Quite a number of the artists we know and love ended up frustrated in their recording contracts for one reason or another and to avoid the possibility of legal action for breach of contract, ended up recording for other labels under, either an alias, pseudonym, or in many cases (for female artists) their maiden name.
In addition there are a number of female northern recordings where the artist went on to fame and fortune under their married name, but leaving in their footprints some super soul tracks which are only known and appreciated by the northern scene.
I know that many of you folks out there are aware of the real identity of these artists, but I know that a lot of newcomers are not necessarily aware. I for one have been surprised on occasions to discover the real identity of the artists on some of these tracks.
To get the ball rolling, I'll throw a couple into the maiden name category and a couple into the contract name change category........................and leave you learned souls to carry on the thread :
Dottie Cambridge (Cry your eyes out - MGM) = Dorothy Moore
Deniece Chandler (Mama I wished I stayed at home - Lock) = Deniece Williams
Dede Schwartz - Funny how we change places - RCA = Dee Dee Warwick (under contract with Private Stock)
Marva W Taylor - Nothing I'd rather be.... - Forte = Marva Whitney (under contract with King)
Quite a number of the artists we know and love ended up frustrated in their recording contracts for one reason or another and to avoid the possibility of legal action for breach of contract, ended up recording for other labels under, either an alias, pseudonym, or in many cases (for female artists) their maiden name.
In addition there are a number of female northern recordings where the artist went on to fame and fortune under their married name, but leaving in their footprints some super soul tracks which are only known and appreciated by the northern scene.
I know that many of you folks out there are aware of the real identity of these artists, but I know that a lot of newcomers are not necessarily aware. I for one have been surprised on occasions to discover the real identity of the artists on some of these tracks.
To get the ball rolling, I'll throw a couple into the maiden name category and a couple into the contract name change category........................and leave you learned souls to carry on the thread :
Dottie Cambridge (Cry your eyes out - MGM) = Dorothy Moore
Deniece Chandler (Mama I wished I stayed at home - Lock) = Deniece Williams
Dede Schwartz - Funny how we change places - RCA = Dee Dee Warwick (under contract with Private Stock)
Marva W Taylor - Nothing I'd rather be.... - Forte = Marva Whitney (under contract with King)
Let's see what comes out of this one



Have a good day y'all
John