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Only 0.01% really care, only 0.01% ever did but then it's that 0.01% that went out there, searched for it, brought it back & gave it to the people who don't give a shit what format it
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Its ok for a dj with a "past" ie: ex wigan,etc to play boots cos he was "there at the time,bitd".And its fine if 3000 are dancing. If anyone else does it at a soul night,he gets a slagging. 
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The original poster has been a member here for some years, which is more than you have. He is entitled to post his grievances and doesn't need to be referred to a small minded.
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Dear Mr Roberts
This weekend I finally completed a lifelong ambition of dancing to soul music in my childhood playground, the Blackpool Tower ballroom.
However I must write to say how disappointed I am, not at the overall music policy but the fact that for two and a half hours, in the closing session of your weekender, two grown soul DJ's played close to 80% bootlegs in front of a crowd of many lifelong soul collectors.
The Saturday night main room was peppered with underwhelming repeats and flogged dead oldies from a genre of music that spans over ten years from over 50 states.
The fact that your events will never have the same quality of DJ's and music as the likes of Cleethorpes and Prestatyn is to be expected, but to endure a painful stream of bootlegs from the likes of Prince Phillip Mitchell, The Epitome Of Sound and The MVP's was nothing short of an insult. And in a world where punters pay hard earned money for original 45's, completely unacceptable.
In stark contrast to this, the previous night saw one of the world's top rare soul spinners play perhaps the greatest hour of music I've heard in 15 years. In a corridor. On a carpet.
To place this disparate quality of DJs on the same bill is an indignity to those who search long and hard to provide people with an original record.
Never would I begrudge having to pander to the tastes of a largely 'classic soul' appreciating audience but to do this on a series of £5 reissues really is embarrassing.
One of the DJs in question defended his case with the opening line, 'Some people use CD's, now we don't do that'. Before telling me to 'get a life'. As an aside he also reacted angrily to another woman who questioned the provenance of his records.
With no alternative musical arrangements on the Sunday night we had no option but to leave early in disgust.
Had I and my friends not made a 450 mile round trip perhaps we would have felt slightly less aggrieved, but I can assure you that we were far from the only ones who had travelled great distances and felt so short changed.
Your claim that Blackpool is perhaps the greatest weekender in the world is due in whole to the grandeur of the venue rather than your commitment to providing an interesting offering to a knowledgable audience.
Although we shall sadly never return, in future I think it only fair to other punters to ensure that the whole cast of main room DJs reflect in someway the level of skill, commitment and talent of those who crafted that beautiful ballroom.
Yours Sincerely,
Matt Bolton