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Karl. I must be a exception to the everyone knew who was playing what bit. It's a side of the scene that I have never ever been bothered about , if I liked the record that was the start of the attrac
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Has I’ve stated in other topics when asked what records I’ve ever discovered my answer has been that you would have to be vain and narcissistic to claim that you did, It’s a fact that someone could po
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Back in 2004/5 when Paul was breaking this, you knew who was playing what. There wasn’t that many nighters we didn’t all attend, nor soul nights. Lifeline had just started the year or so prior and t
Im not on here much anymore (phew I hear some say).😉
But, I just saw this and it inspired me to set the record straight (no pun intended.)
https://onelp.com/one-45--northern-soul/SEAN-CHAPMAN_wb_-WILLIAM-ELLIS-copy/
Now, I really like and respect Sean, he's a top bloke. But this is all so inaccurate.
It was myself and Mik Parry who owned the first two copies of this rarity in the UK and were breaking/playing it at many venues from 2004/5 onwards. It was a Soul or Nothing and DDA standard and played out a lot by myself at many venues, including at bigger nighters like Middleton, Rugby, Lifeline etc. I sold mine to Flanny many years ago.
Got mine for £300 as I remember.
This type of historical appropriation happens a lot on the soul scene and also happened with John Harris & the Soul Sayers which I was playing out a lot around the same time (also a DDA staple) and when there was only me doing that in the UK (I had gone all the way to OZ to trade a copy for Bernetia Miller).
Have top 2020!