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Non-Soul Ns Classics


Barry

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Loose conversational topic, I don't want an argument about what is and isn't 'soul' - just tracks that wouldn't fit the norm for a 'soul track' per se.

The Anderson Brothers - I Can See Him Loving You

Edited by Barry
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Always loved 'Lips to your Heart - The Nightwatch' (covered as The Ellingtons IIRC). Massive at Station Rd but now considered just another Crap white pop record for the Wigan dance crowd....... apparently!.

Edited by Zed1
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How about the Cate Bros - Where Can We Go. Was even covered up as the Anderson Bros as mentioned in the original post.

Was once told that they were (hate this term) Blue Eyed Soul boys but the title of their biggest selling album kinda gave it away - Crazy Cajun.

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Guest Phoenix8049

April Stevens - Wanting You

Village Sounds - These Windows

Barry St John - Everything I Touch Turns To Tears

All good records,but i would hardly call them soul.

Stu

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Theme from Coloured Man - Teddy Vann Orch

Theme From the fantastic plastic machine - harold betts

Theme from Police Story - pat williams

Probably anything with 'theme' in the title...

stop girl - 7 dwarfs

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Guest Polyvelts

on my 1st visit to the casino bryan highland the joker went wild was played twice !! september 78 , got to be the worst thing played there

One of the worst !! Ever !!!!

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Theme from Simon Locke

You mean "BOLT" :D:thumbsup:

Locke's Theme rules.

Yes it does.

I was wrong when I said 'just about anything with the word 'Theme'in the title a few posts ago, what I should have said, judging on the later posts, was, "just about any instrumental"!

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I don't know why "Locke" wasn't bigger than it ever was. It's a hundred times better than "Cochise" for example and it was a genuine TV show theme rather than a hypothetical or made up one.

While it's not a soul record it does have black music at its heart (the bass playing, the piano etc. all have their roots in soul-jazz) and would have been played by seasoned jazz session musicians. That's the point of a lot of these instrumental things: they are broadly based on black music and are at least soul-influenced.

An instrumental I've always really liked which probably has no links whatsoever to black music is "Forest Fire On Main Street" by Gasoline Powered Clock, which is pretty much a straight ahead Surf meets Texas Garage 45. The bloke behind the record, Norm Miller, had a later album on White Whale which features brilliant songwriting and arrangements.

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I don't know why "Locke" wasn't bigger than it ever was. It's a hundred times better than "Cochise" for example and it was a genuine TV show theme rather than a hypothetical or made up one.

While it's not a soul record it does have black music at its heart (the bass playing, the piano etc. all have their roots in soul-jazz) and would have been played by seasoned jazz session musicians. That's the point of a lot of these instrumental things: they are broadly based on black music and are at least soul-influenced.

An instrumental I've always really liked which probably has no links whatsoever to black music is "Forest Fire On Main Street" by Gasoline Powered Clock, which is pretty much a straight ahead Surf meets Texas Garage 45. The bloke behind the record, Norm Miller, had a later album on White Whale which features brilliant songwriting and arrangements.

It was a hard record to find Gareth, nearly all copies were doubles sided demos of the A side "Score", in fact I don't think I had one for 30 years until someone found a small batch of unsold store stock about 6 years back and I bought 3 copies, one of which I still have. I have one recorded spin of it at Wigan (11/3/78) by Russ and I think it was played locally round our way, otherwise it's been deleted from the history books (it only made the Manship guide with this latest edition). Me and Mr. C used to love it at the time though.

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Interesting info Pete. Agreed it's a tough one to track down.

Following on from my Gasoline Powered Clock comment, what about another record I assume was also a Gary Rushbrooke spin: The Other Ones on Knoll. Vocally and lyrically about as far away as you can get from street level ghetto soul, yet a minor Northern classic.

Slim connection to soul music is that it was written by Joey Levine, who wrote and recorded (as Joey Edwards) the original version of "How Big Is Big".

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How about the Cate Bros - Where Can We Go. Was even covered up as the Anderson Bros as mentioned in the original post.

Was once told that they were (hate this term) Blue Eyed Soul boys but the title of their biggest selling album kinda gave it away - Crazy Cajun.

Great record, although I must admit on the album cover they look more like Bo & Luke Duke from the Dukes of Hazzard. Wasn't this a Dave Raistrick discovery??? :g:

Steve

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Keep on keepin on by NF Porter is almost a rock track with that moody guitar riff and psychedelic sound affects , still love it tho

Could the influence be the fact that Nolan (NF) is married to Candice Zappa.... sister to the late Frank Zappa of legendary proportions on the folk / rock scene :D :D :D

Steve

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Purple Haze.............. to be honest you could get James Brown, Etta James, Aretha Franklyn, Marvin Gaye, Jackie Wilson, Sam Fletcher, Sam Dees, Otis Redding.... and many others all in the studio together... and it would still sound like a rock record :yes:... because it is :thumbup:

Steve

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