Jump to content

Northern Soul - Exclusive Teaser First Look and Interview

Northern Soul - Exclusive Teaser First Look and Interview magazine cover

Last month Soul Source had a look at the mainstream media coverage of the upcoming film titled "Northern Soul".

As you may remember, in amongst the words we gave you a look forward to an exclusive interview with the award winning director Elaine Constantine.

Well come October and ! am happy to pass on to you that not only do we have the interview below, but we also have an exclusive first look at a video teaser of this film, that should give you a idea of just what the film is all about...

Northern Soul - The Film Teaser

Site Note - Please be aware that the original film 'teaser video' where a tv personality was head butted by omr of the leading characters is no longer available

 

An Interview with Elaine Constantine, director of forthcoming film Northern Soul

ec-500.jpg

 

Intro

The previous article published here on Soul Source last month here covered the recent mainstream media take of Elaine and her current endeavour ( if you haven't read this yet, then it may be worth a visit via the links below before delving into the below) 

 

"Award-winning director Elaine Constantine will begin shooting her first feature-length film Northern Soul in January 2012 under Stubborn Heart Productions and in association with Baby Cow Films"

Elaine, thanks for agreeing to do this. Most of the links in the article above contains details and highlights of your career and also your "northern soul" background.

I would guess that many now know of your previous work both via photography and short films, with obviously the video of Moloko - Familar Feeling springing to mind.

Your background and involvement with northern soul is documented as well, so how about jumping straight in with a to the bone question..

 

Q The title of the film "Northern Soul" is direct and takes no prisoners, can you state in a similar sort of manner just why you are making this film?

Most things that have represented Northern Soul in the media, whether documentary or fiction, have been an embarrassment for us. I want to try and get people to understand how brilliant the music is and how amazing it was to be part of that world.

Also, I really like northern soul music and all my friends have been or still are on the scene. I'm fortunate enough to make it my day job creating something about what I love.

I'm not going to change the title now, but I think it would have been really funny to call the film 'Mellow Souls', especially since I have never met anyone on the NS scene I could describe in any way as mellow.

 

Q Soulboy: I could say loads, but tongue biting has become one of my firm vices nowadays. I doubt if it would be really fair to either those involved or yourself to ask you any specific questions on the uk film industries recent treatment of northern soul

So will just ask how yours will differ?

It is a different genre of film to Soul Boy. From what I can tell, the makers decided at some point to market and produce Soul Boy as a comedy drama with a romantic theme. I think that was a bad decision, as it seemed to trivialize the very essence of what draws people to northern soul.

I hope that my film will feel more real in that it will have moments of tragedy and it will highlight, in a deeper way, the passion that people felt towards the music.

 

Q. The storyline from what I can gather is quite a different approach compared to previous treatments .Two northern lads trying or dreaming of to getting to the usa in their pursuit of major dj status' Take it this storyline is going to be the main thrust of the film, could you expand any more or do we have to wait to see ?

I don't want to give too much away, only to say that the quest for vinyl is ultimate in the story, and I think in a way that is the truth of the northern scene itself, it won't die as long as that quest survives through the next generation.

 

Q. There have been a few comments on aspects such as "warts and all", "documentary or story" What would you say in reply to those points ?

Well it's certainly not a documentary but I do intend the story to feel like it could be a fly on the wall in some ways. I don't want to sugar it up to make it appeal to young kids, or the faint hearted.

I sent the script to three script readers a couple of years ago in order to get advice on whether it was a good story. Two of them came back with glowing reports, the third came back with the statement' "I am too middle class and prudish to make any comment on this project." So I suppose 'warts and all ' is a good way of describing it.

 

Q. I always feel that everyone has their own individual "view" on what the term "northern soul" actually means which to me is one of the beauties of it all. How are you dealing with this aspect?

There are six main characters that take us through the journey of the story and they all represent for me, some of the best people I've met over the years who make the scene so wonderful. I suppose you might say that each one of those characters see the world of northern soul in a different way; and that impacts on how they understand it and the choices they make.

 

Q On the actual period setting of the film, I'd say soulboy got it wrong going for a certain time frame, as it seems that you are losing one of the advantages of telling a fictional story, as in a certain amount of flexibility. Are you going for a date perfect real world setting eg the summer of 197x at a certain venue or something different ?

Yes and no. There will be one or two of the bigger clubs in there but

It's not all about Wigan, or Blackpool, or any historical promoter or about what actually happened in the year 197x It's going represent a two or three year period and feature lot's of clubs scattered all over the North and Midlands.

 

Q. I imagine sorting out a soundtrack would be a most enjoyable task, matching the emotions and such on the display with the emotions and feelings from the music.

However could see that maybe after countless weeks of trying to secure licensing deals it may not be quite as enjoyable as it first sounds

How are things going on this front?

This was a very exciting thing to do, to match scenes with tracks. I remember when I had trouble concentrating, trying to get down and write, I would put on something like Lester Tipton's 'This Won't Change' and bang, I was in the world, chomping at the keyboard, so to speak. I had Butch collaborating with me at this stage. He would read the various drafts of the script and say, 'have you thought about such a track for that scene?' I had a big list of what I thought should be used but he always came up with great ideas that I never thought of.

Now things are starting to get complicated however as we start to nail down the rights to the wish list. I've been pursuing Gene Chandler's 'There Was a Time' for over six months only to find that it's not possible to use it. Long story but that has been pretty disappointing, and I'm sure there's more issues like that around the corner. The thing with this film is that we need to secure most of these tracks before we shoot as the characters talk about them, they sing along to them and a lot of the key scenes turn on new vinyl discoveries.

 

Q. From what have read and seen the "dance club" aspect has worked really well. Is it still going strong and can you see this developing as a stand alone affair?

To give you a bit of background info on the group, it's set up for 16-25 year olds who want to dance in the film. It takes the shape of a soul do, as in, we don't really teach - the people who have been coming a while get on the floor and the new ones when they feel confident. Some of the kids who come along are already in to it and can dance really well. You could say that that makes up about 30 percent of them and the other 70 percent had never heard of it.

I'm not encouraging over 25's to come along and learn, as I don't want to feature anyone in the film who's too old, as it would feel like a cop-out given the film is set in the 70's.

Having said that I will be doing a call out to the general scene, when timings and locations get nailed down, to anyone who doesn't mind being purely a background dancer.

I'd like the dance club to carry on as stand-alone affair, but I'm not certain that all those kids would still come together if it wasn't for the fact they are not in the minority.

If it was just a thing in itself and I opened it up to any age beyond 25, which I would have to do if it's not about the film anymore, the balance would not be the same and it would probably become, for those younger people, something that a lot of other soul venues already offer.

We have put on a couple of big events for them and they were brilliant, we opened up the doors for all ages too and got in a few DJ's. People were astounded by the atmosphere and pretty shocked how all these kids filled the floor and were really going for it. A lot of people came up and said it was the best thing they'd been to in years. It is a real buzz. Maybe it will develop on its own and some of the young'uns will become promoters.

I personally never intended to be a promoter and I'm not really going to be able to keep up this drive that has taken hold of me to get this film out there - but if someone wanted to take it on to a new level after the film I'd be happy to hand it over if that were to work.

 

film.jpg

 

Q. No doubt you have attracted many offers of advice, who's currently involved?

Loads of people on the scene have given me advice/research on music: Butch, Ady Croasdell, John Anderson, Neil Rushton, Guy Hennigan, Dave Withers. Too many to mention here, but they will all have a credit in the film.

I recorded a lot of interviews with DJ's and heard some great anecdotes. There was a pretty tragic story about a young lad from Stoke who Butch knew who died in the late 70's. He talked about this kid and what happened to him over the course of three or four years, and the story moved me to tears. I based one of the characters loosely on him. After all, we all have friends that we've lost on the scene.

There are several stories about lads running to the local phone box as soon the Soul Bowl record list came through the post and standing there for hours as the phone was constantly engaged. You can imagine tones of lads all over the country doing the same thing all at the same time.

I've also had a lot of help with dancing. We will be profiling all our older folks who come along and help at dance club on the film website in the coming weeks. Apart from Fran and Paul who run the sessions - you may have seen them on the videos - I try and get a few people in here and there to just come along and dance in the mix so the kids can watch them and get ideas - after all, we don't want a load of clones copying just one dancer.

 

Q The video clip to me lays down for all to see where this film is coming from. Was this intentional?

It was intentional. About seven years ago I was aware of around five feature films in development that were going to be based on the NS scene but you hear about these things in the film industry and they don't always come to fruition. I was really gutted when I learned that Soul Boy was actually going to be made. In some ways it spurred me on but in other ways it was crushing.

When I was planning to make the teaser (video clip) I wanted it to show everyone that this film was coming from the inside, and show that the characters were people who took their passion very seriously, so much so that they were not prepared to sell out for a bit of self promotion.

The video clip was made over two years ago and we wanted to wait until Soul Boy went away before releasing it. Which is why it's just going out there now. It's a taste of the kind of attitude to expect and an example for the way it will be filmed.

We are hoping it will get lots of hits on you-tube as the statistics will get us a wider distribution deal.

 

Q. Its been said that the plans are to start shooting in early 2012, is everything finalised for this, such as screenplays locked down, locations, all the necessary backing in place and so on

Filming should start in February if all goes to plan. The screenplay is pretty much the shooting script, and most of the financial backing is in place, but we still have to secure a bit more. Our EIS (Enterprise Investment Scheme) opens at the end of October and we have a fair number of people lined up who are serious investors. I will have a further announcement to make about financing and investment opportunities in a few weeks, so watch this space!

Locations are still to be confirmed, as we have had equity opportunities in different regions. Ideally I would like to film this in Lancashire, as that's my old stomping ground.

 

Q. All things being well, when would you see this being released ?

Possibly the end of 2012, but it could come together a little sooner.

 

Q. Fast forward to a year after the films opening, how would you like joe uk public to ultimately remember this film?

As the most authentic, and magical fictional film about youth culture ever made. Though if a lot of people simply came away thinking it was a good film, I'd be very happy.

 

Q A weary old soul source closing choose a 45 type questions to finish off.

If you had to choose just one track that would be a fair representation of all that this film is about, what would you choose...?

I'm not giving away the sound-track at present but I'll just say that a lot of them will be things discovered in the early to mid seventies. But if your asking me what records I personally Iike, that will NOT be in the film, these are some of my favorites.

Monique's double-sider on Maurci

Johnny McCall's I need you on Alteen

Oscar Wright on Fairmount/Hemisphere

TSU Tornadoes' Only Inside, Cecil Washington, Johnny Rogers, Darrow Fletcher's What Good Am I, Carl Carlton's I Can Feel It; Love, Warmth & Affection on Week End; Dee Edwards' Why Can't There Be Love, Milton James - My Lonely Feeling; Mellow Souls, Paul Smith's Once In A Life Time

 

Many thanks Elaine am sure many will appreciate yourself taking the time and the effort to take part in the above.

To view read more information, background, images etc featuring the whole "Northern Soul" film project you can visit ..

http://www.northernsoulthefilm.com

or e-mail

claire@northernsoulthefilm.com

ns-300.jpg

film.jpg



Edited by mike



Members Comments

Recommended Comments



just watched the teaser,absolutely loved it,elaine and gang are a great bunch of people,what makes this film better equiped than other efforts ? elaine is a real northern lass who as been on the scene for a fair while and is a genuine northern soulie.i know what hard work as been put into this film,even down to little detail.As for the dancers, ive met some of them a few times,theyre a great bunch of kids and maybe one or two of them might not of heard of northern soul before?but i do beleive they genuinly love it now.I i wish elaine and every body involved with this film the very best. Tommo.

Link to comment
Social source share

Again, the hairs on the back of my neck went up watching the 'teaser' & the interview is brilliant.....if anyone can do 'this thing of ours' justice in the format of a movie it is Elaine....I cant wait to see the finished movie & I look forward to it immensely........now can I get VIP tickets to the premier !!!

Keep at it Elaine & team

Best Russ

Link to comment
Social source share

was a good teaser.........please,please don,t overdo the love and brotherhood bit and remember nighters in them days were very scary places indeed..........looking forward to it though :thumbup:

Link to comment
Social source share

Yes .... for once im looking forward to seeing a film which looks like its going to tick all the correct boxes..... instead of the usual crap/piss takes enjoyed the teaser and like the bit where the presenter gets nutted ( which as aready been said :thumbup:

Link to comment
Social source share

I for one can't wait for this film. It is a film that is being produced by the right people for the right reasons. I know that was just a teaser but it made me smile (not cringe) all the way through it.

Elaine hurry up will you!

Link to comment
Social source share

Yes .... for once im looking forward to seeing a film which looks like its going to tick all the correct boxes..... instead of the usual crap/piss takes enjoyed the teaser and like the bit where the presenter gets nutted ( which as aready been said :thumbup:

If only reality could have mirrored fiction........alah...........Paul O'Grady, now that would have been good tea time television!!

Link to comment
Social source share

If only reality could have mirrored fiction........alah...........Paul O'Grady, now that would have been good tea time television!!

Indeed Chris , now that would have been good telly :yes: indeed

Link to comment
Social source share

Looks great, when it's released, hope the media treats it with the respect it deserves, I suspect not but hope so, although Soul Boy wasn't a complete turkey, it was a wasted opportunity, I'm sure Elaine Constantine step in & will produce a good movie to put things right.

Dare I say it (going off the teaser) Trainspotting meets This England!

Link to comment
Social source share

It looks good.....tats on knuckles, fag smoking,naughty boy stuff and a Tony Wilson type.....got some mid seventies northern scooter scene cine footage if they want it.

Link to comment
Social source share

From what I see this will be well worth watching. Sure looks better than grainy footage I have seen of different nights someone recorded in early to mid 70's, which Len kindly shared with me a few months back! :thumbsup:

Link to comment
Social source share

was a good teaser.........please,please don,t overdo the love and brotherhood bit and remember nighters in them days were very scary places indeed..........looking forward to it though :thumbup:

No they weren't at all; unless you'd overdone the gear!

Link to comment
Social source share

On 10/3/2011 at 22:54, milliontears said:

don't give a F... with it !

Why?

And do you mind posting an intro for other members please, just say hello let us know a bit about you :thumbsup:

 

Link to comment
Social source share

doing REAL film about today's scene with protagonists , current dj's and dancers , clubs , fans , records dealers etc would have been much more interesting than this prefabricated piece of shit .

Next one by Walt Disney.

Link to comment
Social source share

doing REAL film about today's scene with protagonists , current dj's and dancers , clubs , fans , records dealers etc would have been much more interesting than this prefabricated piece of shit .

Next one by Walt Disney.

Who would want to see a film about a bunch of moaning awld fellahs arguing about OVO vs pressings, oldies verse newies, or big awld gals in circle skirts skipping around and chubby sweaty blokes trying to do back drops with a slipped disc. :rofl:

Prefrabricated - so if a film is fictional its prefrabricated? Are you advocating a documentry movement like Grierson :)

Reality sucks - give me fiction please!

Link to comment
Social source share

doing REAL film about today's scene with protagonists , current dj's and dancers , clubs , fans , records dealers etc would have been much more interesting than this prefabricated piece of shit .

Next one by Walt Disney.

I'm afraid it would not old chap.

Link to comment
Social source share

Loved the teaser, expected no less from someone with the passion and grounding on the scene that Elaine has.

Really looking forward to it

Link to comment
Social source share

John Grierson was regular to Wigan Casino ?

Is this fiction or reality ?

He would be a bit old to be giving it some Philly Dog given he was born in around 1910

Link to comment
Social source share

No they weren't at all; unless you'd overdone the gear!

err ....l beg to differ.........saw a gun brandished at VA VA....theres many a fella relieved of his bomber jacket,leather coat,gear and money....and many a fistycuffs fair or otherwise knives were rather a common feature as well for use or to threaten...a lot of the love and togetherness hugs and kisses we get nowadays were not there back in the day......but hey take ya point sure this nice lady will keep it real and properly balanced can,t wait tezza

Link to comment
Social source share

err ....l beg to differ.........saw a gun brandished at VA VA....theres many a fella relieved of his bomber jacket,leather coat,gear and money....and many a fistycuffs fair or otherwise knives were rather a common feature as well for use or to threaten...a lot of the love and togetherness hugs and kisses we get nowadays were not there back in the day......but hey take ya point sure this nice lady will keep it real and properly balanced can,t wait tezza

I'm not disputing those events Terry but I went all over the place and there were loads of very bad boys but I can't remember once seeing a fight let alone knives and guns. I never once felt the least bit intimidated from my first nighter at Kelmarsh, me with shoulder length hair and 100 skinheads I'd never seen before several from Corby which was as tough a town as you could wish for! There was a lot of togetherness, it was a tiny movement and if you were in it and dug it you were accepted and welcomed. At Kelmarsh this skin girl said "It's nice to see some weirdos here"; and that was a complement; I think!

Link to comment
Social source share

I'm not disputing those events Terry but I went all over the place and there were loads of very bad boys but I can't remember once seeing a fight let alone knives and guns. I never once felt the least bit intimidated from my first nighter at Kelmarsh, me with shoulder length hair and 100 skinheads I'd never seen before several from Corby which was as tough a town as you could wish for! There was a lot of togetherness, it was a tiny movement and if you were in it and dug it you were accepted and welcomed. At Kelmarsh this skin girl said "It's nice to see some weirdos here"; and that was a complement; I think!

like the last bit about nice to see some weirdos here..........thats what l still like to see lol atb t

Link to comment
Social source share

doing REAL film about today's scene with protagonists , current dj's and dancers , clubs , fans , records dealers etc would have been much more interesting than this prefabricated piece of shit .

Next one by Walt Disney.

Try & keep your remarks constructive buddy, Elaine is my friend & whilst I have reservations about films like Soulboy, Elaine has/is on a labour of love, so whilst your entitled to voice your opinions 'prefabricated Piece of sh*t ' is a very poor choice of words.

Best Russ

Link to comment
Social source share

like the last bit about nice to see some weirdos here..........thats what l still like to see lol atb t

Looks good.Defy anyone not to get the hairs on the back of the neck feeling when Lou Pride kicks in !!

No mention of nicking a moped to get home Tezza? What was up with the guy in the cravat,looked a bit excitable.

Link to comment
Social source share

On 04/10/2011 at 16:52, milliontears said:

doing REAL film about today's scene with protagonists , current dj's and dancers , clubs , fans , records dealers etc would have been much more interesting than this prefabricated piece of shit .

Next one by Walt Disney.

On 05/10/2011 at 10:07, Russ Vickers said:

Try & keep your remarks constructive buddy, Elaine is my friend & whilst I have reservations about films like Soulboy, Elaine has/is on a labour of love, so whilst your entitled to voice your opinions 'prefabricated Piece of sh*t ' is a very poor choice of words.

Best Russ

I agree I'm all for open debate and opinions and views from both sides, both for and against but the language used by million tears is somewhat OTT for a two minute trailer.

As before can you please post an intro about yourself at the following link......

Members Shouts and Intros

Link to comment
Social source share

Leaving aside Milliontears choice of language I have to agree with him. It looks forced and unnatural.

Im guessing the TV studio bit is loosely based on Grundy v. Sex Pistols. I suppose you have to sex it up because basically unless you're involved it's just not that interesting to a wider audience.

And what was that guff about spirit and soul in the voice-over at the end. Makes us seem like a load of new-agers searching for something to belong to when it was a night out where you could listen to music you liked. Exactly the same as any other lot going down the local disco.

ROD

Link to comment
Social source share

Leaving aside Milliontears choice of language I have to agree with him. It looks forced and unnatural.

Im guessing the TV studio bit is loosely based on Grundy v. Sex Pistols. I suppose you have to sex it up because basically unless you're involved it's just not that interesting to a wider audience.

And what was that guff about spirit and soul in the voice-over at the end. Makes us seem like a load of new-agers searching for something to belong to when it was a night out where you could listen to music you liked. Exactly the same as any other lot going down the local disco.

ROD

have to agree with this.....even the clip had a whiff of the old cheddar........as l said hope not keep it real.....maybe get some research about the seamier side.......without it, it may come across a bit like soulboy without trying tezza

Link to comment
Social source share

Jesus all that hu ha again because bits n bobs ain't right!!!! Sorry, I am not a spring chicken anymore but if some of your old moaning armchair warriors don't like it maybe some kids may even like it like like it like even more!!! Ah result!!! Anyway if you could have Pulb Fiction with a Northern Twist I bet some people will moan about that you guys play mainly snooker in England and therefore the banging scene was wrong ;)

Nevertheless I believe it's gonna be great maybe with a few dodgy bits but hey, enjoy the ride or watch a documentary!!!! :hatsoff2:

Link to comment
Social source share

Im not denying there was as you put it a "seamier side", although I'd be more inclined to say it was more a rough edge but I think by the time Wigan opened a lot of that had gone because the older guys had moved on and out.

Torch and Va Va and a few Wigans were probably the end of the line for most of those who'd gone to the Wheel. The guys around Manchester when I was getting into it around '69 had mostly disappeared by 1974. I guess to younger people they may have appeared intimidating and some would take advantage of that but considering the make-up of that pre-Wigan scene it was still trouble free compared to a night out at the local disco with the boozed up morons.

ROD

Link to comment
Social source share

Im not denying there was as you put it a "seamier side", although I'd be more inclined to say it was more a rough edge but I think by the time Wigan opened a lot of that had gone because the older guys had moved on and out.

Torch and Va Va and a few Wigans were probably the end of the line for most of those who'd gone to the Wheel. The guys around Manchester when I was getting into it around '69 had mostly disappeared by 1974. I guess to younger people they may have appeared intimidating and some would take advantage of that but considering the make-up of that pre-Wigan scene it was still trouble free compared to a night out at the local disco with the boozed up morons.

ROD

I'm not sure why the seamier side is so important to some people, I don't think it would be the first recollection for the majority of people who attended nighters in the 7Ts, so not really that relevant for me. I'd just like to see the film given a chance and not see people pre-empt what might and might not be part of the film, we just seem to be getting grumpier by the minute..........

Link to comment
Social source share

Hope the story lines a bit more real rather then the scene looking crap with loads of sad people -sell it to get people interested like it was

at least it looks like the dancers can dance to northern ?

Link to comment
Social source share

Im not denying there was as you put it a "seamier side", although I'd be more inclined to say it was more a rough edge but I think by the time Wigan opened a lot of that had gone because the older guys had moved on and out.

Torch and Va Va and a few Wigans were probably the end of the line for most of those who'd gone to the Wheel. The guys around Manchester when I was getting into it around '69 had mostly disappeared by 1974. I guess to younger people they may have appeared intimidating and some would take advantage of that but considering the make-up of that pre-Wigan scene it was still trouble free compared to a night out at the local disco with the boozed up morons.

ROD

my point is....the scene must be portrayed as it was....thats all!!.......there could be a tendancy to portray it back then as it is now in some quarters nice and flowery "we're all one big loved up soul family ". Dispite what a lot think the music was NOT the be all back then as it is nowadays it was the nighters themselves that had more significance they attracted as many bad as good fellas....I am sure the lady will weave this into her film and she'll get it spot on

Link to comment
Social source share

Can't see much difference between this and the early sneak previews we got of Soul Boy to be honest, apart from the incredible bias shown by members of the forum.

Soul Boy was crap before it was even made, this one was brilliant before it was even made. And now it's even more brilliant because you've seen a minutes worth of footage.

Soul Boy wasn't very good, I hope this one will be much better.

I personally welcome anything like this film.

Link to comment
Social source share

GREAT CLIP!...it certainly wets the appetite, going to be a bit of a wait before we get the finished article but it has to be a 1000 times better than the previous lacklustre offering...the headbutt is a distinct nudge towards commercial establishment interference, and, is even moreso correct right now.....GET THE KNIVES OUT NOW AND STAB THOSE BARSTEWARDS BEFORE THEY DO IT TO US! :wicked: ...so to speak. i think we're all getting excited at the prospect of for once seeing our "landscape" painted in a true perspective....it has to be about why the scene is here, why it survives and why in those tortueous early days it had to deal with its own growing pains, amidst the media furore and band wagon jumping. set against a 70's backdrop that, almost in its entireity, is a forgettable decade :sleep3: , northern soul has been escapism from run-of-the-mill, mundane life...thats what it was for us of a certain agegroup who had to endure it. so if the film, as we've seen in this trailer is setting out to make the media look as banal as they always have been, then so much the better and....if it brings an accepability of this genuine original music to a wider audience in a way that is both serious, funny and thought provoking, then we will all have reached our goal....a film that does what it says on the tin. :thumbsup:

Link to comment
Social source share

Can't see much difference between this and the early sneak previews we got of Soul Boy to be honest, apart from the incredible bias shown by members of the forum.

Soul Boy was crap before it was even made, this one was brilliant before it was even made. And now it's even more brilliant because you've seen a minutes worth of footage.

Soul Boy wasn't very good, I hope this one will be much better.

I personally welcome anything like this film.

i love you man,.....you're so reserved :lol:

Link to comment
Social source share




Get involved with Soul Source

Add your comments now

Join Soul Source

A free & easy soul music affair!

Join Soul Source now!

Log in to Soul Source

Jump right back in!

Log in now!



×
×
  • Create New...