I have had the old, 'What was that ........... (whatever) remix you played with the disco beat behind it?' question aimed at me so many times that I feel the need to address it.
It tends to be asked in an 'I'm not really that arsed and as a matter of fact I feel the (odd) need to intone my question in such manner that it sounds that I am asking out of abhorrence, almost repulsion' kind of way.
Which never cuts it, I always know that the reason they are asking is simply because they like it, no matter how they phrase their query.
What this this type of person doesn't tend to realise is the toil that was behind this remix/re-edit/re-working.
And not only the toil.
How much did that particular track mean to someone - to actually have it buzz round their head for years to the point where they wished to spend their hard-earned notes and precious time, in a studio to (hopefully) sympathetically give their spin on it.
As much as you may wish to say 'Why bother? You can't improve on the original' etc - that isn't really the issue - it is simply one man's love of a track - a love that will make him try his damdest to improve on it....all the time knowing that he won't.
Long story short - spend seven days in a studio re-working a track, re-building chords, adding hand claps, trying to re-work a bass-line etc...that is loving a record, nothing else.
If nothing else the time spent remixing a track simply shows your respect for the original team behind it, and on the back of that - your love of it.
I have had the old, 'What was that ........... (whatever) remix you played with the disco beat behind it?' question aimed at me so many times that I feel the need to address it.
It tends to be asked in an 'I'm not really that arsed and as a matter of fact I feel the (odd) need to intone my question in such manner that it sounds that I am asking out of abhorrence, almost repulsion' kind of way.
Which never cuts it, I always know that the reason they are asking is simply because they like it, no matter how they phrase their query.
What this this type of person doesn't tend to realise is the toil that was behind this remix/re-edit/re-working.
And not only the toil.
How much did that particular track mean to someone - to actually have it buzz round their head for years to the point where they wished to spend their hard-earned notes and precious time, in a studio to (hopefully) sympathetically give their spin on it.
As much as you may wish to say 'Why bother? You can't improve on the original' etc - that isn't really the issue - it is simply one man's love of a track - a love that will make him try his damdest to improve on it....all the time knowing that he won't.
Long story short - spend seven days in a studio re-working a track, re-building chords, adding hand claps, trying to re-work a bass-line etc...that is loving a record, nothing else.
If nothing else the time spent remixing a track simply shows your respect for the original team behind it, and on the back of that - your love of it.
Not something to have a pop at in my book.