant and I was a criminal investigator for the state of Ohio.

In November 1965 with the help of Lou Ragland, the four of us now using the name of the "Soul Notes" signed for Lester Johnson's Way-Out label. Although several tracks were recorded only two 45's were released "How Long Will It Last/Don't Make Me Beg "(Way-Out 101) and "How Long Will It Last/I Got Everything You Need" (Way-Out 106). The intended flip to "I Got Everything you need" was a song entitled "I've Been Waiting For Love" which had been by written by myself, John Washington and "Riki" Dannison. We had even gone as far as recording it but for reasons which remained unknown to us the song was pulled and replaced with a re-release of "How Long Will It Last".

"I've Been Waiting For Love" was later released under the different title of "Your Not Loving A Beginner" being recorded by Richard Fishers younger brother Jesse, and with some of the song original Lyric's having been reworked by James Calloway.

In 1969, John Berry left the group and was briefly replaced by Avon Wells before he too left to join the "Imperial Wonders". Riki, Leroy and I continued as a trio until 1970, but by now Way-Out records had become embroiled in a internal power struggle and it was around this time that the "Soul Notes" disbanded.

As a solo artist I followed my dream to Stax records in Memphis this was to prove a very short lived and unproductive experience for me. I then returned to....

https://www.soul-source.co.uk/uploads/sppon.mp3





Track Listing

Side 1
1 I Can't Wait (Until The Weekend). 3:34
(Riki Sonda, Bill Spoon) Bel Jac Music BMI Copyright Control

2 Be Concerned. 2:57 (Previously Unissued)
(Ugene Dozier, Herbert Santifer Jr) Tunesmith Music BMI.

3 Watcha Doin' With Your Time. 3:15 (Re-Mix)
(Herbert Santifer Jr, Bill Spoon) Bel Jac Music BMI. Copyright Control

4 Kick Back. 4:53 (Re-Mix)
(Louis Edward Ragland, Bill Spoon) Bel Jac Music BMI. Copyright Control

5 I'll Always Love You. 4:55 (Previously Unissued)
(Hense Powell, Bill Spoon) Bel Jac Music BMI, Henceforth Music Co ASCAP. Copyright Control


Side 2
1 Thank You Baby 3:14 (Previously Unissued)
(William Franklyn Bell, Ugene Dozier) Bel Jac Music BMI, Proud Tunes Music BMI. Copyright Control

2 Love Is On The Way 4:57
(Previously Unissued Full Length Studio Version) (Ugene Dozier) Proud Tunes Music BMI. Copyright Control

3 I Can't Wait (Until The Weekend). 3:28 (Alternative Take)
(Riki Sonda, Bill Spoon) Bel Jac Music BMI. Copyright Control

4 No Way To Live. 2:50 (Previously Unissued)
(Bill Spoon) Bel Jac Music BMI. Copyright Control

5 After All We've Been Through. 3:42 (Previously Unissued)
(William Franklyn Bell, Louis Edward Ragland, John Fredrick Wilson) Bel Jac Music BMI, Fredbett Music BMI, Ragland Publications BMI. Copyright Control




Available via the usual suspects
(Have seen it priced at £13.99)

More info including the tip top sleeve notes can be read at

http://www.souljunct...k/SJLP5003.html
By Mike in News Archives ·

Dancers Of All Skill Levels Required at Bidds Saturday

As some people will be aware (those who were at Rugby last saturday nite for example) my son and his film school mates are doing a short student film on N/S. It's in a documentary format, and amongst the themes they're looking at are what are the changes between the scene in the 70's/80's & now, and what it is that keeps people coming back for more. Another one was about how you connect with the music ( for example how some tunes lift you up and others are great for listening to when you're feeling miserable etc - sorry I'm not explaining it very well) and favourite tunes, and why they are your favourites etc.
Anyway, the point is having grown up in a N/S household and having attended soul nites since he was at junior school ( and Niters from not long afterwards) my lad has a genuine love of the music & scene, and is hoping this student film may reach parts which otherwise wouldn't get reached, and of course he wants to show the scene from a good angle, and not diss it.
They are hoping for some dancers who'd like to be filmed to be at Bidds this saturday. This doesn't mean only the athletic gymastic types, it can be anybody who just enjoys getting on the floor cause they're enjoying the music, even if you can only step off one foot onto the other.
If anybody doesn't want to be caught on camera, don't worry, the lads will only show people who want to be filmed, and will try their best not to disturb anyone's enjoyment of the night.
I'm not sure if they've got all the interviews they need, but if you want to put yourself forward for one just speak to the lads at Bidds, they'll be easy to spot cause they're the ones with the cameras etc
By purist in Event News ·

Dance With The Contours - Unreleased Motown lp gets a date - Kent

May have caught talk about this forthcoming cd release in the forums.

"Dance With The Contours" on Kent

Motown it appears had planned to release "Dance With The Contours" back in 1964.
With the tracks that were scheduled for this release being recorded in 63 and 64
But for what ever reasons the lp never made it out to the stores.

Almost 50 years later Kent have got together with Universal and are now putting that right with this release.

It's now showing up for pre-order worldwide in places such as Amazon etc @£13 and has a release date of March 28, 2011 being given

"All tracks are mastered from fresh 2011 transfers of the original Motown inch tapes (even the two previously issued) and all are presented exactly how you would have heard them almost half a century ago. With notes by universally-acknowledged Motown expert Keith Hughes, who interviewed Contour Joe Billingslea in January 2011 specifically for the project, wrapped in a booklet featuring a wealth of previously unpublished and rare period photos of the group, this is a package that no collector of early 60s Detroit soul can afford to be without."

Track listing follows...


1. Can You Do It
2. Do The See Saw
3. He Couldn't Do The Crossfire
4. I Don't Want To Talk
5. Foot Stomping Time
6. Limbo Is Here To Stay, The
7. Let's Do The Uncle Willie
8. Party Groove
9. Okey Dokey
10. Love Is Uncertain
11. Shake Everything You Got
12. Giant Steps
13. It Doesn't Have To Be So
14. Minnie The Ugly Duckling
15. Wanted
16. Boy Meets Girl
17. Don't You Wanna Go
18. You Changed My Life Around
19. You Hurt Me So
20. Throw You Out Of My Mind
21. Tonight
22. I Didn't Know How Right It Was (But Ooh What A Night It Was)
23. Somebody's Daughter Oughta
24. Nobody Fine As Dinah
25. Can You Jerk Like Me
26. I Can't Stop Dancing


Next up on the Kent/Motown front appears to be ...
Marv Johnson - I'll Pick a Rose for My Rose Plus The Complete Recordings 1964-1971
with a release date of April being mentioned for this one
By Mike in News Archives ·

In The Basement - Spring Edition 2011

Out now the Spring 2011 edition of In The Basement magazine


This issue include featured artist such as Maxine Brown, Michael Henderson, Brenton Wood, Vaneese Thomas and Helene Smith, plus a look from Guy Burgess at New Orleans labels Ric and Ron

Also in this issue 70 plus cd reviews of the latest releases, covering new recordings and archive material, along with book reviews and gig reports from contributors in the UK, mainland Europe and the USA.

Online ordering details can be had via the weblink below

http://www.btinterne...t_magazine.html

Also available via


Beatin' Rhythm - 108 Tib Street, Manchester M4 1LR
Boogaloo On Broadway - 161 Dawes Road, Fuham, London SW6 7EE
Crazy Beat - 87 Corbets Tey Road, Upminster, Essex RM14 2AH
HMV - 150 Oxford Street, London W1
Jumbo Records - 5/6 St. John's Centre, Leeds, West Yorks LS2 8LQ
Mister Tee's - 65 Blackwell Street, Kidderminster, Worcs DY10 2EL
Rubber Soul - 3 Hide Street, Stoke-on-Trent, Staffs ST4 1NS
Sister Ray - 34-35 Berwick Street, London W1
Uptight Records - 178 Sackville Road, Hove, East Sussex BN3 7AL
Wall Of Sound Records - 42 John William Street, Huddersfield, West Yorks HD1 1ER

Europe
Athenaeum Nieuwscentrum - Spui 14-15, 1012XA Amsterdam, Netherlands
Black Cherry Blues - 15 rue Chaptal, 75009 Paris, France
Record Shack - Reinprechtsdorferstrasse 60/11, 1050 Wien, Austria
Smokestack Blues - Norrbackag 48, SE-113 41 Stockholm, Sweden

USA
Dusty Groove - 1120 N. Ashland Avenue, Chicago, IL 60622, U.S.A.
By Mike in News Archives ·

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