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  1. It's been a while... A return of our competitions, with a chance to win a brand new (still sealed) copy of this fine just released lp... This Is Northern Soul - Various Artists - BGPD 1120 Description 'The recordings featured on this release are tried and tested, often in the hot forge of the scene's earliest day, when new discoveries were coming thick and fast, and only the strong survived. These did. So we have 14 tracks which filled floors in Wigan, Blackpool, Cleethorpes, London's 100 Club and many other legendary venues. From West Coast Mirwood and Kent/ Modern label classics by Jackie Lee, Bobby Garrett, Mary Love and Danny Monday, to the big City Chicago soul of Darrow Fletcher via the super rare recordings by Rita & The Tiaras and Little Ann, which are now accepted standards of the scene. To enter, all you need to do is simply 'up' this article ( look down and right), then come next Monday morning, all those members who are listed as 'upping this article' will be entered into a draw and a lucky lucky winner will be drawn out. Vinyl for nothing... Side 1 01 My Little Girl - Bobby Garrett 02 Baby, Without You - Danny Monday 03 Lighten Up Baby - Ty Karim 04 You Hit Me (Right Where It Hurt Me) - Alice Clark 05 Cigarette Ashes - Jimmy Conwell 06 (Just A Little) Faith And Understanding - The Magicians 07 I Can Feel Your Love - Felice Taylor Side 2 01 Gone With The Wind Is My Love - Rita & The Tiaras 02 You Turned My Bitter Into Sweet - Mary Love 03 Would You Believe - Jackie Lee 04 Try My Love - Toni & The Showmen 05 The Same Old Thing - The Olympics 06 What Good Am I Without You - Darrow Fletcher 07 What Should I Do - Little Ann Can view full info and purchase details via https://acerecords.co.uk/this-is-northern-soul
  2. I am just learning about Northern Soul. It is so cool that people are still listening to one of his songs. "Just Another Heartbreak" is one of my favorites that he recorded because of that cracking vocal that was mentioned. Man, he could SING! Dad had several bands over the years. He played many gigs around the US, especially in Nashville, Tennessee. He played the Jolly Roger and Captain's Table in the 1960s when Printer's Alley was a hot spot. (There are fewer clubs there now, but it is still fun to visit). He also did some sessions in Nashville and was a songwriter. I grew up traveling with him, our family, and his band members. He was called Little Richie because he was actually very short! In June 1980, he was coming home from performing at The Water Hole in Nashville and was hit by a drunk driver. He would have been 40 that year. All these years later, and I can still hear his voice. I am gathering memorabilia, music, photos, etc. for a Facebook remembrance page for him. That is how I found this site. It means a lot to me to know people have listened to and danced to this song. As a Nashville native, I have to say, "THANKS, Y'ALL!" :-)
  3. Hi! I am Little Richie's daughter. I was so happy to see this discussion about him.
  4. 13 points
    Just heard the sad news that Brian has passed away, Lovely guy, Great DJ and a lover and pioneer of Soul Music , certainly knew a good tune, first spoke to Brian way back in 1967-68 I was working on the waltzers in Stockton heath warrington and we had Going to an Happening playing Tommy NeiL. And that’s what started the conversation , He will be sadly missed but never ever Forgotten A true Legend of the Northern Soul scene. R I P Brian God bless ML

    until

    This review is a little bit different, in that It’s an attempt to capture the essence of the 3-day Soul festival. I do confess It’s my favourite weekend of the year. To me, those who criticise it, either have never been or have given up on life. Tucked away in the Winter Gardens is the Old Vic, probably my go to place. A smaller and more intimate venue than the norm, it has the look of a traditional English pub, with a bar running the full length of the dancefloor, where the ambience and lighting is just about perfect. Open for the whole event, it has also become the de facto meeting point. Entering The Old Vic late Friday afternoon to DJ Jem Booth playing the seductive tones of Cheryl Berdell ‘Giving it All to You’. The DJs then gave us a masterclass spinning a brilliant mix of crossover soul, 70’s classics and modern floor fillers. Glyn Thornhill spinning Jalen Ngonda ‘Come Round and Love me’, George Benson’s masterpiece ‘My Woman’s Good to Me’. And crossover gem by the Paramount Four ‘Sorry Ain't the Word’. Roman gave us the sublime, The Bitter and The Sweet ‘I won’t Have any Babies for You’. And Bill Harris’ 70’s classic ‘Am I Cold am I Hot’. It's only 9pm, the Old Vic is packed, the dancefloor is bouncing, with smiling and glistening faces. Keith Money played the stylish Papa Bear and His Cubs, then crossover perfection with Robert Tanner ‘Sweet Memories’. Eddie Piller played Terry Callier’s up-tempo modern gem, ‘I Don’t Want to See Myself’. The raw emotional vocals of Belita Woods’ ‘My Magic Corner’. And the heartfelt duet of George and McCrae ‘Winners or Losers Together’. Steve Plumb’s excellent set included the upbeat album track with the Latin and calypso vibe, Ronnie Butler & the Ramblers ‘Peace without love’. Then local boy M.T. Jones’ I’d be Lying’. Flanny ensured there was no let up on the dance floor, the majestic Dells ‘Your Song’ and the modern anthem, Maze, ‘Joy and Pain’. The Old Vic continued to give us brilliant music all weekend, culminating on Sunday with a party atmosphere playing mainly modern soul classics. The Spanish Hall with its vaulted ceiling, Spanish vistas adorning the walls and a large, polished dance floor is an ideal backdrop for the late night Northern and rare soul sessions. The venue was full on Friday and Saturday evenings, giving off a real high energy Nighter atmosphere. Here we got to hear the peerless Butch playing the stunning ‘Old Time Lover’. And 100 Club magic, Curtis Wiggins ‘Kiss me Goodbye’. Mick Taylor spinning some rare classics, including Eddie Parker’s Magnus Opus ‘I’m Gone’ And Don Gardner’s illusive ‘Cheatin Kind’. Not forgetting the mid tempo track that seamlessly combines an understated 'on the fours' beat with harmonious vocals, Johnny Rogers ‘Make a Change’. The Olympia, normally an exhibition hall. On Saturday, this large bright open space made way for Blackpool Mecca reunion session. Mine hosts Colin Curtis and Pete Haigh. The sound system was nothing short of incredible, every crystal-clear pulse and beat magnified, seemingly turning every track into a dancefloor essential. Including dancing to Tavares, fortunately the missus wasn’t there to witness it. More of a revival than a reunion, show casing irresistible rhythms and unmistakable soul magic. Street People ‘Never Get Enough of Your Love’, Marvin Holmes ‘You Better Keep Her’. The sound of Philadelphia, Teddy Pendergrass ‘You Can’t Hide from Yourself’. MFSB ‘let’s clean up the Guetto’, The Ojays ‘I Love Music’ And the dance anthem that is Harold Melvin & The Blue Notes ‘The Love I Lost . Patti Austin was the main live act this year, supported by Snake Davies and The Suspicions. Her vocal range and quality were incredible, as were the musicians and backing singers. She sang most of the tunes she’s known for, and the tracks I personally treasure. The nostalgic ‘Take Away the Pain Stain’ and He’s Good Enough for Me’. Concluding a memorable performance with her masterful version of ‘You Didn’t Say a Word’. Sunday gave us the Manchester Ritz reunion, a Jazz funk and disco celebration. Held in the Pavilion, a marquee styled venue, with a mid to large size dancefloor. DJs, Neil Rushton, Mark Grice and Chris Box. Lovers of this style of music attended in numbers and were ready to party. A real favourite, George Benson ‘On Broadway’ heard for the first time in decades at the Ritz reunion at the New Century Hall, a few months back. Joe Chapel’s Latin groove, ‘Never Gonna Let You Go’. The dancefloor magnet that is Jackson Sisters ‘I Believe in Miracles’. Jean Carn’s disco classic ‘Was That All It Was’. The inimitable David Ruffin ‘Walk Away from Love’. And the delightful tones of Phyliss Hyman ‘You Know How to love Me’. The session signed off with Eddie Holman’s exhilarating ‘This will Be a Night to Remember’. As has become tradition for us, spending the last two hours of the final night in the enormous and Impressive Empress ballroom. Here Kev Roberts and Richard Searling can be found delving into their crates of Northern Soul classics playing to a packed dancefloor. Eddie Foster, Dana Valery, Moses Smith, Roy Hamilton. Popular crossover tracks including Clarence Carter, The Voices of East Harlem and Phyliss Hyman. A great night and fabulous weekend ended to The Queen of Soul’s ‘Say a Little Prayer’. I’m all souled out, if I hear another four beats to the bar, jazzy chord or dance another step I will need to go into deep sleep. Here’s until next time.
  5. Interesting article in the Detroit Metro Times The search for a lost Detroit soul singer whose music still lives on overseas Detroit Metro TimesThe search for a lost Detroit soul singer whose music sti...A woman known as September Jones has mesmerized Northern Soul fans in the U.K. for decades with her raw, haunting voice. Fans have been trying to track her down for years.
  6. fyi *1st Click On The Attached .png To Enlarge! *Click Once More *It Will Start In A New Tab *Click Again To Enlarge --- --- --- --- --- *To Download - Right Click On The .png - Save Image As
  7. Has to be The Tempests ... Is there a bad track on the whole LP nope but you know it's these two 😊 Then there's this beauty .... Betty Everett
  8. With the recent 'show' part one with Kev, I was looking through some old correspondence and came across this letter from Simon to Fred Kapelan in Brooklyn. To give background, Simon is using the home address of Chris Tipping who financed his first trip to New York. Chris' father owned a major engineering company, Tipco Tools on Gelderd Road, Leeds. Chris owned a 'dino' car, not sure if it was a Ferrari or Fiat version ( it was white so probably a Fiat) registration number LOV 750. Strange how I can remember this stuff from 50+ years ago but can't remember what I had for breakfast! I may have previously mentioned that I was at Chris' apartment when Simon returned home with his brown leather suitcase full of 45s. I managed to snag a good few before his first ever sales list was produced. As they say, the rest his history. Happy days PS. My name is NOT Cohen-Bentley and I'm not Jewish but I am a Yorkshireman😁
  9. Still more than enough old records to go at
  10. tainted love ?Could of been anything when i was 14 in 1974 i just wanted every northern record i could get my hands on .it took me a couple of years to get educated .I still have a box of boots that i just cannot part with .They are part of my personal history .Part of growing up .Who would have thought that soul music would be such a journey
  11. 7 points
    IJust heard this desperately sad news Brian Rae You were the GREATEST northern soul DJ I ve ever had the pleasure to dance to .. Wigan Casino.hinckley .. Leicester Oddfellows.. Morecambe and the like NO ONE COULD FILL a DANCEFLOOR like you and never will So sad to hear of your passing Rip lovely man and a legend and guiding light to all those would be DJs like myself You will be sorely missed by many Further more I's 1984 it's 515am or thereabouts it's Leicester Oddfellows 2nd anniversary allniter 1984 the the dancefloor is already packed Brian Rae the dj puts on billy Butler right track and yes we're all on the dancefloor packed like sardines clapping to.the beat creating an atmosphere like no other Brian Rae - master of his craft - filing northern soul DANCEFLOOR s like no other Rip brian - you did us all proud on the northern soul scene God bless you well never forget you at nuneaton and especially the nuneaton coop allniter Respect to soulie in a million :( Mark Freeman
  12. 7 points
    RIP Brian - thanks for the memories

    Review: The 100 Club Nighter – 31st May From the moment you enter 100 Oxford St and descend the stairs you’re engulfed by the venue’s unmistakable aura: red spotlights cutting through the darkness, while glowing red exit signs cast a moody, cinematic glow. Framed photos of pioneering artists who have graced this venue adorn the walls, peering down favourably on a vibrant dancefloor, with a younger crowd breathing new energy into an exceptional mix of rare soul grooves. First up was Butch, one great sounding tune after another and I confess all new to me. And if Shazam could show tumbleweed blowing across the screen it would. I can recall a different version of Bill Brandons, ‘Whatever I Am’ and a thumping cover version of lee Roye’s ‘Tears’. A great opening set. Tomas Mcgrath put us back on familiar territory, kicking off with the hypnotic tones of Sam Fletcher, Otis Brown ‘Southside Chicago’ and guaranteed to bring any dance floor to life: Jesse Davis ‘Hang on in There Girl’. Then mixing things up nicely with the funky sound of Sir Henry Ivy ‘He Left You Standing There.’ First guest DJ Nathan Pickard picked up where Tomas left off with some 70’s magic, Mike Jemison ‘I Want Satisfaction’, the vibrant sound of Bobby Foster ‘If You really Need a Friend,’ and from the same stable the timeless Ann Sexton ‘You’ve Been Gone Too Long’. Not forgetting the captivating sound of Terry Winter ‘Shadow Dark and Blue. Next Guest, Portugal’s finest Joao Tenreiro with tracks to light up any dancefloor, Judy Freeman, Delegates of Soul, The Pages and a song I last heard a lifetime ago ‘You’ve Got Me Hung Up’ by King Tutt. The main man, Ady Croasdell gave us Kent release’s Melvin Hicks ‘The Intruder,’ The Soul Interiors ‘The Inside Guys’ and Carlolyn Crawford ‘Get up and Move’, how good are these? Completing his first set with a dance floor favourite from The Paramount four. 2:15am, only halfway, a packed dancefloor and the ‘Nighter’ vibe is palpable. Butch kicked off his second set with the classic Epitome of Sound. The superb sound system delivering each string and every snare with clarity and punch. The smooth and upbeat ‘I Feel a Song’ by The Brothers Gilmore. A cover of The Supremes ‘Back in My Arms Again’ which was quite frankly epic. Butch’s The Mighty Lovers turned the dancefloor into standing room only. And the melodic sound of Curtis Wiggins ‘Kiss Me Goodbye’. Tomas started with the Notations then the majestic T.S.U Toronados ‘A Thousand Wonders’. The Jazzy Ray Williams & The Majortones ‘Girl (You’re so Sweet)’, concluding with the sweet harmonies of The Reality Band and Show ‘Gangsterboy’. Nathan’s final set gave us the fast funky vibes of Mystic Pleasure ‘Back Door’ and included the Four Tracks ‘Charade’, blue eyed soul at it is best in Bobby Samson ‘Don’t leave’ and the expressive vocals of Andy Aaron ‘You’re the Only One’. Joao started with soulful crossover Ronnie West ‘Lil’ Woman’ before giving us some upbeat Jazz Funk, Halo ‘Let Me Do it,’ New World ‘We’re Gonna Make it’ and the feel-good Jackson Sisters ‘I Believe in Miracles.’ It was left to our host Ady for the finale. First up the Constellations then Little Ann, The San Franciscan TKOs, and Chuck Jackson. Before he brought a fabulous night to a close at 6:00am with his signature tracks. Carla Thomas and The Four Tops ‘Baby I Need Your Loving’
  13. was up in the west highlands of Scotland earlier in May, when the whole of the UK was basking in the warm sun. Just a few photo's from Scourie The view from our pitch at Scourie Beach The "Ferry" that dropped us off on Handa Island, a seabird sanctuary Watching the sun go down from our pitch Reflections on Loch A' Bhadaidh Daraich
  14. That was around end of summer, 1963. I'm sure there would be lots of songs we'd call "Soul Music" released long before then. I think lots of Five Royales' recordings on Apollo Records from even 1949-53 would be considered "Soul", but also R&B; and there were hundreds of others. So, for me, there was a 5-8 year overlap of those 2 genres. So there can't possibly be a "first" "Soul" record. There were hundreds of transitional records, moving from one genre to the other.
  15. I don't think any of us here in the UK knew when we went to see our favourite bands perform live on stage back in the 60s just how badly they were treated in the States - to us they were our heroes! I remember chatting to a few (Jimmy Cliff, Oscar Tony Jr, J.J. Jackson, Jimmy Ruffin are a few that come to mind) before they went on stage at The Wheel - they didn't have the same "big" attitude that some of the UK stars had - it was just like chatting to one of your mates. I felt so lucky & honoured to meet them, but none ever mentioned their life " back home". It was much later when I saw news reports that I began to realise just how bad life was for them in the USA.
  16. 6 points
    Back in the mid 70ts when all we had was Black Echoes - I would flip to the NS 🤔 think it was melting pot and view where the DJs were playing Brian Rae was my go to DJ - played oldies put 100% into his DJ ing and would take time to talk to a kid speeding my nuts off, asking stupid questions - When the Casino shut in 81, we opened the Peterborough Soul Club in 82 - Brian was a dj who without question would help us out - it’s been great knowing you Sir - RIP mate

    Last night’s two room event was nothing short of superb. A masterclass in curating timeless grooves for true connoisseurs. Each room offering a complementary yet distinctive vibe. The night unfolded like a beacon for soul music in all its rich diversity. BazM took the first set in the main room with the classy sound of Tommy Turner’s ‘Lazy’. The flip to September Jone’s anthem ‘No More Love’, then the girlie sound with the heavy dance beat: The Mar-Js ‘Got to Find a Way’. Dance floor favourites: The Spiedels and Silky Hargreaves. Including The Webs ‘Don’t Ever Hurt Me’, always like the stylized New York emphasis on the word ‘Hurt’. Completing a super set with the Ethereal sound of the Dream Merchants. Bob Taylor Kicked off with the classic sound of the Silhouettes, then the harmonious sound of Betty Lloyd, Lonnie Lester and the dance-floor magnet that is September Jone’s haunting number ‘I’m Coming Home’. Soul Sam was spinning to a full dance floor in the modern room. A cover of ‘Man Up in The Sky’, not Barret Strong nor Johnny Bristol. Then the Countertenor tones of Fluorescent Smog ‘All of My Life’. Followed by Chicago funk: Paradise ‘Nombiss’ very reminiscent of Earth Wind and Fire. Sam’s selection also included the sublime rarity, Tab Walton ‘I Love You’. Mick Howard in the main room was playing the brilliant The Soul Blenders ‘Love is Built on a Strong Foundation’. And included the classic sounds of George kirby and Terry Callier. The exhilarating tempo of The Accents ‘Who You Gonna Love’ and the evergreen Delegates of Soul. Master of modern room Steve Plumb was playing some Philly magic, The Ojays ‘Start Stoppin’. The soulful ‘Try Me’ by Wee. Uplifting dancers: Keni Burke ‘Let Somebody Love you’ and the rhythmic high-octane sound of Billy Bryd ‘Lost In a Crowd’. In the main room Mick H started his set with some classic oldies, Dean Courteny, The admirations and Kenny Gamble. The late lamented Pat Lewis ‘No one to love’ followed by crossover A listers Bob& Fred and the Imperial C’s. Not forgetting the nostalgic and breathtaking sound of The De-Lites. Concluding a terrific, varied set with the sorrowful cadence of Guitar Ray. Soul Sam took the last spot in the main room. Some sublime rare grooves: Will Dale and Patrinell Staten. A series of classic oldies, including Yvonne Vernee, John Bowie and Herb Ward before slowing things down with Jimmy Bo Horne. Finally bringing the night to a close with the familiar sound of John & The Wierdest. For Soul fans and aficionados, a fabulous night from start to finish. The kind of night that reminds you why you fell love with this music in the first place.
  17. Another great male vocal group LP .. And there's some fabulous tracks on this lp The Hesitations
  18. Bobby Hutton - Lend a hand Clyde Mcphatter - Please give me one more chance
  19. Reggie’s ‘Lost’ Soul Soul Junction's latest release features two previously unissued late 60’s Chicago Soul finds from the Scott Brothers Capri Productions vaults: Press Release: Reggie Soul “So Many Miles Away/Groovy Thang” SJ560 Release Date: Monday 9th June 2025 Chicago recording artist Reggie Soul (real name Reginald Stone) recording career consisted of three 45singles spread over 3 separate labels. Firstly, the funk outing “I Got Jody” backed with the soulful “I Feel So Bad” for the Red Balloon label. “I Feel So Bad” was a Lee Sain composition which Lee himself recorded under the title of “Baby Don’t Leave Me” for the Broach label. Reggie’s “I Got Jody” also came out a second time on Nation Time Records as the flipside to “Soul Walkin’” a cover version of the James Brown song but mis-credited as the performing artist Reggie Smith? Reggie’s third release “My World of Ecstasy/Mighty Good Loving” was released on the Scott Brothers owned Capri Records label in 1968. The fledgling Capri Records Company having been set up in premises at 409, East 47TH Street in Chicago’s Southside, used the front of the building as a record store with the rehearsal studios situated at the rear, the final recording sessions took place initially at some of the smaller independent studios across the city before using the major Columbia and RCA Recording Studios as Capri Productions grew. Reggie co-wrote both sides of his Capri 45 with Charles and Walter Scott respectively. The arrangements were provided by John Jackson and Bill McFarland who alongside Claude Williams provided the horn section to many of the Scott’s future productions. The Scott Brothers were also the house band at one of the Southside’s most popular night clubs ‘The Bonanza Lounge on 7641, South Halsted. Besides performing, they used the club to scout for potential artists for their label and it is believed that’s where their business relationship with Reggie Soul initially began. Surviving witness accounts always cite Reggie as a solo performer which begs the question who are the credited ‘The Soul Swingers’ on the Capri 45? Well, it transpires that this was a pseudonym used by the Scott Brothers present on the recording, Charles (Chuck) drums, Tommy (bass guitar) and Walter (Rhythm guitar). At the beginning of Soul Junction’s working relationship with Scot-Tees a further Reggie Soul unissued session was mentioned and sure enough two tape boxes arrived one containing “My World Of Ecstasy/Mighty Good Loving”, great, but disappointingly the second named tape had been reused as a rehearsal tape of several recognizable riffs of later Scott-Tees productions, doh! Then months later lady luck intervened, a box containing two unmarked acetates held together with a nut and bolt was found. After considerable investigation, it transpires that they are the missing Reggie Soul tracks which we now present to you. Both songs are A.C Carson compositions, The A-side “So Many Miles Away” is a wonderful crossover song that shares some lyrical similarities to fellow Capri stablemate Judson Moore’s released Chicago Music Bag 45 “Lisa” while the flipside of our release features Reggie’s interpretation of Judson’s “Groovy Thang”. So, at long last Soul Junction are able to present to the lost Reggie Soul sessions that several veteran soul scribes who known their onions have likened to another great Chicago recording artist, the mighty, Tyrone Davis. For further information e-mail: sales@souljunctionrecords.co.uk or visit the website at Soul Junction Records
  20. Has to be the top of the pile ...
  21. Just seen this in The Guardian. Interesting interview with Irma Thomas that also talks about her new album recorded with New Orleans musicians, Galactic. Great dress she's wearing in the photo of her on stage with The Stones! https://www.theguardian.com/music/2025/may/26/irma-thomas-galactic-soul-queen-new-orleans
  22. fyi *1st Click On The Attached .png To Enlarge! *Click Once More *It Will Start In A New Tab *Click Again To Enlarge --- --- --- --- --- *To Download - Right Click On The .png - Save Image As ===================================================== site note - this is a new editor to view the image in full size do the following right click the image above chose open link in new window /tab then click the resulting image in the tab/window to zoom
  23. 5 points
    To say that I'm saddened by Brian's death us an understatement, he has been my friend, mentor and confidant for over 50 years. I first met Brian as a 16 year old at The Carlton Club in Warrington, along with another legend of our scene,Dave Langley, they both had time for a young obsessive soul fan and we became great friends from then on,he and his wife,Madelaine, were always happy to give me a lift here there and everywhere,St Ives was a regular trip as was Wirrina Stadium,along with many other places he was dj'ing at. We spent time at each other's houses,as I became a real grown up and he taught me so much about our music and regailed me with wonderful tales from his ever so colourful life... a legend is an oft used word these days,but in Brian's case it is the most fitting title for a man who had so much knowledge and so much time for everyone, rest in peace my great friend, your suffering is over, til we meet again,as you always said to me,' good night and God bless ', Cog.
  24. Although not a traditional "Soul" group - This track has the "Northern Soul" factor
  25. There’s plenty more to come. He spoke for 1hr 45 mins. The editor is busy working on part 2.
  26. Garage, didn't the term come from where they generally practised as they had no access to proper facilities, namely the Garage. Just guitar bands from my understanding.
  27. Barbara Lynn - Jetsream - 1001 Oliver Joy - Big Deal - 1005 The Webs - Popside - 250 Derek Martin - Acetate - DNMRB* Carl Spencer - Rust - 355 Sammy Campbell - Queen City - 550 Roy Roberts Experience - House Of The Fox - 630 Larry Wright - A-Go-Go - 2001 Lucille Mathis - Abet - 488 Larry Santos - Evolution - 600 L. J. Mitchell - Insight - 300 Bobby Bennett - V-Tone - 880 * Did Not Meet Required Bid
  28. AI is the beginning of the end of life as we've known it, I posted on Facebook earlier about an unrelated topic - to be brutally honest I'm glad I'm nearer the end than the beginning
  29. There were 'garage' scenes in the 60s and 70s way before the name was nicked for the 90's genre.
  30. From Freddie Hughes - Send My Baby Back LP on Wand ….
  31. And LP only The Ripple Blast Singers LP ‘Funny Girl a la Soul’ which includes ‘Sadie Sadie’. You have to be very careful when buying a copy tho’ as there are two versions of Sadie - a slow version and a fast version. Both releases have exactly same cover and label - one character difference on the run out grooves is the only way to visually tell!! THIS IS THE FAST VERSION
  32. Pretty sure this was LP only when first released 1972, cracking tune from a great album
  33. This track would have gone down well back in my youth, not too sure if it's ever been played out though LP only as far as I'm aware ....
  34. How can we forget this !!! Cheap as chips LP with a big sound 🎵 🎶... And what a wonderful tune it is ... The Isley Brothers
  35. Taking it to the Motown sound ... What a brilliant LP this is .... The Monitors Crying in the night and then there's this ... Absolutely fabulous
  36. Here's the other track on the Exciters album . . . Movin'Too Slow
  37. And a close second ... ❤️
  38. Cool sand art, San Sebastián Outside entrance to Guggenheim Museum, Bilbao
  39. Hi Lori, it's great you came our way...here's a few 'gig ad's of your Dad. Guess you probably get better access to these, but thought i'd post anyway. one is from 1965 the other 1968.
  40. The Outsiders- lonely man
  41. A current favourite is this beauty.

    until

    So, where to start? Well arriving at the venue with just 8 minutes to spare before my first ever set at my first ever STOCKHOLM SOUL WEEKENDER might seem a good place 😉 No time for hello’s, straight in and straight on, with the first of many Swedish lagers in hand, off I went… A few records in and the sight of some familiar faces and a welcoming atmosphere even at 5pm made it easy to quickly settle in and drop a few sounds from the crates! So here goes.... Friday 5pm till 6pm I’m So Glad The Exits What Am I to Do The Passions It Won’t Hurt The Gentlemen Four Why Can’t It Be The Compacts That Man of Mine The Trippletts Let Me Love You Soul For Sale Show Me The Genuineness Blend Sweet Temptation Sunday Jordan The One Who’s Hurting is You Sunny and the Sunliners Are You Going To Miss Me Bernard Dupree It’s All Over Pearl Dowell Sweet Smell of Your Perfume Maurice McKinnies Bring It Back Johnny Noble Baby I Love You Jimmie Ellis Your Love Has Got Me Johnny Dollar Like Clouds The Districts Carry Me Back Dallas Pearce Find Myself Another Girl The Sonics Change in My Life 2001 Black Essence Someday Baby The Earles Little Girl Blue Webs Don’t Count on Tomorrow The Bootleggers I Really Hope You Do The Sophisticates Saturday 12Midnite to 1am the place was buzzing with a 'WELL UP FOR IT’ Crowd! Detroit Executives Cool Off Joe Matthews Ain’t Nothing You Can Do Bobby Valentin Use It Before You Lose It Heyes Cotton Black Wings Have My Angel Johnny Sayles Tell Me Where I Stand Eddie Bo Our Love Will Never Falter Della Reese Who is He and What is He to You Ann Sexton I Still Love You Angela Davis My Love is So Strong Santiago Feeling Good Jackson Sisters I Believe in Miracles James Brown There Was a Time Willie and the Mighty Magnificents Funky 8 Corners Pt2 Pervis Lee You Don’t Care Solomon Burke Save It Thelonious Beats Not So Easy The Spidels Dream Girl Ray Terrace Listen To Me Les McCann Sweet Little Girl Karmello Brooks Tell Me Baby Willie Tee Walking Up a One Way Street I just wanted to take this opportunity to thank Carl and Jens for the invite to play at such a superb event, to hear new tunes from the excellent group of DJ’s, meet new friends and spend quality time with fellow ‘soulies’ with a special mention to my travelling mukka Richard Free …Thanks and love to all
  42. Luther Ingram - Hurdy-Gurdy - DNMRB Towana & The Total Destruction - Romark - 261 Charlene & The Soul Serenaders - Volt - 1300 The Four Sights - Shy-Soul - 1100 Syl Johnson - Special Agent - 350 Margie Joseph - Volt - 165 Judy Stokes - Soul Power - 820 Clarence Reid - Wand - 460 Talmadge Armstrong And The Escotts - Spindletop - 1200 Eddie Whitehead - Black Jack - 1850 Barbara Hall - Tuska - 750 Delrays Encorporated - Tampete - 780 Lewis Clark & The Explorers - Tigertown - 300 Kitty Lane - Ru-Jac - 415 Arthur Freeman - Jumbo - 360 Maurice Williams - Deesu - 450
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