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The Brits


Paddy Ferry

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tls.  All very valid comments, however, too each his own I say, therefore I'm not sure it is worth getting that hot under the collar, apologies if that is not the case  :)

Cheers Soulman58, I'm not hot under the collar at all. When something is hammered and amplified some more and you might be tempted to show there's another way of seeing it; DO IT !  Mind you, no replies from me to follow-ups (hot-n-rude under the collar) or references to previous and/or later aggressive posts. I don't need to get into an endless dispute where there's no argumentation to be given to insinuations in place of arguing with given opinions. I just wanted to speak my peace and make it clear as to where I stand with such topics/products as others did also. To make it clear to those who read what i didn't write; the dancers were good dancers IMO, I have nothing against THE youth, I am not old, only 43 ! And I do have friends who like stuffs I don't music-wise also. We get along fine and have good talk, laughs and joy doing so. And finally I never justify myself; I share.

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I remember in 1979 as a 17 year old, I was already into Northern Soul (since 1976) and then got into Ska/Reggae via the 2-Tone movement. Oh, how the old '69 Skinheads rebuked us...."we were there first time around, the Specials are just copying Prince Buster etc, etc".

Because of 2-Tone. which was dissed by the old firm, I now have a nice collection of original authentic Jamaican Ska/Reggae 45's and L.P's alongside my Northern Soul collection.

 

I suppose the point is there's no set point where you have to begin liking a certain type of music....     

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Hi Chippy, serious question do you think NS has been rebellious at any stage since the term was created?

Hello mate,

 

The short answer to your question is, no. However, the point I'm trying to make is not really about NS at all, but UK music as whole within the context of the type of acts who were showcased last night at The Brits.

 

As explained, I really don't think it's a big deal to have some young dancers supporting Pharrell Williams and his pop record - that they are apparently actively involved in NS is great to know, but for me it added bugger all to quite a dull event. This may be because I've come to this music via a slightly different route over time.

 

I am not now, nor ever have been really interested in the whole Wigan, Stoke, 100 Club etc Northern Soul all nighter culture. Please don't get me wrong, I'm certainly not knocking it at all and understand how important these places and events have been to the scene's development and history since the term NS was coined, but R&B and soul music is just one of a number of types of music that I enjoy.

 

For me it was the whole punk thing of the mid-seventies that ignited my imagination, and it was only when that eventually gravitated to the mod culture in the late seventies that R&B and soul music started to grab my attention and interest.

 

At this point I luckily inherited a fantastic record collection from my two much older sisters who were mods during the sixties, but the pure excitement and adrenalin of that whole punk thing is something that I have never replicated since, and is why it pains me to watch such calculated rubbish being thrown at young people at last nights event...

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What's all the fuss about because Darrell Banks, Jackie Wilson, Major Lance are still Gods and David Ruffin is still in charge so don't stress people.

Seen all them live over the years so whats stress got to do with fuss, little bit of NS comes on the tv and there's a big debate about it. If im stressing someone out comes see me face to face at lifeline as i said end off. cheers billy

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Seen all them live over the years so whats stress got to do with fuss, little bit of NS comes on the tv and there's a big debate about it. If im stressing someone out comes see me face to face at lifeline as i said end off. cheers billy

 

Was Darrell Banks live in a cemetary?

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Seen all them live over the years so whats stress got to do with fuss, little bit of NS comes on the tv and there's a big debate about it. If im stressing someone out comes see me face to face at lifeline as i said end off. cheers billy

My point was more about we have the real deal with the music and what was on the television last night has nothing to do with the NS scene apart from by association a few dance moves.

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No commercial value? All I can remember from 1968-75 were lots of Northern Soul being in the UK charts - "This Old Heart Of Mine", "Breaking Down The Walls Of Heartache", "Heaven Must Have Sent You", "Hey Girl Don't Bother Me", "There's A Ghost In My House" etc, etc. I think there's always been periods when the scene has been 'on the radar' of the general public before slipping back underground again......

 

Ian D :D  

 

That's hardly the commercialisation of the scene I'm referring to!

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Looks as if I'm in a small minority here, but I can't stand either Pharrell Williams or the poxy song - it's one of those irritating tunes that just, well, grates, really. 

 

I'm with you. I only came on here to try to work out the connection between this crap and Velvet Hammer. Is it really just that lassie's youtube thing? Really?

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Didn't see the full Brits but if this Pharrell clip is anything to go by, looked like a top night!

 

Like it or not, 'the Brits' represent the UK's finest (allegedly) of the British music industry.  So, we were bloody lucky to have Nile & Pharrell on!

 

The soulful-pop monster that is 'Happy' has yet to grate on me.   I thought the girls were awesome, and quite naturally brilliant.  (Anyone dancing regular in the UK south of 'Manchester' might already know this!)

 

It's not every day NS young regulars get the chance to add character to a predictable (albeit, 4 minute) 'professional' live stage performance - but they gave it large, looked cool throughout (I especially liked the choreographed 'Freeze!' moves :) ), and did themselves proud.  Oh Yeah!  Take a bow ladies.

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I'm with you. I only came on here to try to work out the connection between this crap and Velvet Hammer. Is it really just that lassie's youtube thing? Really?

 

Thats absolutely all it is, two tracks edited together so badly it makes Jive Bunny sound like the genius of remix.

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You had to stick your two peneith in pete and yeah i've spelt it wrong. No i didnt see darrell banks his old man has a lot to answer for. hope you keep well and the family cheers billy

 

I had to cos you said you'd seen Darrell Banks live and I don't know anyone else who has!

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Name's not Chippy but back in the early 70's, staying out all night alone was considered "rebellious", let alone any of the other baggage that went with being seriously on the Northern scene.hi Pete,

 

 

Apols as I linked the reply to the wrong individual.   I was around from early 74, not sure any scene that tries to stay underground is truly rebellious unless we were plotting for when the cameras arrived!!  :)

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Long thread and I can't remember who said something about young people using modern tools and social media but good point. Lev and the other dancers were all taking an amazing opportunity to be involved in an event like this. I didn't watch it 'cos I wasn't interested but I can still appreciate the buzz of just being there and even being on stage.

 

i think Lev's YouTube clips are a creative bit of fun and if we can't enjoy the fact that a younger generation are getting into Northern then god help us. Sure we can all be snobby and try to assert how many years we've been into the music but there's not going to be anyone who just appeared on the scene fully formed out of nowhere. We all began somewhere, we all learnt on the way, and hopefully we can all keep learning.

 

For an event like The Brits it's not surprising that the dancers were styled with a fairly uniform set of clothes, and that they were choreographed as well. Would have been nice to see Lev and the others free to dress as they choose but then the show wasn't aimed at us was it?

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Hello mate,

 

The short answer to your question is, no. However, the point I'm trying to make is not really about NS at all, but UK music as whole within the context of the type of acts who were showcased last night at The Brits.

 

As explained, I really don't think it's a big deal to have some young dancers supporting Pharrell Williams and his pop record - that they are apparently actively involved in NS is great to know, but for me it added bugger all to quite a dull event. This may be because I've come to this music via a slightly different route over time.

 

I am not now, nor ever have been really interested in the whole Wigan, Stoke, 100 Club etc Northern Soul all nighter culture. Please don't get me wrong, I'm certainly not knocking it at all and understand how important these places and events have been to the scene's development and history since the term NS was coined, but R&B and soul music is just one of a number of types of music that I enjoy.

 

For me it was the whole punk thing of the mid-seventies that ignited my imagination, and it was only when that eventually gravitated to the mod culture in the late seventies that R&B and soul music started to grab my attention and interest.

 

At this point I luckily inherited a fantastic record collection from my two much older sisters who were mods during the sixties, but the pure excitement and adrenalin of that whole punk thing is something that I have never replicated since, and is why it pains me to watch such calculated rubbish being thrown at young people at last nights event...

That explains it perfectly.  :)

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:thumbsup:

 

 

In that case I misinterpreted your point. I guess it all depends on one's interpretation of what constitutes commercialisation of the scene. I think this "Happy" phenomenon has come about totally accidentally as opposed to being pre-meditated. I don't think Pharrell Williams had ever heard of Northern Soul until he saw the You Tube clip with the sprightly lass. Since then, the record has become something of a phenomenon, in that it's already been No.1 on two separate occasions in the last 6 weeks, and, as of today, it's back at No.2 and threatening to be No.1 yet again. It's now sold close to 900,000 copies in the UK alone and should pass the million mark in the next 2 weeks. It was originally written for a film soundtrack so no premeditation there.

Interesting fact: no one in the USA knows this record. It's not even available as a single over there. This is a purely European phenomenon.

Personally, I think it's great. Once again, the British (and European) public have taken a U.S. Uptempo Soul record to their hearts and made it a massive smash. Not that different to what happened with Curtis Mayfield's "Move On Up" in the early 1970's.

If nothing else, it show's that the UK public can still massively react to great uptempo Pop/Soul records, which I think is a good thing!

ian D :)

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In the old days bastards like me would have just carried on and waited for the next discovery to replace Ann Perry, Fabulous Jades, Popcorn Wylie, Jodi Mathis......and travel to a club in Blackpool, Todmorden, Wigan. Now all I have to do is turn on a telly, radio or PC....wahey, instant "scene"!

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In the old days bastards like me would have just carried on and waited for the next discovery to replace Ann Perry, Fabulous Jades, Popcorn Wylie, Jodi Mathis......and travel to a club in Blackpool, Todmorden, Wigan. Now all I have to do is turn on a telly, radio or PC....wahey, instant "scene"!

 

:lol:  :lol:  :lol:

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In that case I misinterpreted your point. I guess it all depends on one's interpretation of what constitutes commercialisation of the scene. I think this "Happy" phenomenon has come about totally accidentally as opposed to being pre-meditated. I don't think Pharrell Williams had ever heard of Northern Soul until he saw the You Tube clip with the sprightly lass. Since then, the record has become something of a phenomenon, in that it's already been No.1 on two separate occasions in the last 6 weeks, and, as of today, it's back at No.2 and threatening to be No.1 yet again. It's now sold close to 900,000 copies in the UK alone and should pass the million mark in the next 2 weeks. It was originally written for a film soundtrack so no premeditation there.

Interesting fact: no one in the USA knows this record. It's not even available as a single over there. This is a purely European phenomenon.

Personally, I think it's great. Once again, the British (and European) public have taken a U.S. Uptempo Soul record to their hearts and made it a massive smash. Not that different to what happened with Curtis Mayfield's "Move On Up" in the early 1970's.

If nothing else, it show's that the UK public can still massively react to great uptempo Pop/Soul records, which I think is a good thing!

ian D :)

 

I'm not suggesting the Pharrell record was a premeditated attempt at commercialising Northern Soul. I realise that's not the case. I'm just pointing out that Northern Soul has developed and survived thanks in no small part to the fact that it is (was) very difficult to market. A million selling pop record is about as far from what I understand Northern Soul to be as it's possible to get.

 

Despite my numerous replies here though, I'm actually not that bothered by it. It'll be forgotten soon enough, same as the Daft Punk Zeitgeist/summer of disco bullshit that everyone was getting all excited about recently and went nowhere.

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