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Amy Winehouse: A Personal Tribute .


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Amy Winehouse: A Personal Tribute . magazine cover

This week sees the 10th anniversary of the death of  Amy Winehouse. I thought she deserved a personal tribute on these pages. Whilst she won’t be everyone’s taste it would be hard not to ignore her impact and achievements .

 

Amy’s Roots

Amy’s roots were forged in the migration of her great great Grandfather  from Minsk , Belarus to Londons East End in the 1890’s . By the time Amy was born in 1983 the family had settled , with many other  East End Jewish families in the North London suburb of Southgate.  Father Mitch was a Black Cab driver despite an early divorce he became an influential figure in her later career.Amy’s  musical legacy was forged by a number of uncles who were Jazz musicians but more so by her paternal Grandmother Cynthia who  the young Amy adored.

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Pictures of Cynthia and Amy showing startling similarities.

 

Cynthia, occasional Jazz singer , dated legendary club owner Ronnie Scott . Legend has it Amy  grew up hearing her Dad and Cynthia deliver Frank Sinatra Jazz standards in the house, but she has also cited her love of Salt and Pepper and The Beastie Boys. This fusion of both retro classics and contemporary sounds was to be her hallmark and path to success. Cynthia provided far more than musical influence , she was flamboyant , and something of a mystic absorbed by Tarot cards and the fragility  of fate and destiny .

By the age of 12 Amy had bought her own guitar and was writing songs.  Her influences  were never merely cited retrospectively to appear hip, evidenced by details of an early ‘Chill Out ‘ cassette tape. It includes the often cited Ella Fitzgerald , Frank Sinatra , Carol King   but also Ray Charles  Curtis Mayfield  Edwin Star . She was encouraged by Cynthia to attend drama schools . At 17  she became the featured female vocalist with the National Youth Jazz Orchestra and by the age of 19 she has signed to Simon Fullers 19 Management, and began a long working relationship with Producer Salaam Remi. The buzz about Amy triggered keen interest from a number of major labels , but Island Records A and R man Darcus Beese acting on a tip off sealed a deal that was to secure the release of her debut album Frank in 2003.

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Blues and Soul magazine feature following the release of Frank.

Much of it had been written whilst Amy was still a teenager , it provided a credible debut of Neo Soul over a mix of drum and base and mellow Jazz. Whilst it won an Ivor Novello award , was shortlisted for a Mercury  prize and reached platinum sales it was only a shade of what was to come. Amy performed at Glastonbury , V Festival and Montreal Jazz festival  to promote an album she was often self critical of .

Back to Black

Co producer on her debut album had been Salaam Remi whose previous work had included The Fugees, Lisa “Left Eye” Lopes  and Ms Dynamite.This collaboration continued for the follow up Back to Black album which saw her travel to New York and Miami to work with British born legendary director Mark Ronson . Amy developed a close working relationship with both men , and also the Dapp Kings who were brought  in work on the album which provided a shift away from Jazz towards sixties soul and girl groups , with additional elements of Neo Soul, modern blues and ska .Both men have admitted that Amy was not the easiest person to work with , and it took some coaxing and a high degree of trust for her to accept changes in production.

They produced  album made of ten  songs that average three minutes with 5 of the nine songs are under 3 mins. Amy poured out her sorrow and frustration in a style that was both sultry and agonising at the same time. The songs were marked by references to soul idols (Ray Charles and Donny Hathaway) sexual frustration  and the contradictory emotions in modern relationships . It drew on Motown , Neo Soul and   Billie Holiday’s legacy. Whilst Amy’s voice was never  ever going to compete with Aretha or Glady’s it was by any standards a Soulful album.  Completed  within five months it was destined to become a modern classic  It barely had a weak track and was to provide  5 singles within a year . Musically Rehab was ironically the most commercial and was on everybody’s lips and radios world wide, a cruel irony given that Amy was never more in need of rehab at the time . It reached the UK and US top ten in October 2006.  It was followed by You Know Im No Good ,  Back to Black, Tears Dry on their own , and prophetically Love is a Losing Game. A cynical mind might feel Island were milking a talent that wasn’t destined to shine for long.By the end of 2011 it had sold 3.5 million copies in the UK and 20 million worldwide and award ceremonies  couldn’t get enough of Amy and the Back to Black team. The Brits’s , Mercury , Rolling Stone Magazine , and 5 Grammys’ all took a chance on giving her a an acceptance speech.

Amy’s Decline

 

Within the next 2 years a catalyst  of events would combine to result in a Amy’s drift towards self destruction. There had been rumours of mood swings and depression as a child and school exclusions which were denied. There is a stark warning in a statement from Amy to camera in the posthumous 2015 film Amy about her inability to handle fame and attention.Her early manager and friend Nicky Shymansky  later disclosed  to Daily Telegraph journalistJessamy  Calkin :

‘It was around February 2005, in the space of a week, everything changed. I called her, and she sounded different. I remember saying to my brother, “Something weird is going on. Amy doesn’t sound like Amy.”‘That was the week she met Blake Fielder-Civil. She  changed overnight."

He reportedly  admitted to introducing her to Class A Drugs , then broke off their relationship to return to an existing  girlfriend. Whilst Amy never hid her  frequent use - or dependency of Canabis and Alcohol she was reported as chanting  ‘Class A drugs are for mugs’ at the beginning of her shows prior to meeting Fielder - Civil . Amy’s family and fans have pointed to the death of her beloved grandmother Cynthia in May 2006 as a trigger for her  emotional decline.Amy Winehouse and Fielder-Civil married secretly in Florida in May 2007

Their relationship  was marked by co dependency , binge sessions , violent break ups and emotional make ups between the two. They were divorced within two years, but by this time Amy appeared in full decline . Ive chosen not to detail the sad gory details of her personal decline which were captured almost gleefully by a tabloid press. She died alone on 23rd July 2011 aged 27  , and the inquest reported blood alcohol levels as  .416 mg of alcohol per 100 ml of blood with readings of over 400 likely to lead to lead to a coma and death.

 

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Amy’s Legacy:

 

Ahead of her death there were hopes of her delivering a song for a new James Bond song ,and also rumours of a Ska album.Amy Winehouse was one of a long line of white  UK female singers who have embraced Soul music and  delivered it with passion, respect and integrity.She  belongs on that list along with Dusty , Lisa Stansfield , Joss Stone. There is no doubt Amy inspired countless singers to follow her , with Adele and Duffy among them.  Emile Sande, Sam Smith and Paloma Faith are among  many who have also cited her influence.You might not have wanted her for a neighbour , your daughters best friend or your sons new girlfriend, but in a music scene dominated by X Factor clones it was hard not to admire her raw energy.Amy sealed the bond that so many performers and artists in this country have with Soul music in all its forms. Its passion  gripped her and she felt it no less than any of us who have taken to the floors of an all niter.  RIP.

 

Cool Notes 

 

10th Anniversary Tributes

The fact that the BBC have scheduled over 10 hours  of  TV and Radio programmes this week is testimony to the extent of Amy’s talent, influence and popularity . Here are a few looming .

TV Programmes this week. 

Friday 23rd

BBC 2. 9.00 . Reclaiming Amy : A personal collection of family memories provided by her Mother and other family members.

BBC 2 10:00 Amy Winehouse : The Porchester Session. Set in London’s prestigious Porchester Hall,  2007 . Amy performs  classics from her debut album ‘Frank’,  and ‘Back To Black’.

BBC4 10:30 Amy Winehouse ; The day she came to Dingle. A documentary built around Amy’s acoustic  2006 performance filmed at a church in Dingle , County Derry .

BBC4 11:30 Classic Albums : Back to Black A  excellent  documentary examining the development of  the Back to Black album . It includes interviews with  members of the production team such as Mark Ronson and members of the Dap Tones, as well as Amy . It gets right to the heart of the chemistry between them .

 

 

Radio : BBC 6 Music Monday 19th July 

12:00am In Their Own Words.: Clips of Amy’s interviews with the BBC

1.00 am Amy Winehouse at the BBC : A selection of her BBC Sessions

2:00 am Amy Winehouse Live : Highlights of her BBC concerts.

3:00 am: Amy Winehouse Singer: Guy Garvey examines the roots of Amy’s music , including Jazz , Soul and Sixties Girl Groups.

4.00 am: The Amy Winehouse Playlist. Tracks celebrating Amy’s influences and insperations.

 

 

 

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16 minutes ago, Coolnotes said:

News/Article/Feature Highlight:

A Personal tribute to Amy Winehouse on the 10th anniversary of her death

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Looking forward to seeing this next Friday night 

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I am an old Soulie who appreciates Amy Winehouse.

Loved her tunes, lyrics & presentation 🎶

Thank you Amy,💙

Each to their own ✊🏾

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22 hours ago, Moutton Noir said:

I've never quite understood the adulation poured on Amy Winehouse. Her albums were very good but far from ground breaking. Back to Black was a  blatant rip off of the Motown song book, every track plagiarised Holland Dozier Holland & Ashford & Simpson classics.  Her aesthetic was a mash up of the Ronettes, Dusty and 80s new wave duo Strawberry Switchblade. Truth is Amy Winehouse was a 60s tribute act. Along with Mark Ronson Amy managed to  hoodwink a generation ignorant of the music she plundered and the middle class white rock journalists who were just as ignorant. Take time to listen- the lyrics of classic Supremes tracks and Marvin and Tammi's hits can almost be sung over Back to Black tracks. She was AWFUL live as any YouTube clips will confirm. Where would she have gone next? How long could she have continued plundering other artists back catalogues? She is the perfect example of cultural appropriation. Having said all this I still enjoy her recordings but I do prefer the originals...

Sadly the adulation, I think, stemmed party from her lifestyle, she was always in the paper, for the wrong reasons. That in its self is attractive to the media and turned her into a public figure.

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She had a great voice. RIP

Then the drama of a troubled life. Almost scripted to go wrong.

And as usual SOMEBODY is benefitting financially from her work.

Ed

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Not my taste really but fantastic voice and 60s tribute act behave.

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On 22/07/2021 at 20:49, Soulstrutter said:

We're all entitled to our own opinions but why kick someone when they're down or in this case dead?
She was a jazz singer at heart which is perhaps why many may not appreciate her. She wasn't black, American or underground and became popular far too quickly I guess for some 'soulies' to take her seriously and obviously her 'flaws' and dreadful 'intoxicated' live appearances in her later years didn't help.
Only two albums were released when she was alive but a posthumous album and many compilations have surfaced with songs only recorded live, so before you jump on the 'haters' bandwagon please at least listen to her complete catalogue and then come back and say she wasn't good!
For starters she performed two Donny Hathaway tracks live at Union Chapel in 2006.
How anyone who professes to love soul music can't appreciate these performances is beyond me!

 

 

So we should only post positive comments?  It's a forum, a place to give opinions.  It isn't about hating for the sake of hating, I just do not rate her, never have, never will.  

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Amy does nothing for me , much prefer Joss Stone myself if I am going for British stylists.

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I agree she was only 'soul' in the broadest sense of a definition but from my perspective as someone in their seventh decade who bought his first 45 in 1967 she'd be up there with Dusty  and Heather Small as one of the greatest British women singers. (a thread anyone?) I also agree with Shinehead that Joss Stone is outstanding as well.

Her tragic backstory provides a sad, poignant life story but IMO 'Back To Black' is one of the great British albums. As for the criticism, if it was a criticism, that she is a 60s tribute act - surely there isn't a singer anywhere who doesn't display their influences. 

 

Edited by Dukeburgundy
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I'm not sure if she just ripped off Sharon Jones and took her band the dap kings but the true  innovators always go unheralded.

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An excellent point Fiftyboiledeggs. I often wonder what Sharon Jones made of the whole affair. Cultural appropriation 1.0.1. What I find telling is that during the initial release and hype around Back To Black the influences were deliberately obscured/underplayed. No mention of Ashford & Simpson, Holland Dozier Holland or the Supremes from whose back catalogue was shamelessly plundered. We got oblique references to "60s girl groups" and The Ronettes. I honestly believe Amy found herself stuck in a 60s straight jacket from which she would've struggled to shake off.

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