Source Magazine - Soul Music News & Articles

Martha High - Singing For The Good Times - Blind Faith Cat: BF 01002LP.
Here's the release blurb, preview player and a brief bio of this fine repeat play release.
Mrs. Martha High is the hardest working woman in show business. She is still touring worldwide as a lead singer of Maceo Parker's band but now she is on fire because finally, she has recorded the album she never made but always wanted to make.
11 killer original tunes produced and arranged by Luca Sapio, the Italian soul ambassador, in true analog super sound.
The tunes evoke the best productions of the golden era Southern soul as well as the sonic landscapes of the Italian soundtracks of the 60's.
Here is the middle ground where these two unheraled musical traditions meet and Martha is the undisputed Queen.
Don't miss the chance to take a listen. This record is made of truth, soul, love, and pain - a full spectrum of emotions that only a Queen can deliver to your ears.
She spent much time in the studio with Luca and his guys to make it happen. This is not a revival, this is not retro, this is NOW.
She took it as a challenge and we are sure that she won.

Credits
Produced and mixed by Luca Sapio at Blind Faith Studios Roma
Mastered by Brian Lucey at Magic Garden Studio L.A.
Written by Luca Sapio & Mecco Guidi
Special thanks to the Blind Faith Team

Preview

1.   "Always Worth The Pain"
2.   "I'm A Woman"
3.   "Can't Hold On"
4.   "Fire Shut Up In My Bones"
5.   "Lean On Me"
6.   "Lovelight"
7.   "The Hard Way"
8.   "Singing This Song (For You)"
9.   "The Hardest Working Woman In Town"
10.   "You Baby"
11.   "For The Good Times"

Martha High (born Martha Harvin, Washington, D.C.) is an American female vocalist.
Harvin grew up in Washington, D.C., attending Roosevelt High School and singing in Trinity AME Zion Church. She began singing in The Four Jewels (whose members attended the same church and school) after the departure of Carrie Mingo. After Martha joined the group, they changed their name simply to The Jewels and released their best-known hit, "Opportunity". After a follow-up single, "But I Do" b/w "Smokey Joe", flopped, they were dropped from Dimension Records.
The Jewels went on tour with James Brown in 1964, with a demanding nightly schedule. They visited the studios of Motown Records on the Detroit leg of the tour, hoping to record, but the building was closed that day. They did record two singles while they toured with Brown, but after a year and a half with Brown the group split up. Harvin adopted the stage name Martha High and continued singing with Brown for the next 30-plus years. Among her appearances with Brown are on the track "Summertime" and on the Original Funky Divas album.
High also recorded a self-titled disco album in 1979, released on Salsoul Records. In January 2000, she stopped performing with Brown and went on tour with Maceo Parker.
In 2004, High teamed up with the Soulpower organization, which is also behind the comebacks of Soul artists like Marva Whitney, Lyn Collins, Bobby Byrd, Gwen McCrae and RAMP. During her collaboration with Soulpower, High performed all across Europe and even performed in Africa, backed by the Soulpower Allstars. In February 2005, High embarked on the "James Brown's Funky Divas Tour" in Europe, sharing the stage with her friend Lyn Collins.
In 2016, High released her solo album on Blind Faith Records. . 11 original tunes produced and recorded by italian soul man Luca Sapio and his crew
https://en.wikipedia.org/wiki/Martha_High
available now via all the usual types at all the usual places

By Mike in News Archives · June 4, 20169 yr

This release news sort of goes hand in hand with today's the sun is out vibe
A 45 release from late last month
KAZAHAYA - Miracles / It's Better Than Walking Out - Disco Bits
Catalogue Number: DBS 1001
A blend of two classic versions of "I Believe In Miracles" Mark Cappani vocals over Jackson Sisters beats

Juno Player and their blurb

Serious Japanese Steel editry from Kazahaya: "Miracles" takes two recordings of the classic "I Believe In Miracles" (Mark Capanni and the Jackson Sisters) and deftly plays between the two to incredible effect with some really cool double-ups on the fills. Flip for a twist on a classic immortalised by Marlena Shaw where a thumping northern soul kickdrum drives us wild beneath the big orchestration. No messing around here.
Soundcloud play
available at all the usual suspects

By Mike in News Archives · June 3, 20169 yr

I was never a Mod. Ok, I had the sta-prest trousers and the Ben Sherman shirts, listened to some of the music, but would never have classed myself as a Mod. This was rural south-west Scotland we are talking about, not one of the major cities where you could find numerous clubs playing the music you enjoyed. However, visiting bands at the local Town Hall were generally from the north-west of England, so there was more often than not an r&b, Stax/Atlantic and of course Motown influence in the music that they played. This is where I got hooked.But no, I was never a Mod.
The music, however, was certainly appealing, like this latest offering from the Kent/Ace Stable, entitled - ‘Modernism’ a follow up to their recent release ‘Modernists’ and one that the Mods scattered around the country should certainly appreciate.The majority of the tracks are obviously from the mid to late sixties and as the music echoes out of the speakers, you could close your eyes and be transported back in time to one of those smokey, sweating, Brut smelling basement clubs where fashion was as important as the sounds.
To my ears, one or two of the tracks, lean more to the r&b side of things like Eddie Bo’s ‘Tee Na Na Na Na…’, while others, such as Chuck Jackson’s ‘Beg Me’ and The Ambertones ‘Clap Your Hands’ definitely sound dated. The Shirelles offering - ‘Crossroads In Your Heart’ first saw the light of day in 1987, with the opener from Teddy Reynolds – ‘Ain’t That Soul’ an un-released version of a late sixties track, ‘We Gonna Rub Pt1’ by Joe Johnson, which lay in the vaults until the 1990’s and Wallace Johnson’s ‘Private Eye’ being another that failed to see the light of day when it was recorded.

For me though it was the more ‘northern’ tracks that shone through such as The excellent Lou Johnson with his ‘Magic Potion’, The M&M’s and the Peanuts ‘The Phillie’ and Joan Moody’s ‘The Life of the Party’. The Stax/Atlantic sounding ‘Soul Is My Game’ by Chet ‘Poison’ Ivey and his Fabulous Avengers is another that got a second play.

As for the last track, the oldest on the disc, dating from 1958 – ‘Listen to me (Baby) by Ralph Ventsha and Red Julian Quartet, I imagine that this, as the booklet notes hint to, would be a perfect ender in any Mod club.

With the Mod scene, arguably having never been away, but lurking behind the effervescent Northern Soul one, this twenty-four track cd will be well received by those of the former persuasion and as it says in the usual first class booklet, penned on this occasion by Dean Rudland, “we are trying to depict the timeless nature of the whole world of mod”.

Marks out of five? As I said, I was never a Mod, but can imagine four would be about right.

Cheers, Iain
Iain McCartney
June 2016
Video Ad
Tracks
1. Beg Me - Chuck Jackson
2. Everybody's Feelin Good - King Carl
3. I'm Gonna Get You - Leroy Harris
4. Listen To Me (Baby) - Ralph Ventsha & Red Julain Quartet
5. Cinderella Jones - Sammy Jones
6. I Know What I Want - Tommy G & The Charms
7. Ain't That Soul - Teddy Reynolds
8. Crossroads In Your Heart - The Shirelles
9. Magic Potion - Lou Johnson
10. Soul Is My Game - Chet Poison Ivey & His Fabulous Avengers
11. I've Gotta Know Why - Darrow Fletcher
12. Tee Na Na Na Na Nay - Eddie Bo
13. We Gonna Rub Part 1 - Joe Johnson
14. I'm On The Move - Joe Mayfield
15. Night Beat - Kenny Smith & The Loveliters
16. Private Eye - Wallace Johnson
17. Clap Your Hands - Ambertones
18. Go - Little Johnny Hamilton & The Creators
19. The Phillie - M&M & The Peanuts
20. The Duck Part 2 - Jackie Lee
21. Dancin' Everywhere - Bob & Earl
22. When One Of Them Won't - The Turnarounds
23. The Life Of The Party - Joan Moody
24. Do It - Pat Powdrill
More information
Modernism Various Artists (Kent)
CDKEND 452
http://acerecords.co.uk/modernism

By Souledtrafford in Articles · May 31, 20169 yr

Due to increased demand following the publication of Volume 2, (And the fact that the originals are going for silly money on the web) I have decided to 'Reissue' Volume 1.
What’s New In The Reissue ?
Essentially this is the same book that was published 14 years ago. However, there are some differences. The vast majority of the discographies have been improved upon and expanded over that period, so the ones included here are the most complete ones I can provide in 2016. This means they take up far more space in the book itself, so whilst you have the advantage of far more detailed discographies, something else had to give. Therefore I took the decision to not include any of the original photographs, and delete all the biographies that were included in the first volume.
Volume 1 contains completely different content to Volume 2.
The book is available from Amazon right now, and will be available from me at venues all over the UK, starting with the Cleethorpes Weekender.

By Dave Rimmer in News Archives · May 30, 20169 yr

REVIEW - RARE SOUL BIBLE VOLUME 2. BY DAVE RIMMER
Dave Rimmer is a well-known and respected figure in Northern Soul circles and in his 25+ years on the scene has DJ'd just about the full length of the U.K. As well as Europe so clearly he knows his onions,
His second instalment of his "Rare Soul Bible" series is a welcome source of reference for artists & label info such as release dates, label release numbers as well as those very useful flip side titles, so for this type of reference this bible is essential.



Interspersed within the listings are Dave's personnel recollections & photographs from the many live appearances & events that he as attended over his many years on the circuit.
Comprehensive listings of a vast number of artists, plus many listing individual group members’ names as well, thus makes this my type of reference book, quite why so many of us soul lovers like this sort of detail is a mystery but the fact is we do!
A number of artists within the book have been selected for in depth coverage, with a detailed biography & discography listing some fascinating tales & recollections, likewise selected label imprints & owners are given similar in depth features, one particular one that caught my interest was Don Robey`s Peacock record stable that included Back Beat, Sure Shot & Duke from all accounts Mr Robey sounds a larger than life character who’s business operations often stretched the limits of legality!
From Artic, Arock imprints all the way through to Zell’s & Zodiac & I certainly didn't spot any gaps, a number of interesting topics are also dealt with such has "Don't become a D.J.!", "So you want to run an All-Nighter?"........

A true labour of love just like his acclaimed website http://www.soulfulkindamusic.net this has understandably taken Dave some fourteen years to produce & that is not at all surprising when you consider the shear mass of detailed information included, as stated in his mission statement it is his aim "to produce the most complete discography section of sixties soul artists possible, and to set them out in a clear and easily understood format." Well the book delivers in full, my only criticism would be that all the photographs are reproduced in black and, but this may well have been out of Dave`s control nonetheless this is a recommended purchase and worthy of a 4-star rating.
Paul Johnson May 2016

By Triode in Articles · May 27, 20169 yr

Stuart Cosgrove Young Soul Rebels - A Personal History Of Northern Soul - Polygon Press - ISBN 9-781846-973338

Stuart Cosgrove is a world acclaimed author, journalist, and broadcaster on both radio and TV. In fact, in 2012 he won a BAFTA for Channel 4’s coverage of the Paralympics. He’s been Broadcaster Of The Year in Scotland, and held several executive positions at Channel 4 (And was responsible for signing the show ‘Friends’ to the Channel in the UK.), and hosts a weekly show on Radio Scotland about his passion for Scottish football. But that’s just a disguise he wears for the day job, because in reality, he’s one of us !
To use a phrase currently in vogue, Stuart is one of the ‘Children Of The Night’, and has probably devoted for more time, thought, and energy to his lifelong passion; Northern Soul, than he has to any of his jobs over the last forty years.
As I said when I reviewed Gethro Jones’ book, it’s hard to do a review of a book like this without giving the whole game away, so I’m going to use some quotes from Stuart to illustrate how the book covers his involvement in the scene.
In fact, the very first sentence made me laugh out loud. This is how to get the attention of your readers;
“Nothing will ever compare to the amphetamine rush of my young life and the night I was nearly buggered by my girlfriend’s uncle in the Potteries”
I can see why nothing would ever compare to that Stuart ! However, to reach that point Stuart describes his upbringing in Perth, and how he was first introduced to the music of black America, and how much it would hold sway over the rest of his life. The opening sentence refers to his first visit to The Torch allnighter in Tunstall, but I’ll let you read whether he survived this predicament yourselves.
I’m also rather impressed by the way that Stuart has woven short biographies of artists into the story, songs that reverberated round the Torch by Tony Clarke and Darrell Banks lead to a couple of pages of detail about the two artists.

There are also links to events in the wider world that tie into the scene in the book as well. The Miner’s Strike (Especially as Stuart was living in Yorkshire at the time), gets a lot of coverage, as does Leeds Central Club, both of which were important to Stuart, and the chapter about the Yorkshire Ripper is particularly poignant.
A theory about why Northern Soul Clubs became popular in old fashioned coastal towns stands up to examination as well, and never having thought about this, what Stuart says is absolutely correct.
“The story of Northern Soul could be told without ever leaving England’s decaying coastal towns: Blackpool, Cleethorpes, Scarborough, Bridlington, Morecombe, Whitley Bay, Southport and Prestatyn, each in their own way played host to rare Soul venues.”
Having lived in the North of England, both Lancashire and Yorkshire Stuart’s day job takes him down to London, and with it, the opportunity to visit the States (and even study there for a while), but throughout, the Soul Boy inner core burned bright. His description of finding a copy of ‘Hey Boy’ by the D C Blossoms is sheer poetry:
“It was there, in the segregated south, in a tightly packed wall of discs, some of them splattered with grey paint, that I finally found it. For some reason, unfathomable, and beyond geographic logic, there was a copy of The D C Blossoms.”
I realise that I’m skipping whole portions of the book, by ignoring Stafford (But there again I didn’t mention Wigan either), Allanton, and The 100 Club, all of which get quite extensive mentions, but I want to focus on two more things before I end this review.
A lot of the book covers people that Stuart knew well, some of whom who are no longer with us, so it’s nice to see Bub, and Pete Lawson, getting several pages each. Not many people would have been able to write so eloquently about two of the scene’s biggest characters, both different, but both equally essential to the history of the scene, so it is nice to see them remembered in this way.
The final chapter of the book talks about how Northern Soul is thriving today, and making use of the new technologies to do so, Facebook, YouTube etc however, Stuart’s views are similar to my own on this subject:
“The media is interested again, but I remain unsure that Northern Soul wants the attention that currently shines on its rituals. It is at its best as a ‘secret’ underground and should always maintain a healthy distrust of the false promises that the media brings.”
It’s funny, although I know nearly all the people Stuart talks about in the book, with the exception of the early years. I think I only met him twice, although I know we were in the same venues quite a few times, so I think that has allowed me to be fairly objective in my review. This really is a good book, it truly is a personal history, but it weaves its way through my own history as well, (I even get a name check on page 139) and I’m sure that is how most of the people reading the book will also feel.
That just leaves me with two things to say: Buy the book, you won’t regret it, and check out Stuart’s other book about Soul Music and social history ‘Detroit ‘67’.
Dave Rimmer. May 2016

Book Preview

ISBN:
9781846973338 Categories
New Releases, Popular Music & Culture Imprint
Polygon Pub. Date
19 May 2016 Format
Paperback (also available as an ebook) Status
Available for Sale Publisher
Birlinn Ltd No of Pages
320 Illustrations
Illustrated throughout Young Soul Rebels: A Personal History of Northern Soul by Stuart Cosgrove
Available to purchase via the usual suspects
http://www.birlinn.co.uk/Young-Soul-Rebels.html
http://www.amazon.co.uk/dp/1846973333

By Dave Rimmer in Articles · May 23, 20169 yr

For the next Together event on this Saturday 28th May 2016 we've got Teenage Fanclub guest Djing. They've been long time Soul and Northern Soul fans and have done an interview with Peckham Soul about the influence soul music has played in their music...
A Northern Soul - Teenage Fanclub's Gerard Love talks Soul music
Influential in spreading the attitude and ethos of independent music to a wider global audience, Teenage Fanclub are both an important and much loved band. By immersing themselves in the whole spectrum of popular music, they fashioned a unique sound - a Catholic eductation in which Soul music played it's part. Ahead of Gerry's 'Together' DJ Set, he talks to Peckham Soul's Craig Jamieson about how he first came across Soul music, its influence on his songwriting and reasons for the enduring interest in Northern Soul.
C.J : What were the first soul records you bought and how did you come to buy them?
G.L : I was probably led into soul music by The Jam covering Move On Up, Big Bird, Stoned Out Of My Mind, and by the iconic photograph of the dancer, suspended in mid-air, on the inner sleeve of The Gift, and by the mod thing in the early 80s. I remember older guys at the local youth discos with badges that said “Northern Soul” and “Keep The Faith”. I instantly loved the words and the symbols, before I really knew what it was or what it meant - it just appealed for some reason.
The first soul records bought were probably Stax LPs, Otis Redding, Booker T & The MGs, Sam & Dave, from record fairs at the Garrion Hotel in Motherwell or from stalls at the Barras. I remember freeing a Lee Dorsey compilation from my uncle, held amongst Nolan Sisters and Perry Como's, which had Confusion, Holy Cow, Workin' In a Coalmine and Get out My Life Woman amongst others, and playing these tracks over and over. I picked up Chiffons and Four Tops LPs from the local library’s sale. I had friends who had good taste and who would point me in the right musical direction or lend me their records to listen to, all sorts of amazing things.
For me, I was just into music - the whole thing was about hearing more stuff, educating myself in what music was all about, what was out there, and what I liked. I would have been as happy with a recorded cassette, a mix tape by a pal, as I would have been with original vinyl. I didn’t start buying rare records until I was reaching my 30s, when I began making enough money from music to have more than I needed to get by - my first disposable income.
The first big record I bought was Ruby Andrews Just Loving You. I paid the grand total of £50 for it and I felt physically sick for a few days afterwards due to my extravagance. Once the record arrived in mint condition and I started playing it I felt great. Buying rare records just wasn’t an option before - I came from a very normal financially challenged background, then I was a student and then a musician, I never had any money - I wasn’t really that bothered about owning anything, I was more into knowing about things than owning them. Luckily, I had friends who had good taste, I was growing up at a good time and the music I got to hear, and got into, was mostly absolutely brilliant.
C.J : Were there good places in Glasgow to both buy and go and hear good soul and Northern Soul sounds?
G.L I could never be described as a soul aficionado, I’m into all sorts of music and I buy all sorts of records. I know lots of people who could give a much more detailed and informed account of the real soul scene in Scotland in the 80s, 90s, and beyond. I’m just a guy in a band who’s been picking up the odd soul record from time to time.
From my limited point of view, apart from record fairs and the odd stall at the Barras or the Briggait, Glasgow wasn’t such a great place to pick up original 7”s. When I started buying rarer records it was mostly by sending a stamp addressed envelope and a subscription to dealers whose contact details you would find at the back of Record Collector. I would be picking up a lot of Kent and Soul Supply compilations and from those you would usually compose your wants list. The first regular sales lists I got through were from John Anderson, John Manship, Pat Brady, Will Johnson, and Anglo American. Before YouTube and soundfiles, you had to rely on the dealer’s descriptions so, when buying blind, as I often did, you would be using your imagination a lot, sometimes crossing your fingers, and inevitably ending up with quite a few disappointments along the way, and the occasional winner.
Eventually some guys would send tapes and then CDs, and everything became a whole lot easier, much more so when the internet arrived.
For soul sounds, Good Foot was the club that changed things for lots of people in Glasgow. Chris Geddes has already covered this in your last interview. It was THE place to hear rare 60s soul in the city for quite a number of years. It certainly expanded my knowledge of the types of records that were out there. They had a great bunch of DJs, resident and guests, it was very welcoming and inclusive although there was, at times, a slight edge in the air for one reason or another - but that’s Glasgow for you, I guess, welcoming and slightly edgy. I went through to the Groove Soul City club at the Spider’s Web in Edinburgh a couple of times and they were definitely working at a deeper level than Good Foot, far more obscure sounds and seriously rare records, but for the social side of it all, for me, it was a better night in Glasgow - but maybe only because I lived there and everything was more familiar.
C.J : So what’s been the latest Northern Soul record you picked up?
I recently picked up Got To Find A True Love by E.T. White and His Great Potential Band. It’s not strictly a northern soul record, it’s a loose soul/funk crossover type of thing, pretty rough and ready, but really cool and charming. It’s the kind of stuff I’m into at the moment.
C.J : It could be said that there’s more an emotional connection to soul music, rather than a strictly stylistic influence, in your music. Although, on the Lightships album, echoes of artists such as Curtis Mayfield’s seem to be heard. How do you think soul music has influenced your song writing?
Teenage Fanclub is a group that I play in, it’s what I do for a living, and I’m sure, there are soul influences contained deep within the music that I try to make. I’ve been listening to soul music since I was a teenager and I would guess that its influence is inevitable, although maybe not completely explicit or on the surface.
When we started touring, making mix tapes for the van, there were always soul tunes and northern soul tunes in the tracklistings. Soul/northern soul was definitely something that most people I knew knew about and would have been exposed to - we were from an industrial area, we all grew up in the 70s and 80s, it was almost unavoidable. If you listen closely enough to our music, maybe there’s a soul influence in some of the vocal harmonies, or maybe in the major 7th chords, or maybe in some of the lyrics, choices of instruments, bass lines or handclaps. But we’ve always been wary not to be too obvious about things, wary about pastiche.
It could be argued that an R&B/soul influence gave birth to swinging London, Beatlemania, and all that followed, it’s what separated the new wave of The Kinks, Beatles, Rolling Stones etc from the conservative granny sounds of your Tommy Steele’s and your Cliff Richards, and what essentially gave birth to 60s modernism, which in turn set up the next wave and the next wave and so on, until we end up here, in 2016, influenced by everything that went before. Also, I play bass in the group, and as a bass player I would say that it’s almost impossible not to be influenced by Motown’s James Jamerson, regardless of what type of music you might make. He is far too important in the history of bass guitar to ever lack relevance.
At the end of the day, regardless of major or minor influences, we’re a group from Lanarkshire in Scotland and we have to be true to our own context, our own era as much as we possibly can, do our own thing and express ourselves in our own way. Regarding the Lightships record, without a doubt, The Impressions and Curtis Mayfield were amongst the primary influences guiding the production but more so in the shimmering textures and the feel rather than the actual structures of the songs or the musical style of the record.
C.J : At 'Together', were looking forward to giving you a warm welcome. Wondered what kind of set you’ve got lined up for us?
Well I haven’t deejayed in quite some time so I’ll be making it up as I go along. My strategy is to start with a good record and follow that with another good record, and hopefully, if I keep doing that, it will all work out. Expect mostly 60s soul, mostly upbeat, Saturday night stuff, some well-known tunes with a few more personal, more obscure, choices thrown in. As I haven’t deejayed for a dance floor in a while it could be filed under ‘experimental' but, thankfully, the records will be doing all the work so it should be absolutely fine - with fingers crossed!
C.J : Northern Soul music still going strong. What do you reckon makes a great Northern Soul track and wondered what you thought the reasons were for the scene’s enduring appeal?
Northern Soul is, I guess, an umbrella term to cover various styles, moods, even eras. These days, I usually go for moody mid-tempo tunes and early crossover records, loose and even messy things. But for me, the “classic" northern soul sound is based on the Four Tops template : upbeat Saturday night music with criss-cross vocal harmonies, punchy brass, baritone sax, floating vibraphones, underpinned by a driving beat. Unlike the majority of Motown productions, the classic northern soul record is maybe a little distorted in places, a little overcooked to tape, and this adds edge and grit, to the sweetness and the beauty, which makes it more vital, more like real life and, therefore, more meaningful to the listener.
It’s strong dance music to lose yourself in, to forget about your troubles, your job, your lack of a job, your limitations. It’s total positive energy from an era of absolute inequality. For me, things like The Precisions' If This Is Love, Jimmy Soul Clark's Sweet Darlin, The Valentinos' Sweeter Than The Day Before, The Steinways' You’ve Been Leadin' Me On, The Fabulous Peps' With These Eyes are examples of your classic northern soul record. But there are thousands. The strength, quality and sheer quantity of the music is where the appeal is, and that will never change.
These records were made for working class people to dance to, to feel equal, to feel loved and to feel free and, although times have changed, there is still a need for that.
Catch Gerry DJing at 'Together,' Longfield Hall in London on May 28th. Tickets available at http://www.peckhamsoul.co.uk.

Gerry's Current Top Ten :
Right Track - Billy Butler
I Don’t Want A Playboy - Barbara Lynn
12 Red Roses - Betty Harris
I’m Moanin' - Rose Brooks
Just Be Sincere - Jackie Wilson
My Dear Beloved - Jack Montgomery
Sweet Darlin - Jimmy Soul Clark
I Surrender - Eddie Holman
One More Chance - Shirley Lawson
Look At Me Now - Terry Callier

Can catch Teenage Fanclub guest Djing at The Next Together event on this Saturday 28th May 2016
Full details via the Soul Source Event guide - link below
https://www.soul-source.co.uk/calendar/event/44748-together-with-gerard-love-teenage-fanclub/

interviews

By Guest Okeydoke in Articles · May 22, 20169 yr

And still they keep coming!
Title mentions just some of the artists that are featured in the latest set of videos. Details of the last 24 hours additions follow below.
All uploaded to the Soul Source Video feature by regular contributor member @Venus
Recent additions
THE CONTOURS - JUST A LITTLE...
By: Venus · 21/05/16
THE CONTOURS - IT'S SO HARD...
By: Venus · 21/05/16
GERRI GRANGER - DARLING TAKE ME...
By: Venus · 21/05/16
DEE DEE SHARP - HAPPY 'BOUT THE...
By: Venus · 21/05/16
KIM WESTON - I GOT WHAT YOU NEED
By: Venus · 21/05/16
BOBBY HUTTON - COME SEE WHAT'S...
By: Venus · 21/05/16
CANDACE LOVE - UH! UH! BOY...
By: Venus · 21/05/16
Go here to view
https://www.soul-source.co.uk/videos/category/7-artists-singles/
A well deserved hats off indeed goes to @Venus

By Mike in News Archives · May 22, 20169 yr

Message from Eddie Union -- To all concerned.
I'm letting you know that we lost a member of the Volumes. Our group member and brother, Robert Peterson was shot and killed in a home invasion, May 17th or 18th. His home had been broken into and car stolen numerous times. We begged him to move from that area. or get a dog or a gun. He has lived there since 1972, and didn't want to leave. Keep him and his family in your prayers. He will be greatly missed.
Robert was a member of the group that played the Prestatyn Weekender a few years back. He was also a member of the Magnetics, including the time when the Volumes used that name for a short period.

added by site
Fox News local coverage of this sad story can be read here
DETROIT (WJBK) - An elderly man stays in his Detroit house for decades and refuses to leave even after being targeted by thieves over and over again.
Tragically he was killed during the latest robbery at home Tuesday.
http://www.fox2detroit.com/news/local-news/142458737-story

artist sad news

By Roburt in News Archives · May 20, 20169 yr

Young Soul Rebels: A Personal History of Northern Soul
Just a heads up if you have been waiting for this book.
Blurb:
Young Soul Rebels is the latest book from Stuart Cosgrove and has just been published recently, it does appears that the planned release date was pushed forward
Northern soul is the ultimate underground music scene. Hidden away from the mainstream, it has defied the logic of fashion and outlasted more visible youth culture movements such as punk and rave. Author Stuart Cosgrove is an insider who has been a well-known collector on the scene for decades. Here he takes the reader on a rollercoaster journey to the stubborn heart of soul music's secret society and the legendary clubs that became the cathedrals of rare soul: the Twisted Wheel in Manchester, the Golden Torch in Stoke, Wigan Casino, the Top of the World in Stafford, and the evergreen 100 Club. As in the author's cult book Detroit 67, Young Soul Rebels tells a wider social history, looking at the all-nighters and the flamboyant characters who shaped the scene, the obsessive collecting of rare vinyl, the amphetamine abuse, police raids on soul clubs, the north–south divide, the Yorkshire Ripper murders, the miners' strike, the collapse of the industrial north, bootlegging and the rise of new technologies, which against all expectations have breathed new life into the scene. This is a candid and witty story of the cult they couldn't tame.
Young Soul Rebels nails a scene that is as popular today as it was in its heyday in the 1970s.
Stuart Cosgrove, originally from Perth, was a fanzine writer on the northern soul scene before joining the black music paper Echoes, as a staff writer. He became media editor with the NME and a feature writer for a range of newspapers and magazines. A graduate of Hull University, he completed a PhD in modern American theatre history. In 2005 he was named Broadcaster of the Year in the Glenfiddich Spirit of Scotland Awards and in 2012 he won numerous awards including a BAFTA and Royal Television Society award for Channel 4’s coverage of the London Paralympics 2012.

Both Paperback and Kindle Versions now available (use link below for kindle preview)
More info via the links below
Review
A featured review by Dave Rimmer is planned to follow this Monday all being well

kindle

By Mike in News Archives · May 19, 20169 yr

What's in the Spring/Summer 2016 Issue of Soul Up North #90
Contents are...
FRONT COVER
The Vel-Vetts
GOODTOONS & GREAT GROOVES
Dave Halsall
TRACK LISTING FOR COLLECTORS CD
Editors' Issue 90 Special
FULL ENGLISH (WITH ALL THE TRIMMINGS)
Stuart Drake
FUNK IN YO’ FACE – SYLVIA ROBINSON
Howard Priestly
A DAB OF EARLY SOUL & RnB WITH A HINT OF OBSCURITY
Craig Butler
SOUL UP NORTH NIGHTER PLANNER
DETROIT 67: THE YEAR THAT CHANGED SOUL
Stuart Cosgrove
THE LADIES CHOICE
Julie Molloy
THE SCOTT THREE STORY
Dave Welding
SOUL IN A DIGITAL AGE
John Farrar
FEET TO THE BEAT – VENUE REPORTS
HOT OF THE VINYL PRESS
HFE
MARVALOUS MUSICAL MEMORIES (pt 1)
Marva Holiday
NORTHERN SOUL STORIES – THE GIRL FINDS SOUL (intro)
To Be Revealed
THE MYSTERIOUS WORLD OF COVER UPS (Pt 13)
Marin Scragg
STEVE’S SOULFUL SEVENTIES SPINS
aka
PLUMB’S PEACHES
Steve Plumb
MATT LUCAS IS STILL MOVIN’ ON
An Interview with SoulmanJan
HITTING THE DECKS
Wayne Hudson
LOOKING INTO YOUR SOUL
Martyn Bird
THOSE LITLE SILVER DISCS
Howard E
MR B (BEARSOULS B-SIDES)
Chris Morgan
SOUL ESSENCE 34 – THE CONTINUATION OF A LOVE AFFAIR
Paul Thrower
COLLECTING BRITISH
Lord Snooty & His Gang
And finally…DEEP SOUL CORNER
Mike Finbow
Also back issues of 86/87/88/89 available....
£3 each plus postage.....
email stevecato64@yahoo.co.uk or leave a message @little-stevie

By Little-stevie in News Archives · May 18, 20169 yr

Just a shout about the latest upgrade to the Soul Map feature
Quite an extensive upgrade ...
1. New Marker Groups
Map markers are now grouped, opening up this feature for many uses.
SoulMap markers can now be viewed and added into these various marker groups
Members location - Integrated with Profiles (only one per member) Venues - Current Venues - Historical Labels, studios etc Record Shops These groups can be expanded so if there are some groups that you may think be useful additions then just let us know

2. Members Locations Markers Now Integrated with Profiles
The members locations are now integrated with the Profiles location field
eg if you enter an location on your profile (location setting) then it will also be picked up and added to the SoulMap automatically (if found) at the same time.
This has been done for all active members account with a location entered - you may need to check your own as it is an automatic process and so subject to errors if location details not clear
This has meant that there are now 4000+ active members location markers now showing in the Soul Map

3. All members can now add locations to any of the groups directly
All members can add their location plus any other markers.
To add you just follow the 'browse to markers' link and then the 'add marker' will show in the top right of every marker list page

4. Future
Now this is in place it means the next wave of improvements will include more direct Event Guide integration and more
Links
Can be found via the top menu under SoulMap
Soul Map
https://www.soul-source.co.uk/membermap/
Browse and Add Markers
https://www.soul-source.co.uk/membermap/markers/

Screenshots
The Main Map Page

Marker Groups Page

The 'Add Marker' Links

SoulMap Feature Link
https://www.soul-source.co.uk/membermap/

By Mike in News Archives · May 16, 20169 yr

RONNIE CANADA From Sly, Slick & Wicked to the Cleggy weekender
Ronnie Canada really is an 'international man of soul'. Starting out in Cleveland way back in the early1970's, he got his break in the music business with S.O.U.L. (acting as their roadie + sound & lighting technician). The group was centred around lead singer Larry Hancock and Ronnie has never forgotten the kindnesses that Larry showed him all those years ago. Back then Larry was already a veteran in the biz, having led the Intertains (Uptown recording artists) and written “Working On Your Case” for the O'Jays. When with the group, it was Ronnie's job to collect Beloyd (Taylor) each day and take him to the group's rehearsal session. It was Beloyd that gave Ronnie the belief that he could be a good singer himself, and set him on the path towards his later career. Ronnie continues to honour the memory of Larry Hancock by running a Facebook page that's dedicated to his appreciation. When S.O.U.L. broke up in the mid 70's, Larry Hancock helped form Truth (members: Larry Hancock, Al Boyd, Leo Green and Russell Evans). Ronnie was kept on (as their sound technician) and so got to further advance his musical skills.
By 1978, Ronnie was an important member of Cleveland based gospel outfit, the Hubbard Singers. He also secured a role in a hit stage play 'Singin & Shouting' with another member of the cast being Alltrina Grayson (later to sing with Bobby Womack). While he was in the play, he got word that members of the group Sly, Slick & Wicked wanted to speak with him. They talked and Ronnie soon found himself a member of the Cleveland based trio. The group landed a record deal with Carl Maduri's Sweet City and started rehearsing for an upcoming studio visit. Ronnie was selected as the lead singer on the song “All I Want Is You” and so spent some weeks learning & rehearsing it. However on the day the group went into the studio, with the song's composer Dunn Pearson acting as producer and arranger, group leader John Wilson decided he would assume lead vocal duties. So the track was recorded that way and the cuts were licensed by Epic in the US and released to a luke warm reaction. However, here in the UK, Modern Soul fans were soon searching out copies of the 45 and it quickly took on anthem status. Other tracks were cut by the group, Ronnie singing lead on at least one, but this failed to make it onto vinyl. So Ronnie moved on, spending some time in Hank Ballard's group the Midnighters.
Another opportunity soon presented itself though when the Blue Notes needed some new members after splitting from Harold Melvin. Group members Larry Brown & John Atkins went all the way back to the mid 60's (the group's “Get Out” period) and so had seen no reason to abandon their pedigree and give up the name. The group had already cut good tracks for Uni & Glades records (Florida: mid to late 70's) and were a popular live attraction when Ronnie joined their number. They had cut songs such as "Here I Am", "People Are Running Around" & "Standin' By You Girl", all of which soon found favour with British soul fans. One good gig the Blue Notes (with Ronnie as a member) played back then was at the Marco Polo Hotel & Resort on Miami Beach in 1982. In that period, he got to hang out with the likes of Rocky Mizell, Jimmy 'Bo' Horne and David Hudson (David being like a brother to him). Ronnie also got to record some solo tracks down in Miami with Clearance 'Blowfly' Reid and Willie Clarke, but these failed to escape from the tape vaults. However, Harold Melvin wasn't happy that two sets of Blue Notes were out there and so he took legal action against the Florida based outfit. Wanting to move on, the guys changed their name to Caviar and with Ronnie on lead vocals they cut “Never Stop Lovin' You” for Survivor (1982). They also laid down further tracks at that time but these didn't escape until an album was put out by Boogie Time Records (France: 2009).
After the Caviar experience, he returned to Cleveland (1983) and took on a long residency at the Native Son club. His next big role came when he joined the group Omari. Another member of the group was Vince Broomfield and via him, Ronnie got to know the whole Broomfield family (which included singing stars Eugene & Dee Dee Wilde). Splitting their time between Philly & Florida, the group kept very busy. At one stage they toured with Betty Wright as her backing band. In their own right, they had the popular “After Loving You” out on Bound Sound Records (1983) which met with good reaction from soul fans as far apart as the UK and South America. The group's popularity in Sth America was such that they got to appear on a top TV show in Colombia. After Omari split, Ronnie hooked up with a version of the Drifters and the group played gigs right across Spain, including a 6 month period in Majorca. Returning to the US, he went solo and cut "I Don't Believe It" which escaped on AJ's Records out of Florida (1987). Copies of this 12” sold well in the UK and that once again raised Ronnie's profile (despite his name being shown on the label as Roney Canada). This track has stood the test of time well and has been included on quite a few soul compilation albums released in the last 8 years. Needing steady work, Ronnie went back into the group environment and returning to Europe, he started singing with the Platters and American Drifters. These outfits were a top live draw across Europe but Ronnie wanted to get back into the recording side of things. So, he started to collaborate with people in the house & garage worlds, cutting for Tomohawk (“The Power's In The Music” & “Tell The World” – 1993/94) and Shaboom (“Can't Get Enough Of Your love” – 2004). This work also resulted in him being used by various similar acts, Ronnie adding his vocals to tracks by the likes of Fabio Tosti, Audioplayerz and (more recently) Darockwildas.
That just about brings us up to date. Ronnie, who now resides in Watford, keeps up his heavy schedule in the music world. He has just returned from Holland where he performed at the Bevrijdingsfestival. Next up for him is an appearance at the big 6T's Cleethorpes Soul Weekender. He will be entertaining the crowd in the Modern Soul room at the weekender on the Sunday afternoon (approx 4pm), he's sure to turn the room into a 'land of a 1000's dances'. So, if you are going along to this iconic event, don't miss the chance to catch Ronnie performing live. He's also still active in the studio and continues to work on numerous recording projects One of these (that is about to escape in a few weeks time) being the 'Edwin Starr EDM Remixes 2016' album (on which he sings). So the musical mystery tour that Ronnie has been on for 40 plus years has taken him from Cleveland, across the whole of the USA, onto South America and now Europe. Who knows what lays ahead of him, only the future will show that.

JOHN SMITH; May 2016

artists

By Roburt in Articles · May 13, 20169 yr

Sharon Jones and the Dap Kings have a long established live reputation and her previous UK tours frequently sell out. However this time she is joined by fellow british soul sensation The James Hunter Six, adopted by the US and also signed to daptone. Both are more than familar to soul collectors and connoisseurs. The James Hunter Six current album 'Hold On!' is proving as popular as 'Minute By Minute' from 2013.
A rare and unique opportunity to see two of the finest retro soul bands live.
For more details and tickets
Sharon Jones and The Dap Kings + The James Hunter Six Live
MusicConnex
Tuesday, 23 August 2016 from 19:00 to 23:00 (BST)
London, United Kingdom
https://www.eventbrite.co.uk/e/sharon-jones-and-the-dap-kings-the-james-hunter-six-live-tickets-24837121499

By Jmsoul in Event News · May 13, 20169 yr

Tickets for the Richard Caiton concert are now available
We have decided to bring the ticket sales commencement date forward for PayPal orders because we had such a great early demand for tickets at the Spirit of Soul weekender at Scarborough last weekend.
So get your tickets early to avoid disappointment later in the year.
The interest in this concert is increasing by the minute; it's going to be a fantastic concert and Richard can't wait to get over to the UK to perform for his fans with our full backing band PUSH
November may seem a long way off, but our concert with Ann Sexton last year was on us before we knew it.
All the best

David and Val
Tickets for the Richard Caiton concert are now available by PayPal at http://www.greywoodhall.co.uk/soulfulsessions

WILTON’S SOULFUL SESSIONS - SATURDAY 19 NOVEMBER 2016
RICHARD CAITON LIVE AT THE WILTON
A soul night featuring a very special, one night only, performance from a southern soul legend direct from New Orleans, supported by our fantastic full eight piece band, including background vocalists, *PUSH*. The night will have the same format as our previous Artist Nights. Richard will perform two 30 min sets featuring most of his released recordings, and a number of his Malaco recordings that never made vinyl. This will be the first time Richard has performed live with a full support band in the UK. We are so proud to have Richard performing at the Wilton, so come on guys, let’s give him a great welcome with a capacity crowd.

By Boxy in Event News · May 10, 20169 yr

California Soul - Funk & Soul from the Golden State 1967-1976 CD BGPD 298
First of all, I'm probably not the best individual to review this album, as my knowledge of the Funk genre is at its best limited - perhaps this will give a more balanced review let's see!
A varied selection of tempos from the West Coast spanning the period of 1967 - 1976, as you would probably, there is a fair degree of funk orientated tunes from a selection of respected Californian purveyors such as Dore, Money & Pzazz amongst others. I admit that well over half of the content is new to myself……
Let's kick off with the product I am familiar with; The Ballads had a relatively long 20-year career by West Coast standards having first formed in 1965 and originally cutting product for Vee-Jay. This time featuring their song "Butterfly" AKA "I wish I knew,"- the problem is, as a long standing fan of the original take on Mickey Stevenson's Venture imprint, I'm afraid for me the rerecording featuring a new lead and a faster tempo doesn't quite match up, especially considering the original vocal is very reminiscent of the wonderful David Ruffin. In fact, very similar indeed - none the less a good version of a song, penned by Leon Ware & Susaye Green, this later version has slightly diluted lead vocal and an over complicated music track that tries too hard and detracts from the song. But I am unashamedly biased towards the original Venture version, clearly the group felt differently releasing this version on at least two further occasions on Music City and later on the Balja imprint.
The next track I am familiar with – ‘Warm Excursion’ - "Hang Up" on Paul Gayton's Pzzaz imprint. Being a fan of the Hammond organ, this appeals to me and although I don't recall hearing this played to a dance floor, I would be surprised if it hadn't been featured in the past and would probably appeal to the newer funk biased soul venues without upsetting the "4 beats to the bar" traditionalists, in a similar groove to Frankie Crocker's "Ton of Dynamite."
Apparently a number of groups recorded under the Choice of Colour moniker "If she wants to go" was recorded for Money records in 1974. This is one of choice cuts from this collection and sounds just right for now even with its tricky tempo.
The Entertainers IV will be known by many fans of their Dore releases such as "My Garden of Eden" & "Don't Look Back" but this time we focus on "Just ain't my day."
As you would expect, its well up to their usual high standard and will appeal to group collectors along with the dancers, with its less obvious tempo & great backing vocals they certainly could deliver the goods.
Juno Records Player

Brenda George's Kent recording of "What you see is what you’re gonna get," again sounds just right for the funk edged northern soul crowd, with pleading vocals on a super backing track- it's an up tempo West Coast winner.
ZZ Hills "Think People" is your typical song with a message from the early 1970's - pleasant but not ground-breaking.
I have been a fan of Little Johnny Hamilton since first hearing his epic "Oh how I love you" (Dore). Therefore, I was looking forward to hearing the two tracks (A & B sides) on this album but was frankly left cold by these recordings for the Watts Way label "The Git Down Parts" 1 & 2 when I am afraid part one would have been more than enough! It's probably ultra-rare & there's a very good reason for that.
Other tracks including The Calif. Soul Explosion & Jesse & Anita fared no better to my senses I'm afraid.
The Soul Sensations Music City recording from 1973, got things back on track with "When I had my baby" a really nice ballad, with sparse backing, a committed, if young sounding vocal with the tempo slightly increasing momentarily towards the end…. before returning to its former - excellent stuff!
The Natural Resources "Funky with my stuff"(Dore) is pleasant enough without achieving the desired effect. Although I'm familiar with the recordings of Eddie Horan is "I'm gonna speak out" is new to me and maybe a little left field but none the worse for that and has gone straight on the wants list.... anybody?
Eleanor Rigby- "Is it worth it all" is a pleasant vocal on lightweight almost demo-like backing track that as grown on me over a number of listening sessions.

In summary a game of two halves, one soulful, melodic & polished, with the other half sometimes messy with an overabundance of wah wah self-indulgence… perhaps I'm just not funky enough!
Star rating 3
Paul Johnson May 2016
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Tracks
1. If she wants to go - Choice of Colour
2. Just ain't my day - The Entertainers IV
3. What you see is what you get - Brenda George
4. Strike - Union
5. Think People - Z.Z. Hill
6. The Git Down part 1 - Little Johnny Hamilton & the Soul Pack
7. The Git Down part 2 - Little Johnny Hamilton & the Soul Pack
8. The Feeling - Calif. Soul Explosion
9. The Man (Y'all keep on watching you) - Jesse & Anita
10. Thank you for the party - Chuck Thurman
11. When I had you, baby - The Soul Sensations
12. Butterfly aka I wish I knew - The Ballads
13. Funky with my stuff - The Natural Resources Unpolluted
14. I'm gonna speak out - Eddie Horan
15. Check me out - Little Denise
16. Hang Up (part 1) - Warm Excursion (Terrible Three)
17. Pickin' Cotton - Johnny Talbot & the De-Thangs
18. Tuned in & Turned on - Alvin Robinson
19. Is it worth it all - Eleanor Rigby
20. The Sneak - The Douzer
21. You don't know - Vernon Green & the Medallions
22. Earthquake - Rulie Garcia

Test Deezer

More info via
http://acerecords.co.uk/california-soul-funk-soul-from-the-golden-state-1967-1976

By Triode in Articles · May 9, 20169 yr

This I'm sure will be of interest to members on Soulsource, you maybe aware of Minneapolis based Secret Stash Records a contemporary recording studio and record company formed in 2009, they release new and classic Soul/Blues/Latin/African/R'n'B etc. they also hold the rights and full licence for the legendary Chicago based Leaner Brothers One-derful, M-Pac, Mar-V-Lus, Toddlin' Town, Midas and gospel label Halo.
This was starring everyone in the face so when I became aware of the label and this awesome find I contacted label owner Mr Eric Foss way back last year, after the first contact it went quiet so I tried again with a few ideas and bang it has resulted in me becoming the UK hub for Secret Stash basically marketing/promotion/retailing and A&R for future releases, Eric sent me some 250 sound files of the existing Masters tapes, you can imagine I freaked out and spent the next 12 hours going through stuff, alternate takes on the likes of The Inspirations - 'Your Wish Is My Command' - Midas, The Ringleaders - 'Baby What Has Happened To Our Love; - M-Pac, Alt takes of Big Daddy Rogers - 'I'm A Big Man', unissued material some of which has been put out on the Albums and 45's, finished masters of Mousie And The Traps. Jimmie And The Entertainers, Admirations, Harold Burrage, Otis Clay, Beverley Shaffer, The Blenders, McKinley Mitchell, Alvin Cash, The Sharpees and pretty much all the Northern related tunes from the labels, there are some missing masters but not many, some of the tapes are MP3's of sessions and I keep finding some very tasty tunes indeed. Little snippet of information according to the studio work sheet and written on the tape box of The Ringleaders -'All Of My Life' is simply 'Sweet Little Girl' which if you go and play it makes sense.

The attention to detail Secret Stash put in to these releases is second to none, fully licenced from the Leaner Family estate, no disc dubs, dues paid and 100% legit, there are some really nice releases coming out with the next one being simply off the scale due out in about 12 weeks, Chalky has kindly offer to do a far more detailed feature on the project nearer to release date so thanks in advance to him and Mike at SS. All current releases are now available in the UK making for a much quicker delivery of purchases, there is a pre release reserve list with over 70 people requesting to reserve, no payment required as yet it just secures a copy. There is a Facebook group please feel free to join - SECRET STASH NORTHERN SOUL RELEASES UK DIVISION.
Finally just like to thank everyone who has warmed to this news the support has been staggering, Mark White hat's off to you buddy for marking my card, all the DJ's who have offered to support the label and all the radio and podcast boys who have all been only too glad to receive a prom CD or MP3, I've pretty much contacted everyone I know on the scene to spread the word, if you have a Radio show or podcast please contact bicknellmark@aol.com and I will send promo and information.
Mark Bicknell.

By Mark Bicknell in News Archives · May 8, 20169 yr

Mainstream Modern Soul 1969-1976 - Various Artists (Mainstream Records)
Mainstream had many guises over its life. Started by Bob Shad in 1964, it initially focussed on issuing Jazz and Soundtrack LP’s, by the mid-sixties it moved onto its second musical phase as it found success with Psych, Garage and Rock bands. This carried on till the early 70s when its focus again changed, this time to a more Soul/Funk and eventually Disco leaning and it’s this period that this CD focusses on.
The set starts off with Linda Perry’s “I Can’t Give You Up”, which is the first of three tracks by her. Perry’s first release was the Eddie Billups penned “I Need Someone” on the small Chattanooga label HELPP. This was picked up by Shad who released it on Mainstream for national distribution and it became a minor hit. This success lead to Perry being brought to New York for further recording session. “I Can’t Give You Up” was one of the unreleased songs from that session and it’s a great bit of sassy funky female Soul; tight backing singers, rolling rhythm, burping horns and a catchy chorus it’s a shame it was left in the can as I think it’s a good example of the style of releases that were hitting the top of the R&B charts at the time. “It’s All In The Back Of Me Now” also from that session was one side of her second and last single for Mainstream, it’s a swaying piece Jazzy Soul, which has had numerous plays on the Soul Scene and should be quite well known. The last of the Perry tracks “Ain’t Nobody Gonna Make Me” was another previously unreleased song, which for me has more of a popular appeal than the other two and sounds as if under the right circumstances, could have also been a hit.
In a similar vein to the Linda Perry’s opening track is another sassy song, this time by Ellering Harding. “To Whom It May Concern (All I Need)” is one of the two album only tracks included on the CD. It sounds like a cross between a James Bond theme and a Blaxploitation film score, odd that that sounds I do think it works. As with many of Bob Shad’s LP projects no expense was spared, with the musician credits reading like a who’s who of best Jazz talent of that time. The other album only track is Alice Clark’s “Don’t You Care”, which is a well know classic on both the Soul and Jazz scenes. The song also gained a retrospective single release on Acid Jazz.
Randy Brown’s musical output has been well documented, especially his Parachute/Chocolate City recordings. After his solitary release on the Stax subsidiary Truth, he released two singles on IX Chains imprint and “It Ain’t Like It Used To Be” is included here. It’s a great 70s dancer that was heard at many a Modern Soul event up and down the country in the late 80’s/early 90’s. The other Brown track is “I’m on Sick Leave” it’s a more funkier affair and not as instant as “Ain’t…”, saying that it’s still a nice record. Both these tracks and their flips initially saw a local release on the tiny Memphis Label, Black Magic.
Juno Records Preview Player

Along with Randy Brown, another IX Chains release that saw plenty of plays up and down the country was “The Steptones – Let The People Talk”, a quality strings and things dancer from the Detroit group who recorded “Lonely One” on Diamond Jim. Staying with string laden mid 70s dancers is “The Dramatics – No Rebate On Love”. Following the groups split in 1972, Elbert Wilkins and Wee Gee Howard broke away and toured with a newly formed group under the same Dramatics name. They eventually landed a record deal with Mainstream and their first release was “No Rebate…” became a hit, breaking into the top 30 of the R&B charts in 1975. Legal proceedings from the “old” Dramatics, fronted by Ron Banks, lead to a name change to “The Dramatic Experience”. They released one further single on Mainstream before parting ways. In a similar feel to “The Steptones” and “The Dramatics” is “Words Of Wisdom – You’re A Friend Of Mine” a pleasant enough dancer, but nothing earth shattering. Also popular at a similar time was “The Fantastic Puzzles - Come Back” on New Moon, a lively up-tempo feel-good number, quite odd as it’s all about the lead singer’s girl leaving and him pleading for her to return.
Johnny Gilliam started recording in the mid 60’s and released two singles on IX Chains in “75 & 76” under the name J.G. Lewis. Following some success of his initial single, “What Am I Going To Do” was his follow up release. It was another song that was well received by dancers as it had that “Modern Soul” Vibe. Also included, is the previously unreleased track “I’m The One Who Loves You”. It’s a good slightly funky southern styled swayer which Gilliam sings well. The track itself sounds as if it’s a finished song rather than a demo and it’s a shame it never got out the can. More southern styled soul with Calvin Arnold’s “Satisfy My Woman”, another singer who released a number of singles good on Venture and Sonday before landing at IX Chains. It’s a nice mid-tempo brass infused number which reached the lower ranks of the R&B top 100. “Bobby Earl Williams - That’s The Way She Is” was the secondrelease on IX Chains and is an enjoyable brassy 70’s dancer with a funky edge.
Changing the style to more emotive soul is Almeta Lattimore’s anthemic swayer “These Memories”, known by probably everyone and was recently reissued. Charles Beverly’s “Stop And Think A Minute” was his first release as an artist and what song to begin your career with, it starts off slow and builds all the way through. McArthur’s “It’s So Real” is an inclusion from the Brown Dog label and is a great piece of Sweet/Group soul, with Willie Jones of the Detroit Group 21ST on lead. Lee Bates had eight releases on the New Orleans Instant label from 1969 to 1975 and “(What Am I Gonna Do) What Am I Gonna Say” is a nice piano lead mid/down-tempo dancer which ended up his last release on the label. It must have been a bit of a local hit as it was picked up by IX Chains for national distribution. I don’t think it did anything nationally as I don’t think it got past the S/S demo stage, as I’ve never an IX Chains issue of this release.
Veteran singer Lenny Welch arrived at Mainstream after a having a couple of releases on Atco. “A Hundred Pounds Of Pain” was the last of his three singles and although it’s a jaunty number, it doesn’t really do anything for me, but I can understand why it had a following from dancers in the 70’s. Another song in a similar category is Nia Johnson’s “Plain Out Of Luck”, which to me is just an average Disco record.
All the tracks generally flow well with the exception of the two tracks by “The Jackey Beavers Show”. Originally issued on Beavers’ Jabar label, this is a fine double sider was picked up by Mainstream for national distribution. Fantastic as these tracks are, they’re a 1968 release and although there are only two years difference between these and the next oldest tracks the different in style is quite apparent and for me doesn’t really fit into the whole theme of the CD.
Finally comes Sarah Vaughan’s “I Need You More (Than Ever Now)”. I’ve never really been a big fan of her singing, but this mid-tempo number was a nice treat to finish off the CD.
The compilation duties were fulfilled by Ady Croasdell and as always the booklet is full of artist pictures and label scans with each track getting a detailed write up. When I first received the disc, I thought playing it would be a pleasant enough way to while away 80 odd minutes. Once played, memories of a misspent you at Modern Soul nights in late eighties/early nighties came flooding back. It’s a very enjoyable CD, with a few blips, but that’s just me being picky and I give it a star rating of 4 out of 5.
John Reed
May 2016

Mainstream Modern Soul 1969-1976 - Various Artists (Mainstream Records)
CDKEND 449
Released: 28 Apr 16

More info
via Ace records website
http://acerecords.co.uk/mainstream-modern-soul-1969-1976
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Tracks
1.   Linda Perry - "I Can't Give You Up"
2.   The Fantastic Puzzles - "Come Back" (part 1)
3.   Randolph Brown & Compaby - "It Ain't Like It Used To Be"
4.   The Dramatics - "No Rebate On Loev"
5.   The Words Of Wisdom - "You're A Friend Of Mine" (vocal)
6.   Calvin Arnold - "Satisfy My Woman"
7.   JG Lewis - "I'm The One Who Loves You"
8.   Almeta Lattimore - "These Memories"
9.   Charles Beverly - "Stop & Think A Minute"
10.   McArthur - "It's So Real"
11.   The Jackey Beavers Show - "When Something Is Wrong With My Baby"
12.   Lee Bates - "(What Am I Gonna Do) What Am I Gonna Say"
13.   Alice Clark - "Don'y You Care"
14.   Bobby Earl Williams - "That's The Way She Is"
15.   The Steptones - "Let The Pople Talk"
16.   Linda Perry - "It's All In The Back Of Me Now"
17.   Lenny Welch - "A Hundred Pounds On Pain"
18.   Nia Johnson - "Plain Out Of Luck"
19.   Ellerine Harding - "To Whom It May Concern (All I Need)"
20.   The Jackey Beavers Show - "We're Not Too Young To Fall In Love"
21.   JG Lewis - "What Am I Going To Do" (vocal)
22.   Linda Perry - "Ain't Nobody Gonna Make Me (Turn My Back On My Baby)"
23.   Randolph Brown & Company - "I'm On Sick Leave"
24.   Sarah Vaughan - "I Need You More (Than Ever Now"

By John Reed in Articles · May 6, 20169 yr

Ebays latest big hitters
Soul Record Auctions - Recent Completed Auctions [Sorted By Value]
http://thumbs2.ebaystatic.com/m/mQavT0B-jfRSUXiu6Y-rjrQ/140.jpg Acetate Unissued Irma Fascinations You Need Love Vi.. $8199.00 Ended 15 Feb http://thumbs3.ebaystatic.com/m/mqFyhx3pO1ZFOvy7dllNTzw/140.jpg Funk Willie Wright Right On For The Darkness Hotel Vg .. $5699.00 Ended 16 Feb http://thumbs1.ebaystatic.com/m/mt7XR5Zeceug-CcdR0tN-TQ/140.jpg The Parliaments This Is My Rainy Day Cabell 115 Getting.. $5324.55 Ended 24 Mar http://thumbs1.ebaystatic.com/m/m84XevK-mRdIIo5PLI4SKmA/140.jpg Frienz S T Ultra Unreleased Modern Soul Disco Funk Lp.. $4607.89 Ended 28 Mar http://thumbs1.ebaystatic.com/m/mbBAJVMDwOwbrDCAry56Uzw/140.jpg 4 10 Box 2600 Lot 45s Mint M- Unplayed Rock Soul Funk .. $4600.00 Ended 30 Apr http://thumbs4.ebaystatic.com/m/mWS50DDIsKT4yYoPiUkSBuw/140.jpg Hear It Beach Soul Cannonball Knightsbridge 50 Sunny Da.. $4599.00 Ended 13 Mar http://thumbs1.ebaystatic.com/m/mBOgVXPT0uFQgvDrdSLnawg/140.jpg Monster - Karmello Brooks $4138.10 Ended 28 Feb http://thumbs1.ebaystatic.com/m/mUExfVPYxRh-a77Kq5z66DQ/140.jpg Super The Emeralds Catch Me I M Falling Beware Vick.. $3999.99 Ended 01 May http://thumbs1.ebaystatic.com/m/mk6hPZaa6ZThbp4SizTfxxQ/140.jpg Cecil Washington Don T Like To Lose Ultra Prophonic.. $3758.00 Ended 04 Apr http://thumbs4.ebaystatic.com/m/mVANa4ldWkWlBr0GgAE4Ltg/140.jpg - Grey Imprint - Do You Get The Message - Clear Hill.. $3655.00 Ended 17 Apr http://thumbs4.ebaystatic.com/m/mvoiXBxbl-C-ycNOJTV5-Hg/140.jpg Gene Toones What More Do You Want Simco Hear $3550.00 Ended 14 Feb http://thumbs1.ebaystatic.com/m/m9kCA4cCU0_T2XUecdf4T-g/140.jpg Paul Wagner That World I Knew Unknown Cj Mp3 $3250.00 Ended 04 Apr http://thumbs1.ebaystatic.com/m/mHWvhrFLujqn140klitvQfg/140.jpg 5 5 Box 1 300 Lot 45s Mint M- Unplayed Rock Soul Funk .. $3050.00 Ended 23 Apr http://thumbs3.ebaystatic.com/m/mbgktBKKDXNPFEtaky1nhPw/140.jpg Eddie Daniels Is He Better Than Me Soul Funk Boots Li.. $3049.00 Ended 02 Mar http://thumbs3.ebaystatic.com/m/mpM80XN0YazL67AfWPkYVdA/140.jpg Bros Inc Pyramid Us Golden Eye 1972 Vg Very Rare $2968.20 Ended 02 Apr http://thumbs2.ebaystatic.com/m/mdLxb4WJVwFrtn2-rJD8QzQ/140.jpg 65 Northern Monster Jimmy Andrews Big City Playboy Bl.. $2324.00 Ended 16 Feb http://thumbs1.ebaystatic.com/m/mUsa-JAhIMP9ZeWjB_gpJCQ/140.jpg The Dynamic Three You Said Yeah I Have Tried Delval V.. $2282.00 Ended 02 May http://thumbs1.ebaystatic.com/m/mcMUHSZvdqjJl0Rd34Jtl5Q/140.jpg Hear Original Johnny Honeycutt - I M Coming Over - T.. $2200.00 Ended 13 Mar http://thumbs2.ebaystatic.com/m/mN5ZE7P2p4DFhIUuwKvQn5w/140.jpg Moses Dillard The Tex-Town Display Now Lp 69 Privat.. $2200.00 Ended 02 Apr http://thumbs2.ebaystatic.com/m/m5K-EpG9E6OG-pqz5tLKv4g/140.jpg Soulettes Bring Your Fine Self Home Scope Hear $2136.52 Ended 15 Feb http://thumbs1.ebaystatic.com/m/m3VbxisXghxqcrounTNiU1A/140.jpg Funk Sweet Soul Unissued Demo Acetate The Embers Hear $2125.00 Ended 15 Feb http://thumbs3.ebaystatic.com/m/mku6l_H7xMbt3ZYTISui1Mw/140.jpg Promo Single The Just Brothers Carlena Garrison $2125.00 Ended 15 Mar http://thumbs1.ebaystatic.com/m/mOlfSD6XGLtLe9SJ9sXgcpQ/140.jpg Mega Monster Modern Soul Wanda Mcdaniel Gangster Boy .. $2026.00 Ended 17 Apr http://thumbs4.ebaystatic.com/m/mfEvuGmj7FgZ9-9L8pXw-Sw/140.jpg Yiddish Soul Brother Amnon Only Girl I Had Chess Hear $2001.00 Ended 15 Feb Masqueraders On La Beat 6606 I M Gonna Make It How -.. $2000.00 Ended 14 Mar http://thumbs2.ebaystatic.com/m/ms03eXQn2epT9KFLdT18koA/140.jpg Sealed Orig Mighty Ryeders Help Us Spread The Message S.. $1891.68 Ended 24 Mar http://thumbs1.ebaystatic.com/m/mAaAz64Kb66Ig-4uS8EwYIg/140.jpg Funk Volumes Ain T Gonna Give You Up Karen Hear $1875.00 Ended 15 Feb http://thumbs3.ebaystatic.com/m/maOdZhYQ4b3UlVLUXEnA-nw/140.jpg Hy-Tones You Don T Even Know My Name Till You Break Up .. $1845.00 Ended 27 Mar http://thumbs4.ebaystatic.com/m/m7D2EqB1k50FXQkIbtLBrAA/140.jpg Funk Psych Deep Soul - Richard Marks - Purple Haze Spea.. $1825.00 Ended 21 Feb http://thumbs4.ebaystatic.com/m/mJcFB3J5KIYRM1D1vHd1YlQ/140.jpg Bob Fred I Ll Be On My Way Big Mack Hear $1802.00 Ended 03 Apr http://thumbs1.ebaystatic.com/m/mSMgh9_fZ10Nqs_xxAlWmJg/140.jpg Robo Arigo Konastone Majesty Sexy Thing Private Afro.. $1780.00 Ended 19 Apr http://thumbs3.ebaystatic.com/m/mjQ5SeQxvDhBxWaYO9feWEw/140.jpg New Love Ltd And Interstate 95 - Soul Funk Boogie 1978 .. $1775.00 Ended 01 May http://thumbs2.ebaystatic.com/m/mQCxq4UaPGxlNwzRQJQPqIA/140.jpg Black Magic 1972 Strong Message Brainwash Bet It S A Hi.. $1753.00 Ended 11 Feb http://thumbs4.ebaystatic.com/m/mEbc0-ryWTS4D8aiZtdPNQQ/140.jpg Modern Soul Boogie Paul Wright Watch Yourself Pork Vg .. $1724.00 Ended 15 Feb http://thumbs4.ebaystatic.com/m/mWWTaaBw1pCB-HH5VLhw6CA/140.jpg Sweet Soul Jades Lucky Fellow Mode Hear $1712.87 Ended 14 Feb http://thumbs3.ebaystatic.com/m/m5wedO9r75zQ6-YTOKSpCBA/140.jpg Eddie Parker - But If You Must Go I Need A True Love .. $1669.00 Ended 09 Apr http://thumbs1.ebaystatic.com/m/mDI_aEakgVrXhhKyPWSGHGA/140.jpg Sandi Sheldon You Re Gonna Make Me Love You Promo 7 .. $1650.00 Ended 19 Feb http://thumbs1.ebaystatic.com/m/mw0_rAXhJ_Do6OS_OeT964Q/140.jpg Ozobby Horn Born To Move On Deep Afro Funk Psych Fuzz .. $1632.00 Ended 08 Feb http://thumbs2.ebaystatic.com/m/mnoqoSDi4dyFqXlrJ6GMV3w/140.jpg - George Hobson - Let It Be Real - Sound City - Mp3 $1625.03 Ended 21 Feb http://thumbs4.ebaystatic.com/m/m_F6l4N9wWnm_4-Os8zSrGA/140.jpg Original Soul Jimmie Raye Kkc 002 Philly Dog Around The.. $1624.00 Ended 24 Apr http://thumbs2.ebaystatic.com/m/mjdSULPLitLKgiQWA2d4FIA/140.jpg Modern Soul Funk Disco Lp Unknown - Acetate Chicago Ra.. $1572.23 Ended 01 May http://thumbs2.ebaystatic.com/m/mwtTBlLatzuiyEv-qk_BDGg/140.jpg Livy Ekemezie Friday Night Insane Mega Afro Boogie Fun.. $1525.00 Ended 19 Apr http://thumbs1.ebaystatic.com/m/mol_MEwlQo66RJzVcMdFGcA/140.jpg Funk - Winter - Bones - North Wind Muzic - Vg Mp3 - $1524.00 Ended 17 Apr http://thumbs1.ebaystatic.com/m/mu21r3t_xTLQHIvAsvc5F0Q/140.jpg Darker Shades Ltd A Very Soul Funk From Austin Texas $1491.00 Ended 17 Apr http://thumbs4.ebaystatic.com/m/m5xaoePWbJNwSVw3YqPkyEw/140.jpg Mod Latin Manny Corchado Pow-Wow Decca Original Booga.. $1469.00 Ended 24 Mar http://thumbs3.ebaystatic.com/m/mrmTD0AH7wlutSgZiScE5OA/140.jpg Sweet Soul Funk - The Scorpion - Keep On Trying - Sbp -.. $1427.00 Ended 17 Apr http://thumbs4.ebaystatic.com/m/mP3aysHxeAnFGDSlskqPjwQ/140.jpg Crossover Soul Unreleased Acetate Unknown Artist Get Do.. $1402.00 Ended 14 Feb http://thumbs1.ebaystatic.com/m/minDcx9Nm8tao8bJYR2OfiQ/140.jpg Sam Ward Sister Lee Groove City Hear $1400.00 Ended 15 Feb http://thumbs3.ebaystatic.com/m/mOai6-JnQbto5Miob9Nepvg/140.jpg Deep Soul - Joe Walker - We Need Each Other - Sing Song.. $1391.60 Ended 17 Apr http://thumbs2.ebaystatic.com/m/mlODy1aWp1G3ZnklwNTBUMw/140.jpg Soul Communicaters Those Lonely Nights Fee Bee Orig 19.. $1325.00 Ended 08 Feb http://thumbs1.ebaystatic.com/m/m91vHPUcusYgFD9dev3P0LA/140.jpg Freddie Terrell S Soul Expedition 72 Lefevre Mlsp .. $1324.00 Ended 28 Feb http://thumbs3.ebaystatic.com/m/mk15D0Z63XhUfQsSx-olPrQ/140.jpg Funk Soul Lifters Hot Funky Sweaty House Of The Fox.. $1315.00 Ended 14 Feb http://thumbs4.ebaystatic.com/m/mysnC-kz7WQr-JUZ5KhJ9RQ/140.jpg Silky Hargraves Keep Loving Me You Re Too Good De.. $1314.00 Ended 22 Feb http://thumbs1.ebaystatic.com/m/my4ZfLteUbHu3xvrS9Iur5g/140.jpg Funk - Black Fur - Feel The Shock - Bar-Tone - Mp3 - $1305.00 Ended 17 Apr http://thumbs3.ebaystatic.com/m/mLN1Fs11xX0eQ1wZeMFooAQ/140.jpg Funk Rufus Wood Before 2001 Espanola Vg Hear $1250.00 Ended 15 Feb http://thumbs3.ebaystatic.com/m/mZZynGoI2BvYpMY9GBxNM4Q/140.jpg Ray Medina New Latin Breed Dr Felix Head S Head 7 .. $1242.71 Ended 07 Mar http://thumbs4.ebaystatic.com/m/m2LMI4CQ9umuQQ9bJaLNu1w/140.jpg Hotline You Are Mine Killer Super Afro Boogie Disco Fu.. $1236.00 Ended 19 Apr http://thumbs2.ebaystatic.com/m/m_ISyv5ahewX_lEFpGIQt-A/140.jpg Walter Wilson - Love Keeps Me Crying 7 Wand Dj Copy Ul.. $1225.00 Ended 10 Mar http://thumbs4.ebaystatic.com/m/mqaj0L1Oakb1HXpdGD8qhzg/140.jpg The West Coast Distributors Norther Soul Girl I Love .. $1212.22 Ended 11 Mar http://thumbs1.ebaystatic.com/m/mTDAvSvPVM4arV6UdHjL2cA/140.jpg Latin Boogaloo Soul Funk - Manny Corchado - Pow-Wow .. $1206.99 Ended 29 Feb http://thumbs1.ebaystatic.com/m/mgEHmVP964azmg2LoeohGcg/140.jpg Utopias Girls Are Against Me Detroit Listen $1200.00 Ended 16 Apr http://thumbs1.ebaystatic.com/m/mBkfxnt1tHpzt0zzL49guOQ/140.jpg Orig Mighty Ryeders Help Us Spread The Message Funk So.. $1200.00 Ended 29 Apr http://thumbs1.ebaystatic.com/m/mQ6qcEYNb8RStVPNg0YqDKA/140.jpg William Cummings Make My Love A Hurting Thing Bang Ba.. $1190.00 Ended 18 Apr http://thumbs2.ebaystatic.com/m/micRwE7nGSg8SvBnNgn2tqA/140.jpg Jimmie Bo Horne I Can T Speak Dade Hear $1176.00 Ended 03 Apr http://thumbs3.ebaystatic.com/m/mwjNqjaxVJQ3DH-9u-RtcdA/140.jpg Ultra Private Afro Funk Jazz Mor Thiam Dini Safarrar D.. $1175.00 Ended 22 Feb http://thumbs3.ebaystatic.com/m/mqcuNLBzmZ3x0xcytm4jZsg/140.jpg Re-Vells I Want A New Love Ultra Stomper Sweet Soul .. $1153.00 Ended 26 Apr http://thumbs3.ebaystatic.com/m/mRV29eQoyf8wcLSvvpGWHPQ/140.jpg Cajun Hart Got To Find A Way Warner Bros 69 Ex M.. $1150.00 Ended 24 Apr http://thumbs2.ebaystatic.com/m/msFdO9Q4B-hon0ofHNIQPVQ/140.jpg Monster - Ty Karim $1136.60 Ended 28 Feb http://thumbs1.ebaystatic.com/m/mXSoG2yHjX2OL_wBXKJHyFw/140.jpg Jock Mitchell $1137.00 Ended 17 Feb http://thumbs1.ebaystatic.com/m/m0oZmlsTOhVTrWoNXA1n3tQ/140.jpg The Aquamen- Line And Track Hiback 109-Blue Eye .. $1136.00 Ended 12 Mar http://thumbs3.ebaystatic.com/m/mbKjmlsB5EwpoxLf6HhCAmg/140.jpg Christ Gabriel Jazz Missionary Group Lp Private Spiritu.. $1136.00 Ended 20 Mar http://thumbs4.ebaystatic.com/m/mI4FY6YpsvsxDDsZoELqZpA/140.jpg Nat T Jones Moving Forward Goliath Hear $1136.00 Ended 06 Apr http://thumbs3.ebaystatic.com/m/mjMHSwiyW64FHa8EN1LPhaA/140.jpg Akwassa In The Groove Super Afro Funk Clover Nigeria O.. $1136.00 Ended 19 Apr http://thumbs1.ebaystatic.com/m/m_aiOpyB2Cv_uBfUaIAY3Ng/140.jpg Emma Baloka Freedom Killer Super Afro Disco Boogie Fun.. $1136.00 Ended 19 Apr http://thumbs2.ebaystatic.com/m/mhmRxzQAarpGcIuYXQYElZQ/140.jpg Robert Cardwell Soul Searchers Band L S D Soul Goodness.. $1126.69 Ended 27 Feb http://thumbs1.ebaystatic.com/m/myA8TIvcnDSkbE3NETLCS4A/140.jpg Modern Soul Funk - Mixed Generation Enterprize - Take I.. $1125.00 Ended 07 Feb http://thumbs1.ebaystatic.com/m/mO3QU3LPwpVCqdonVj2nuBg/140.jpg Vickie Labat Got To Keep Hangin On Shagg Hear $1121.00 Ended 14 Feb http://thumbs1.ebaystatic.com/m/mkmxcAHmAAC_HXDEadWcCdg/140.jpg Parisians Twinkle Little Star Demon Hot Hear $1115.95 Ended 25 Apr http://thumbs2.ebaystatic.com/m/me5vGsHNSCOgmFfPiAudKrQ/140.jpg Demon Funk You Can Run But You Can T Hide D-Funk Hear It $1105.00 Ended 11 Mar http://thumbs3.ebaystatic.com/m/m5N8DvlRKa9DtuhBOHaO8qw/140.jpg Brief Encounter Special Release Shrink Original Pressin.. $1100.00 Ended 10 Apr http://thumbs4.ebaystatic.com/m/mSqKMNQz1fa8T2n-qRbxGdQ/140.jpg Monster - Ty Karim $1085.93 Ended 12 Apr http://thumbs1.ebaystatic.com/m/maKNejlvpbxFTr9i9EHTP6w/140.jpg Earl Jackson Soul Self Satisfaction Abc 68 Ex Promo $1090.00 Ended 24 Apr http://thumbs2.ebaystatic.com/m/mC8gK0jWHBjXDXOTheH3D5A/140.jpg Modern Soul Boogie - Aceloveace - The Teacher - Hi Rize.. $1081.55 Ended 17 Apr http://thumbs3.ebaystatic.com/m/mRxass8m80kbBKGJDBRLUIA/140.jpg Soul Bros Inc Pyramid 7 Promo Golden Eye 1001 Vg Vg $1044.99 Ended 30 Apr http://thumbs2.ebaystatic.com/m/mR8kjodnJlwAwblbTpCAgMQ/140.jpg Silky Hargraves Keep Loving Me Mega You Re Too Good Funk $1037.00 Ended 26 Apr http://thumbs3.ebaystatic.com/m/mz97JB2QpR3V54r63dSEo7A/140.jpg The Four Perfections Rare- Original Partytime Pt-100.. $1034.99 Ended 19 Apr http://thumbs3.ebaystatic.com/m/mgcp1wNLnerXBB9i4eNHcsA/140.jpg Kenny Gamble The Jokes On You Listen $1034.00 Ended 26 Feb http://thumbs3.ebaystatic.com/m/mGDaix4sR5qc1kJhghY2Amw/140.jpg Roy Robert I Know What To Do To Satisfy You Tina Nm Hear $1030.00 Ended 03 Apr http://thumbs1.ebaystatic.com/m/m7mwmvygH205zfv-AVR7giw/140.jpg The Highlighters Band The Funky 16 Corners Three Diamon.. $1030.00 Ended 16 Apr http://thumbs1.ebaystatic.com/m/mCy3WfFtpW8yqWZwCBARuJw/140.jpg Ivorys - Please Stay I M In A Groove Despenza 122.. $1025.50 Ended 14 Feb http://thumbs1.ebaystatic.com/m/m7gTym_Dx9BCE4WlerURxKA/140.jpg Bobby Valentin -Use It Before You Lose It Fania Gold La.. $1025.00 Ended 14 Mar http://thumbs1.ebaystatic.com/m/muBZMCcLoKj4DhcxGV8CZWA/140.jpg Geraldo Pino Boogie Fever Killer Afro Disco Boogie Fun.. $1025.00 Ended 19 Apr http://thumbs2.ebaystatic.com/m/m6TximTHdHM9SlwNFWnMgeg/140.jpg Aleke Kanonu - Aleke Lp Arcana A1003 - 1980 Nigerian Af.. $1011.00 Ended 02 Mar http://thumbs4.ebaystatic.com/m/mQzAJZPjyl8CCY9eO6dX7Sg/140.jpg 70s Soul Curtis Wiggins Kiss Me Goodbye Palm Vg Hear $1009.99 Ended 14 Feb http://thumbs4.ebaystatic.com/m/mGssA9_jUoigB-TLDIFXWsQ/140.jpg Hear It Soul The Trends Abc Dj 10993 Thank S For A Li.. $1009.00 Ended 24 Apr http://thumbs4.ebaystatic.com/m/m51vqqOqTKGGsANJLz4N3MQ/140.jpg Crossover Soul Archie Williams Company Wait She S Com.. $1000.00 Ended 14 Feb http://thumbs3.ebaystatic.com/m/mD52JA2vRPtggMyRb81DZng/140.jpg Wade Flemons Jeanette Ramsel Ex $1000.00 Ended 28 Mar http://thumbs4.ebaystatic.com/m/mV_ppC2HMU_zqa40BcIszag/140.jpg Tan Geers What S The Use Of Me Trying Okeh 68 Stron.. $1000.00 Ended 24 Apr http://thumbs1.ebaystatic.com/m/myptlO0d0IBqu_QUceAUcOA/140.jpg Super Soul Little Tommy Sound Of Soul 104 Baby Can T .. $999.99 Ended 03 Apr http://thumbs2.ebaystatic.com/m/mTffHLPjIwspjlu_tjS2saA/140.jpg Al Wilson Help Me Wand Demo M- Hear $999.00 Ended 24 Feb

By Mike in News Archives · May 5, 20169 yr

In April 2015 our very good friend Paul Thrower was diagnosed with MND. This is a particularly random illness which strikes without warning and for no real reason. As you'll remember the ice bucket challenges have dramatically raised awareness, but there still needs to be far more research into how & why this disease works.Paul is facing this disease with great humour & bravery in his usual pant swinging & retro sock style, which we all know is part of his character!

On the 12th Dec 2015 whilst having a few pints at "Seriously Soulful" in Bristol, John Pearson, Chris Anderton & Dave Lucas had the brilliant idea of cycling for MND awareness from Dab of Soul Nantwich to Seriously Soulful Bristol.The event will be over 2 days (13th-14th May 2016) covering 140 miles. Chris Anderton, Ian Bulloch, Dave Lucas, Steve McColgan, John Pearson, Jack Phillips, Kev Rodgers, Steve Wagstaff & Phil Wainwright are the Soulful lycra clad participants.
To promote further awareness & research we very much appreciate your donations through JustGiving, by doing this you are potentially saving someone's life in the future.All the team would like to thank you so much for every penny donated for a Dab of Seriously Soulful Money for MND Donating through JustGiving is simple, fast and totally secure. Your details are safe with JustGiving – they’ll never sell them on or send unwanted emails. Once you donate, they’ll send your money directly to the charity. So it’s the most efficient way to donate – saving time and cutting costs for the charity.
You can donate safely by following this link to the "Just Giving" page:
https://www.justgiving.com/fundraising/dabofsoultoseriouslysoulfulride
Many Thanks, Chris, Dave, John and all of the "Lycra-Clad-Soul-Boys"!
Thanks for taking the time to read this post.

By Chris Anderton in Event News · May 4, 20169 yr

THE INDEPENDENTS – JUST AS LONG – THE COMPLETE WAND RECORDINGS - CD REVIEW
“Group/ Smooth Soul, Soul” is style description that the Independents fall under in to in the ‘All Music Guide to Soul’, which goes on to add that they “specialised in almost melodramatic, overwrought, but perfectly performed love songs”, something that is clearly defined in the twenty-two tracks of this recently issued Kent cd.
Perhaps not one of the top acts to come out of Chicago, they just manged a couple of pages in Robert Pruter’s superb book ‘Chicago Soul, but they do ooze quality throughout the cd that combines their complete Wand singles collection, all their album only tracks, plus a Tom Moulton re-mix of ‘I Love You, Yes I Do’.
The majority of the tracks are written by Charles Jackson, brother of the more famous Jesse, and Marvin Yancy, considered the best to emerge from the Chicago based Jerry Butler Songwriters Workshop and alongside Helen Curry and Maurice Jackson, both solo acts in their own right, they were to become the Independents.
For those who like their music to grab them by the scruff of the neck and propel them onto the dance floor, then this cd is certainly not for you, but if you want to switch on the stereo late at night and settle down with a nice glass of wine, then this might just tickle your taste buds.
For me the stand out track is the classy ‘Can’t Understand It’, which for me would have been the perfect opener rather the two ballads which fail to grab the attention, but renowned for their ‘Smooth Soul’ style, you know what to expect when you buy this cd.
There are a couple of more up-tempo tracks – ‘I Love You, Yes I Do’, the disco oriented ‘Arise and Shine’ and ‘One Woman, Do Right Man’, which they perform admirably, but the group appear to be more at home with the slower sides, the Helen Curry led R&B chart topper ‘Leaving Me’ a prime example. How she wasn’t more successful I don’t know.
For the soul collectors who want complete recordings of as many artists as possible, then Kent seldom, if ever, fail to please and come out on top again with this one. Booklet notes by Tony Rounce, with the usual artist label illustrations.
Iain McCartney
May 2016
@SouledTrafford

Preview cd via Juno Records player

Tracks
1.   "Just Want To Be There"
2.   "Our Love Has Got To Come Together"
3.   "Can't Understand It"
4.   "Just As Long As You Need Me" (part 1 & 2)
5.   "Leaving Me"
6.   "Baby, I've Been Missing You"
7.   "I Love You, Yes I Do"
8.   "Couldn't Hear Hobody Say (I Love You Like I Do)"
9.   "Here I Am"
10.   "It's All Over"
11.   "Sara Lee"
12.   "The First Time We Met"
13.   "Show Me How"
14.   "Arise & Shine (Let's Get On It)"
15.   "I Found Love On A Rainy Day"
16.   "Let This Be A Lesson To You"
17.   "No Wind, No Rain"
18.   "The Same Old Way"
19.   "In The Valley Of My World"
20.   "One Woman Do Right Man"
21.   "Lucky Fellow"
22.   "I Love You, Yes I Do" (Tom Moulton remix)

Video Trailer

More info via
http://acerecords.co.uk/just-as-long-the-complete-wand-recordings-1972-74

By Souledtrafford in Articles · May 3, 20169 yr

Jamie/Guyden Records is happy to announce our newest release and second vinyl release in the Brewerytown Beats DJ series (A-BB-DJ(3/4)) - We are continuing to dig, discover, remix & remaster then re-release quality Philadelphia funk & soul the the Arctic archives.

The Ambassadors ‎– Ain't Got The Love Of One Girl (On My Mind) has grown in popularity due to the classic flip of it by producer extraordinaire Pete Rock on the Main Ingredient LP - I Got A LoveThe Ambassadors ‎– Ain't Got The Love Of One Girl (On My Mind)
Label: Arctic Record Company ‎– 1412, Brewerytown Beats ‎– A-BB-DJ(3/4)
Format: Vinyl, 7", 45 RPM, Single
Country: US
Released: 2016
Genre: Funk / Soul
Style: Soul

TracklistHide Credits
A Ain't Got The Love Of One Girl (On My Mind) - VOCAL
Written-By – Barbara Mason
2:47
B Ain't Got The Love Of One Girl (On My Mind) - INSTRUMENTAL 3:01
Notes
Ambassadors 45 to be released 5/4/16 for Pre-Sale exclusively on brewerytownbeats.com
The Ambassadors ‎– Ain't Got The Love Of One Girl

This release is LIMITED TO 500 and remixed by Tom Moulton from the original session tapes then re-mastered by Peter Humphreys @ Masterwork Recording Inc
Barcode and Other Identifiers
Matrix / Runout (A): A-TAM-3 - A-BB-DJ(3)
Matrix / Runout (B): A-TAM-4 - A-BB-DJ(4)

edit note
just adding the soundcloud playlist and a link directly to our site where people can purchase the 45's -
here's the website:
http://www.brewerytownbeats.com/
and here's the soundcloud.

By Brewerytownbeats in News Archives · April 30, 20169 yr

The news has just broken that Frankie (Kennedy) of Frankie & the Spindles has died aged 67.
http://www.baltimoresun.com/news/obituaries/bs-md-ob-franklin-kennedy-20160427-story.html
Frankie & the Spindles (who started life as Frankie & the Spinners) recorded between 1968 and 1977 for labels such as Roc-Ker, Canyon, Gamble, TSOP & more.
The group were a mainstay on the Baltimore club scene in the mid yo late 60's. R I P Frankie.

artist sad news

By Roburt in News Archives · April 30, 20169 yr

Another month rolling in and just in time here's the May 2016 release news from Ace Records


Scratch My Back! Pye Beat Girls 1963-1968
Girls
Various Artists (Beat Girls)
CD £11.50
Located in London’s West End, Pye and sister label Piccadilly boasted a super girl-pop catalogue. With the emphasis on 1960s beat, here are two-dozen peachy highlights.

http://acerecords.co.uk/scratch-my-back-pye-beat-girls-1963-1968



The Golden Age Of American Popular Music - More Country Hits
Country
Various Artists (Golden Age of American Popular Music)
CD £11.50
Classic country music that breached the barriers of the American Pop charts.

http://acerecords.co.uk/the-golden-age-of-american-popular-music-more-country-hits



Bluesin' By The Bayou - I'm Not Jiving
Blues
Various Artists (By the Bayou)
CD £11.50
28 raw Blues gems trawled from the swamps of South Louisiana.

http://acerecords.co.uk/bluesin-by-the-bayou-im-not-jiving


Here Today! The Songs Of Brian Wilson
Pop
Various Artists (Songwriter Series)
LP £21.70
Interpretations of six Pet Sounds compositions are among the highlights of this celebration of Brian Wilson’s songwriting genius.

http://acerecords.co.uk/here-today-the-songs-of-brian-wilson-1


Just As Long - The Complete Wand Recordings 1972-74
70s Soul
The Independents
CD £11.50
Essential 70s Chicago group soul, on CD from the original tapes for the first time. Contains 8 US Top 40 R&B hits.

http://acerecords.co.uk/just-as-long-the-complete-wand-recordings-1972-74


Mainstream Modern Soul 1969-1976
70s Soul
Various Artists (Mainstream Records)
CD £11.50
The New York label concentrated on soul in the 70s; Philly style dancers, beautiful ballads and smouldering southern productions.

http://acerecords.co.uk/mainstream-modern-soul-1969-1976

By Mike in News Archives · April 29, 20169 yr

‘Kill 'Em and Leave: Searching for the Real James Brown’ by James McBride. Published by Weidenfeld & Nicolson ISBN-13: 978-1474603638.
When it comes to the listening side of soul music, there are still one or two avenues down which I have yet to wander, however, I enjoy nothing better than reading about the wide spectrum of sounds and more so the artists who created that music, whether it be in those dedicatedly produced fanzines of yesteryear, or the numerous books that find their way onto the marketplace.
Although there have been numerous books written about “The Godfather of Soul”, “The Hardest Working Man in Show Business”, or whatever title you care to bestow on him, I had only ever pencilled ‘a James Brown book’ onto my ‘must read’ list. That changed with the arrival of “Kill 'Em and Leave: Searching for the Real James Brown” by James McBride.
At times it helps knowing little about the subject matter as you can then approach a book with a completely open mind and of James Brown I knew nothing more than the basics, so I began turning the pages ready to learn more about the man with countless nicknames, but only one truly unique sound.
Brown was born in 1933, near Barnwell in South Carolina, going on to win some forty-four gold records and countless awards from the music industry, whilst amassing, and losing, and amassing again, a small fortune, that after his death was to cause countless problems for those left in at the forefront of it all.
As you turn the pages of James McBride’s well written and never boring book, Brown comes across as a man who trusts only a few, something that was far from being a negative approach, as a very high percentage of his fellow entertainers were pure and simply ripped off by all and sundry.
Banks were high on Brown’s ‘no-go’ list, with his hard earned money ending up buried in back gardens, or hidden under hotel carpets, with the singer re-visiting the latter, sometimes a year later in order to retrieve the thousands of dollars that many had been walking across in the intervening period. All this of course did little to help when he came up against the might of the IRS.
Money was also a huge problem following his death, when everyone wanted their share, from long forgotten family members to greedy lawyers despite his will stating that his estimated $100 million fortune be used to educate poor children in South Carolina. As yet, they are still waiting!

But what of the book in question? Did I find the ‘real James Brown’ at the end of its 256 pages?
Difficult to say really. I certainly learned a bit more about the man himself and McBride, an accomplished musician, and a noted author, takes you through the troubled times of a true music legend, but to be honest, the book tells you more about Brown’s entourage and backing band members, one who ended up living on this side of the Atlantic, than the man himself. These stories in themselves give this book an added edge.
It does create a shadowy picture of a troubled man, but a man who knew what he wanted and where he wanted to go, a man who knew how to work his audience – arrive at the venue, onto the stage, do his set and back on the road – “kill ‘em and leave” was indeed his catch phrase.
Should you want a biography, detailing the life and times of James Brown, then have a look at the other fourteen books on the man, but if you want to get below the surface a little, get the story from those who were there, those who at the end of the line suffered through no fault of their own, then you will enjoy this title. Unlike many autobiographies or biographies, it is neither boring, nor dull and it does give an insight into the complicated nature of Brown’s life. I suppose in a way, it does, in the end reveal the real James Brown.
So, how do I rate it? For its simplicity, the recollections of those who were around the singers as he took the music scene by storm and for it being an enjoyable read, I would give it 4 out of 5. With just a little bit more about the man himself, it would probably have edged a 5
Iain McCartney
April 2016
More info
About the author (2016)
James McBride is the author of the National Book Award winner and New York Times bestseller The Good Lord Bird, as well as the bestselling novels Song Yet Sung and Miracle at St. Anna, and the #1 New York Times bestseller The Color of Water. He is also a saxophonist and composer who teaches music to children in the Red Hook, Brooklyn, housing projects where he was born, and a Distinguished Writer in Residence at the Arthur L. Carter Journalism Institute at NYU.
Bibliographic information
Hardcover: 256 pages
Publisher: W&N (5 April 2016)
Language: English
ISBN-10: 1474603637
ISBN-13: 978-1474603638
Various Editions available Kindle, Hard cover, Paperback and Audio but appears the paperback ain't out in the UK till 2017
http://www.penguinrandomhouse.com/books/219828/kill-em-and-leave-by-james-mcbride/9780812993509/#
Kill 'Em and Leave: Searching for the Real James Brown

By Souledtrafford in Articles · April 28, 20169 yr

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